Jacob Norris – författare

Histories of Palestine in the pre-1948 period usually assume the emergent Arab-Zionist conflict to be the central axis around which all change revolves. In Land of Progress Jacob Norris suggests an alternative historical vocabulary is needed to broaden our understanding of the region''s recent past. In particular, for the architects of empire and their agents on the ground, Palestine was conceived primarily within a developmental discourse that pervadedcolonial practice from the turn of the twentieth century onwards. A far cry from the post-World War II focus on raising living standards, colonial development in the early twentieth century was more interested in infrastructure and the exploitation of natural resources.Land of Progress charts this process at work across both the Ottoman and British periods in Palestine, focusing on two of the most salient but understudied sites of development anywhere in the colonial world: the Dead Sea and Haifa. Weaving the experiences of local individuals into a wider narrative of imperial expansion and anti-colonial resistance, Norris demonstrates the widespread excitement Palestine generated among those who saw themselves at the vanguard of progress andmodernisation, whether they were Ottoman or British, Arab or Jewish. Against this backdrop, Norris traces the gradual erosion during the mandate period of the mixed style of development that had prevailed under the Ottoman Empire, as the new British regime viewed Zionism as the sole motor of modernisation. As aresult, the book''s latter stages relate the extent to which colonial development became a central issue of contestation in the struggle for Palestine that unfolded in the 1930s and 40s.

Histories of Palestine in the pre-1948 period usually assume the emergent Arab-Zionist conflict to be the central axis around which all change revolves. In Land of Progress Jacob Norris suggests an alternative historical vocabulary is needed to broaden our understanding of the region's recent past. In particular, for the architects of empire and their agents on the ground, Palestine was conceived primarily within a developmental discourse that pervaded colonial practice from the turn of the twentieth century onwards. A far cry from the post-World War II focus on raising living standards, colonial development in the early twentieth century was more interested in infrastructure and the exploitation of natural resources. Land of Progress charts this process at work across both the Ottoman and British periods in Palestine, focusing on two of the most salient but understudied sites of development anywhere in the colonial world: the Dead Sea and Haifa. Weaving the experiences of local individuals into a wider narrative of imperial expansion and anti-colonial resistance, Norris demonstrates the widespread excitement Palestine generated among those who saw themselves at the vanguard of progress and modernisation, whether they were Ottoman or British, Arab or Jewish. Against this backdrop, Norris traces the gradual erosion during the mandate period of the mixed style of development that had prevailed under the Ottoman Empire, as the new British regime viewed Zionism as the sole motor of modernisation. As a result, the book's latter stages relate the extent to which colonial development became a central issue of contestation in the struggle for Palestine that unfolded in the 1930s and 40s.

This is the fantastical, yet real, story of the merchants of Bethlehem, the young men who traveled to every corner of the globe in the nineteenth century. These men set off on the backs of donkeys with suitcases full of crosses and rosaries, to return via steamship with suitcases stuffed with French francs, Philippine pesos, or Salvadoran colones. They returned with news of mysterious lands and strange inventions—clocks, trains, and other devices that both befuddled and bewitched the Bethlehemites. With newfound wealth, these merchants built shimmering pink mansions that transformed Bethlehem from a rural village into Palestine's wealthiest and most cosmopolitan town. At the center of these extraordinary occurrences lived Jubrail Dabdoub. The Lives and Deaths of Jubrail Dabdoub tells the story of Jubrail's encounters, offering a version of Palestinian history rarely acknowledged. From his childhood in rural Bethlehem to later voyages across Europe, East Asia, and the Americas, Jubrail's story culminates in a recorded miracle: in 1909, he was brought back from the dead. To tell such a tale is to delve into the realms of the fantastic and improbable. Through the story of Jubrail's life, Jacob Norris explores the porous lines between history and fiction, the normal and the paranormal, the everyday and the extraordinary. Drawing on aspects of magical realism combined with elements of Palestinian folklore, Norris recovers the atmosphere of late nineteenth-century Bethlehem: a mood of excitement, disorientation, and wonder as the town was thrust into a new era. As the book offers an original approach to historical writing, it captures a fantastic story of global encounter and exchange.

This is the fantastical, yet real, story of the merchants of Bethlehem, the young men who traveled to every corner of the globe in the nineteenth century. These men set off on the backs of donkeys with suitcases full of crosses and rosaries, to return via steamship with suitcases stuffed with French francs, Philippine pesos, or Salvadoran colones. They returned with news of mysterious lands and strange inventions—clocks, trains, and other devices that both befuddled and bewitched the Bethlehemites. With newfound wealth, these merchants built shimmering pink mansions that transformed Bethlehem from a rural village into Palestine's wealthiest and most cosmopolitan town. At the center of these extraordinary occurrences lived Jubrail Dabdoub. The Lives and Deaths of Jubrail Dabdoub tells the story of Jubrail's encounters, offering a version of Palestinian history rarely acknowledged. From his childhood in rural Bethlehem to later voyages across Europe, East Asia, and the Americas, Jubrail's story culminates in a recorded miracle: in 1909, he was brought back from the dead. To tell such a tale is to delve into the realms of the fantastic and improbable. Through the story of Jubrail's life, Jacob Norris explores the porous lines between history and fiction, the normal and the paranormal, the everyday and the extraordinary. Drawing on aspects of magical realism combined with elements of Palestinian folklore, Norris recovers the atmosphere of late nineteenth-century Bethlehem: a mood of excitement, disorientation, and wonder as the town was thrust into a new era. As the book offers an original approach to historical writing, it captures a fantastic story of global encounter and exchange.

This is the fantastical, yet real, story of the merchants of Bethlehem, the young men who traveled to every corner of the globe in the nineteenth century. These men set off on the backs of donkeys with suitcases full of crosses and rosaries, to return via steamship with suitcases stuffed with French francs, Philippine pesos, or Salvadoran colones. They returned with news of mysterious lands and strange inventions—clocks, trains, and other devices that both befuddled and bewitched the Bethlehemites. With newfound wealth, these merchants built shimmering pink mansions that transformed Bethlehem from a rural village into Palestine's wealthiest and most cosmopolitan town. At the center of these extraordinary occurrences lived Jubrail Dabdoub. The Lives and Deaths of Jubrail Dabdoub tells the story of Jubrail's encounters, offering a version of Palestinian history rarely acknowledged. From his childhood in rural Bethlehem to later voyages across Europe, East Asia, and the Americas, Jubrail's story culminates in a recorded miracle: in 1909, he was brought back from the dead. To tell such a tale is to delve into the realms of the fantastic and improbable. Through the story of Jubrail's life, Jacob Norris explores the porous lines between history and fiction, the normal and the paranormal, the everyday and the extraordinary. Drawing on aspects of magical realism combined with elements of Palestinian folklore, Norris recovers the atmosphere of late nineteenth-century Bethlehem: a mood of excitement, disorientation, and wonder as the town was thrust into a new era. As the book offers an original approach to historical writing, it captures a fantastic story of global encounter and exchange.