Jacobus de Voragine – författare

Translated by William Claxton in 1483, The Golden Legend became one of the first books printed in English. 

Originally written in Latin by the Blessed Jacobus da Varagine, archbishop of Genoa, The Golden Legend was one of the most popular works of religious literature during the Middle Ages. Claxton''s translation into English made the medieval work available for a wider audience. This abbreviated version details the lives of approximately two dozen Christian and Jewish saints from Biblical times up to the medieval period.

The Golden Legend was published during a time when local vernacular translations of the Bible were not readily accessible. The period was also marked by the looming upheaval of the Reformation. The text, along with its translation and abbreviated forms, was meant to inspire the people reading them and to reinforce the church''s teachings. Today, the book is a valuable work for anyone wishing to study medieval and religious historical documents.

This text gives not only biographical stories but also insight into how this document likely impacted those living in the late-medieval/early-renaissance period.

Depicting the lives of the saints in an array of factual and fictional stories, The Golden Legend was perhaps the most widely read book, after the Bible, during the late Middle Ages. It was compiled around 1260 by Jacobus de Voragine, a scholarly friar and later archbishop of Genoa, whose purpose was to captivate, encourage, and edify the faithful, while preserving a vast store of information pertaining to the legends and traditions of the church. In this translation, the first in English of the complete text, William Granger Ryan captures the immediacy of this rich work, which offers an important guide for readers interested in medieval art and literature and, more generally, in popular religious culture. Arranged according to the order of saints'' feast days, these fascinating stories are now combined into one volume. This edition also features an introduction by Eamon Duffy contextualizing the work.