Jacob Kramer - Böcker

Radicals such as socialists, syndicalists, and anarchists are often thought of as marginal in American history. However, in the early decades of the twentieth century, progressives-those who sought to regulate big business, reduce class conflict, and ameliorate urban poverty-took the radicals’ ideas very seriously.In The New Freedom and the Radicals, Jacob Kramer deftly examines how progressivism emerged at a time of critical transformation in American life. Using original archival sources, Kramer presents a study of Wilsonian-era politics to convey an understanding of the progressives’ views on radical America.The New Freedom and the Radicals shows how the reactions of progressives to radicals accelerated the pace of reform in the United States, but how the movement was at times predisposed to repressing the radical elements to its left. In addition, Kramer asks to what extent progressives were responding to and influenced by those who opposed the state, capitalism, and the class structure altogether, as well as how progressives’ views of them changed in relation to events.

Radicals such as socialists, syndicalists, and anarchists are often thought of as marginal in American history. However, in the early decades of the twentieth century, progressives-those who sought to regulate big business, reduce class conflict, and ameliorate urban poverty-took the radicals’ ideas very seriously.In The New Freedom and the Radicals, Jacob Kramer deftly examines how progressivism emerged at a time of critical transformation in American life. Using original archival sources, Kramer presents a study of Wilsonian-era politics to convey an understanding of the progressives’ views on radical America.The New Freedom and the Radicals shows how the reactions of progressives to radicals accelerated the pace of reform in the United States, but how the movement was at times predisposed to repressing the radical elements to its left. In addition, Kramer asks to what extent progressives were responding to and influenced by those who opposed the state, capitalism, and the class structure altogether, as well as how progressives’ views of them changed in relation to events.

"I love Noodlephant—brilliant & necessary, and the parable we need now." —Dave Eggers, Best-Selling Author, Editor, Publisher, and Co-Founder of 826 NationalFamous for her pasta parties, Noodlephant is shocked when the law-loving kangaroos decide noodles are only for them!Noodlephant won’t let this stand—Noodlephants can’t survive on sticks and branches, after all. Determined to do something to push back against an unjust law, she and her friends invent a machine that transforms pens into penne, pillows into ravioli, and radiators into radiatori. With that, the pasta parties are back! But that very night, the kangaroos come bounding through the door… ready to enforce their unjust laws. A zany tale full of pasta puns, friendship, and one Phantastic Noodler, Noodlephant, written by Jacob Kramer and illustrated by K-Fai Steele, explores a community’s response to injustice.

Now that all animals have equal rights, andthe Phantastic Noodler is public property,Beaston is the perfect place for pastaparties. Creatures flock from far and wide totransform string into spaghetti and pillowsinto ravioli. But things take a turn whena wealthy Okapi-talist sees an investmentopportunity. He cuts a deal with the Mayor,buys the Noodler, and suddenly thingschange for the worse. With privatizationcome monopoly, exploitation, pollution, andpoverty. As for Noodlephant, she’s off inJapan and China, slurping up ramen, soba,and biang biang. What will Noodlephant’sfriends face as they struggle to regain theirtown? Will Noodlephant ever return?And how will Beaston resolve the age oldquestion: To whom does the PhantasticNoodler belong? Read on for a tale of power,politics, and of course … pasta!

From the author of Noodlephant and an up-and-coming Palestinian artist, this rollicking fable about humans, nature, self-determination . . . and one giant watermelon will take you on a journey of big ideas and song!A vine is growing near Farmer Brown’s ditch. Soon enough, its tendrils reach through Farmer Purple’s pasture, across Francine Cranston’s parlor, around the local school, and all the way to the tippy top of the tallest slide in Franklin Flume’s Water Park. And that’s where a watermelon begins to grow and grow and grow.Soon enough, the townspeople start to argue over who really owns the watermelon. “It eats my compost!” “It sunbathes on my porch!” “It drinks my birdbath!” “Mine! Mine! Mine! Mine! Mine!” But nobody thinks to ask the watermelon to whom it belongs. Just as the Runaway Gingerbread Man of prior times made clear, and as the townspeople will learn, not everything and everyone can be owned, and what we all share is the deep instinct to grow and live freely.