Jake Page – författare

"This jauntily written, highly convincing analysis . . . argues that women of prehistory were pivotal in a wide range of culture-building endeavors." —Publishers WeeklyShaped by cartoons and museum dioramas, our vision of Paleolithic times tends to feature fur-clad male hunters fearlessly attacking mammoths while timid women hover fearfully behind a boulder. In fact, recent research has shown that this vision bears little relation to reality.The field of archaeology has changed dramatically in the past two decades, as women have challenged their male colleagues'' exclusive focus on hard artifacts such as spear points rather than tougher to find evidence of women''s work. J. M. Adovasio and Olga Soffer are two of the world''s leading experts on perishable artifacts such as basketry, cordage, and weaving. In The Invisible Sex, the authors present an exciting new look at prehistory, arguing that women invented all kinds of critical materials, including the clothing necessary for life in colder climates, the ropes used to make rafts that enabled long-distance travel by water, and nets used for communal hunting. Even more important, women played a central role in the development of language and social life—in short, in our becoming human. In this eye-opening book, a new story about women in prehistory emerges with provocative implications for our assumptions about gender today."An engaging book that sets the record straight while describing current theories and trends in archaeology." —Booklist"A much-needed antidote to the past hundred years of popular and scientific writing on prehistoric human life." —Nature"Science writing at its best." —Jean M. Auel, #1 New York Times–bestselling author of Clan of the Cave Bear

Gods is a "biography" of the god archetype from Palaeolithic times to the present. As a sequel to Goddess, this collection speaks to myth and gender issues in relation to the use of the male as a metaphor for the great mystery of existence. The authors retell myths from North and South America, Asia, the Middle East, Europe, and Africa, tracing evolution of the male god from servant of the goddess to seed-bearer, to war god, to the patriarchal god of Judaism, Christianity, and Islam.

An old woman lives still among the broken slopes of the mountains in the land of the Tarahumara Indians. No one knows exactly where. She is sometimes seen standing along the highway near El Paso, hauling wood near Oaxaca, or even hitching a ride on a semi rig. She is the bone woman, the gatherer, La Loba. She collects bones, especially those of wolves. When she has collected enough bones to make a whole wolf, she sings over the skeleton, and it begins to grow flesh and fur. She sings some more and the wolf becomes strong; then it breathes. La Loba keeps singing and soon the wolf leaps up and runs off while the desert world trembles. And when a ray of the sun, or the moon, strikes it at just the right time and place, it turns into a woman, a laughing woman, who you may see running toward the horizon. In La Loba's cycle of death and rebirth and her metamorphosis from crone to life-giving mother to laughing maiden, we catch just one glimpse of the timeless allure and mystery of the Goddess. From the fertile earth mothers of the ancient world to the modern revival of interest in Wicca, or witchcraft, images and tales of the Female Divine have flourished and waned, intimidated, comforted, and inspired women and men from time immemorial. In Goddess, authors David Leeming and Jake Page gather some 75 of the most potent and meaningful of these tales in an extraordinarily rich and readable introduction of this divine figure as she has emerged from prehistory to the present. Told as a biography, we follow Goddess from her first Ice Age appearances as the all-encompassing, all-giving, and all-taking Earth, to her re-emergence as a powerful force in the myths of modern religion, psychology, and science. In tales of the Changing Woman of the Navajos and of Hera, Pandora, Eve, and Lilith, we see her traduced and sublimated by rising, and then, dominant, patriarchical cultures and civilizations, but never totally suppressed. In familiar and unfamiliar myths, Goddess comes alive, pulsing with her own energy, irrepressible behind her many cultural masks. She can be the Universe itself, the source of all being, the holy Virgin, the Earth-Mother nurturer, the madly hysterical destroyer, the femme fatale, or the consort or mother of God. She is presented here not as myth, but as a true archetype, a potential being who exists in all of us, a force who long preceded her male counterpart as an appropriate metaphor for the Great Mystery of existence.As compelling as any novel, Goddess is also a journey into the human heart. Observing Goddess over the centuries--worshipped, belittled, denied, rediscovered--we gain new insight into the changing role of women, our continuing development as a species, and our deepest concerns about ourselves, our world, and the human destiny.

He has been a trickster, a shaman, a divine child; he has been a sacrificial victim, a consort of the earth goddess, a warrior, a sky king; and the creator, a distant and impersonal immensity. He is the male divine, seen in the many gods of myth, and his life story is told here in this graceful and illuminating account by David Leeming and Jake Page.Illustrating their points with materials ranging from the prehistoric cave paintings to the mystic Jewish Kabbalah, from the ancient Indian Vedas to tales of the North American Indians and other myths from around the world, Leeming and Page reveal the changing mask of the male divine. We see how that divinity emerged in some areas from cults involving "animal masters" (as in the Bear Man of the Cherokee Indians), sorcerers, and shamans who embarked on spirit journeys. God sometimes appeared as the trickster--as Loki of the Norse people, Legba of Africa's Yoruba, Raven and Coyote of North America, and Krishna of India--both creative and bedeviling.With the Neolithic age came the rise of agriculture and animal husbandry, of settlements and specialization in the roles of males and females--and a more sophisticated body of myths and rituals. Here the Mother Goddess was dominant, and the male God became her consort, ultimately dying in order that nature might be renewed. The authors illustrate this new stage in the male divine with tales of the Egyptian Osiris, the Caananite Baal, and Wiyot of California's Luiseno Indians, among others. They describe the rise of a male sky God as "the equal to, the true mate, of Goddess, who was still associated with Earth." In the Iron Age, the sky God became more aggressive, separating from the Goddess and taking his place as the King God, as Zeus, Odin, and Horus.Ultimately he emerged as the creator, a more distant and impersonal force. Here Leeming and Page also illuminate an important trend--a sense that the divine is beyond gender, that it permeates all things (as seen in Chinese Tao, the Indian Brahmin, and En Sof of the Kabbalah). They see a movement in the biography of God toward a reunion with the Goddess. "As the Supreme Being becomes less Goddess and less God," they write, "it speaks more clearly to the essential human need for unity and understanding."In their previous work together, Goddess, Leeming and Page provided a marvelous biography of the female divine--an account that won a wide and enduring audience. Now, in God, they provide the perfect companion volume--completing, as the authors write, "a record of what we humans believe ourselves at the deepest level to be."

In New England, 1816 was called the Year Without a Summer. Crops failed throughout America and, in Western Europe, it was even worse, with food riots and armed groups raiding bakeries and grain markets. All this turmoil followed a catastrophic volcanic eruption--a year earlier on the other side of the world--the eruption of Tambora, a blast heard almost a thousand miles away.In When the Planet Rages, Charles Officer and Jake Page describe some of the great events of environmental history, from calamities such as the Lisbon earthquake of 1755 (the greatest in recorded history) and the ice ages, to recent man-made disasters such as Chernobyl, acid rain, and the depletion of the ozone layer. Officer and Page provide fascinating discussions of meteorites and comets; of the demise of mammoths, mastodons, and dinosaurs; and of great floods that have swept the earth. But they also show that human activity can make trouble for nature, discussing the depletion of natural resources (we burn coal and oil at millions of times their natural rate of production), air pollution in Los Angeles and London (where the Killer Smog of 1952 caused the death of some four thousand people), and the pollution of major waterways, like the Chesapeake Bay and Lake Erie. For the paperback edition, the authors have included a new preface, have added material on the recent Sichuan, China earthquake, the Indian Ocean Tsunami, and Hurricane Katrina, and discuss such topics as of the (un)predictability of symptoms of global warming.Ranging from the monumental eruption at Krakatoa to industrial disasters such as the mercury poisoning in Japan's Minamata Bay, When the Planet Rages will engage anyone concerned with the environment and the natural world.

In New England, 1816 was called the Year Without a Summer. Crops failed throughout America and, in Western Europe, it was even worse, with food riots and armed groups raiding bakeries and grain markets. All this turmoil followed a catastrophic volcanic eruption--a year earlier on the other side of the world--the eruption of Tambora, a blast heard almost a thousand miles away. In When the Planet Rages, Charles Officer and Jake Page describe some of the great events of environmental history, from calamities such as the Lisbon earthquake of 1755 (the greatest in recorded history) and the ice ages, to recent man-made disasters such as Chernobyl, acid rain, and the depletion of the ozone layer. Officer and Page provide fascinating discussions of meteorites and comets; of the demise of mammoths, mastodons, and dinosaurs; and of great floods that have swept the earth. But they also show that human activity can make trouble for nature, discussing the depletion of natural resources (we burn coal and oil at millions of times their natural rate of production), air pollution in Los Angeles and London (where the Killer Smog of 1952 caused the death of some four thousand people), and the pollution of major waterways, like the Chesapeake Bay and Lake Erie. For the paperback edition, the authors have included a new preface, have added material on the recent Sichuan, China earthquake, the Indian Ocean Tsunami, and Hurricane Katrina, and discuss such topics as of the (un)predictability of symptoms of global warming. Ranging from the monumental eruption at Krakatoa to industrial disasters such as the mercury poisoning in Japan''s Minamata Bay, When the Planet Rages will engage anyone concerned with the environment and the natural world.

In this marvelous collection, David Leeming and Jake Page have gathered together the great myths and legends of America, ranging from the creation stories of the first inhabitants, to the tall-tales of the Western frontier, to the legendary outlaws of the 1920s. Here is a thoroughly engaging chronicle, a book unrivaled in its scope, embracing Big Foot and Windingo, Hiawatha and Uncle Sam, Paul Revere and Billy the Kid, the Iroquois Flying Head and Elvis. The editors cast their nets widely. Under myths, for instance, Leeming and Page include "the melting pot," "manifest destiny," and Henry Adams''s "dynamo." And under "Heroes and Heroines," they have assembled everyone from Honest Abe Lincoln and George Washington, to Bessie Smith, Billie Holiday, and Martin Luther King. For each myth or hero, the editors include an excerpt--often the definitive rendering of the story in question--so that for Moby Dick, we find a passage from Melville''s classic, and for Brer Rabbit, the "Tar Baby" tale by Joel Chandler Harris. And along the way, the editors reveal how waves of immigrants, encountering this strange land for the first time, adapted their religion and folklore to help make sense of a new and astounding place. Thus a central Asian god becomes the Great Spirit of Native American myth, and an Aztec goddess is transformed into Our Lady of Guadaloupe. Ranging from the coyote trickster, to Johnny Appleseed, to John Henry and Stagolee, this wonderful collection illuminates the mythmaking process, and sheds much light on what it means to be American.

Inconstant and forbidding, the arctic has lured misguided voyagers into the cold for centuries--pushing them beyond the limits of their knowledge, technology, and endurance. A Fabulous Kingdom charts these quests and the eventual race for the North Pole, chronicling the lives and adventures that would eventually throw light on this "magical realm" of sunless winters. They follow the explorers from the early journeys of Viking Ottar to the daring exploits of Martin Frobisher, Henry Hudson, Frederick Cook, Robert Peary, and Richard Bird. The second edition features a section entitled "The New Arctic" that illuminates current scientific and environmental issues that threaten the region. Officer and Page discuss such topics as the science behind the melting of the polar ice; the endangered species that now depend on the ice, including polar bears, narwhals, walruses, and ringed seals; commerce in mining and natural resources, especially petroleum and natural gas; and predictions for the economic and environmental future of the region. Library Journal called the first edition a "winning fusion of adventure, suspense, and history."

In this marvelous collection, David Leeming and Jake Page have gathered together the great myths and legends of America, ranging from the creation stories of the first inhabitants, to the tall-tales of the Western frontier, to the legendary outlaws of the 1920s. Here is a thoroughly engaging chronicle, a book unrivaled in its scope, embracing Big Foot and Windingo, Hiawatha and Uncle Sam, Paul Revere and Billy the Kid, the Iroquois Flying Head and Elvis. The editors cast their nets widely. Under myths, for instance, Leeming and Page include "the melting pot," "manifest destiny," and Henry Adams''s "dynamo." And under "Heroes and Heroines," they have assembled everyone from Honest Abe Lincoln and George Washington, to Bessie Smith, Billie Holiday, and Martin Luther King. For each myth or hero, the editors include an excerpt--often the definitive rendering of the story in question--so that for Moby Dick, we find a passage from Melville''s classic, and for Brer Rabbit, the "Tar Baby" tale by Joel Chandler Harris. And along the way, the editors reveal how waves of immigrants, encountering this strange land for the first time, adapted their religion and folklore to help make sense of a new and astounding place. Thus a central Asian god becomes the Great Spirit of Native American myth, and an Aztec goddess is transformed into Our Lady of Guadaloupe. Ranging from the coyote trickster, to Johnny Appleseed, to John Henry and Stagolee, this wonderful collection illuminates the mythmaking process, and sheds much light on what it means to be American.

Inconstant and forbidding, the arctic has lured misguided voyagers into the cold for centuries--pushing them beyond the limits of their knowledge, technology, and endurance. A Fabulous Kingdom charts these quests and the eventual race for the North Pole, chronicling the lives and adventures that would eventually throw light on this "magical realm" of sunless winters. They follow the explorers from the early journeys of Viking Ottar to the daring exploits of Martin Frobisher, Henry Hudson, Frederick Cook, Robert Peary, and Richard Bird. The second edition features a section entitled "The New Arctic" that illuminates current scientific and environmental issues that threaten the region. Officer and Page discuss such topics as the science behind the melting of the polar ice; the endangered species that now depend on the ice, including polar bears, narwhals, walruses, and ringed seals; commerce in mining and natural resources, especially petroleum and natural gas; and predictions for the economic and environmental future of the region. Library Journal called the first edition a "winning fusion of adventure, suspense, and history."

Inconstant and forbidding, the arctic has lured misguided voyagers into the cold for centuries--pushing them beyond the limits of their knowledge, technology, and endurance. A Fabulous Kingdom charts these quests and the eventual race for the North Pole, chronicling the lives and adventures that would eventually throw light on this "magical realm" of sunless winters. They follow the explorers from the early journeys of Viking Ottar to the daring exploits of Martin Frobisher, Henry Hudson, Frederick Cook, Robert Peary, and Richard Bird. The second edition features a section entitled "The New Arctic" that illuminates current scientific and environmental issues that threaten the region. Officer and Page discuss such topics as the science behind the melting of the polar ice; the endangered species that now depend on the ice, including polar bears, narwhals, walruses, and ringed seals; commerce in mining and natural resources, especially petroleum and natural gas; and predictions for the economic and environmental future of the region. Library Journal called the first edition a "winning fusion of adventure, suspense, and history."

J. M. Adovasio has spent the last thirty years at the center of one of our most fiery scientific debates: Who were the first humans in the Americas, and how and when did they get there? At its heart, The First Americans is the story of the revolution in thinking that Adovasio and his fellow archaeologists have brought about, and the firestorm it has ignited. As he writes, “The work of lifetimes has been put at risk, reputations have been damaged, an astounding amount of silliness and even profound stupidity has been taken as serious thought, and always lurking in the background of all the argumentation and gnashing of tenets has been the question of whether the field of archaeology can ever be pursued as a science.”From the Trade Paperback edition.

A bizarre murder leaves two teenagers dead in a desert arroyo, their naked bodies side by side, face up under the New Mexican sun. Near them, etched in stone, is a symbol unlike any Native American marking. What does it signify? The puzzle is made to order for Mo Bowdre''s quirky and capacious intelligence. But Bowdre, a wildlife sculptor and occasional sleuth, may be in over his head, as he becomes embroiled in a possible case of ritual killing--and a certain malice. . . .From the Paperback edition.

Shaped by cartoons and museum dioramas, our vision of Paleolithic times tends to feature fur-clad male hunters fearlessly attacking mammoths while timid women hover fearfully behind a boulder. Recent archaeological research has shown that this vision bears little relation to reality. J. M. Adovasio and Olga Soffer, two of the world''s leading experts on perishable artifacts such as basketry, cordage, and weaving, present an exciting new look at prehistory. With science writer Jake Page, they argue that women invented all kinds of critical materials, including the clothing necessary for life in colder climates, the ropes used to make rafts that enabled long-distance travel by water, and nets used for communal hunting. Even more important, women played a central role in the development of language and social life—in short, in our becoming human. In this eye-opening book, a new story about women in prehistory emerges with provocative implications for our assumptions about gender today.

Shaped by cartoons and museum dioramas, our vision of Paleolithic times tends to feature fur-clad male hunters fearlessly attacking mammoths while timid women hover fearfully behind a boulder. Recent archaeological research has shown that this vision bears little relation to reality. J. M. Adovasio and Olga Soffer, two of the world''s leading experts on perishable artifacts such as basketry, cordage, and weaving, present an exciting new look at prehistory. With science writer Jake Page, they argue that women invented all kinds of critical materials, including the clothing necessary for life in colder climates, the ropes used to make rafts that enabled long-distance travel by water, and nets used for communal hunting. Even more important, women played a central role in the development of language and social life—in short, in our becoming human. In this eye-opening book, a new story about women in prehistory emerges with provocative implications for our assumptions about gender today.

Headline: A peak behind the Hollywood mask by one of its foremost makeup artistsIn Hollywood’s heyday, almost every major studio had a Westmore heading up the makeup department. Since 1917, there has never been a time when Westmores weren’t shaping the visages of stardom. For their century-long dedication to the art of makeup, the Westmores were honored with a star on the Hollywood Walk of Fame in 2008. In this lively memoir, Michael Westmore not only regales us with tales of Hollywood’s golden age, but also from his own career where he notably transformed Sylvester Stallone into Rocky Balboa and Robert DiNiro into Jake LaMotta, among many other makeup miracles. Westmore’s talent as a makeup artist first became apparent when he created impenetrable disguises for Kirk Douglas, Tony Curtis, Burt Lancaster, Robert Mitchum, and Frank Sinatra for the 1963 film The List of Adrian Messenger. He later went on to become the preferred makeup man for Bobby Darin and Elizabeth Taylor, and worked on such movies and TV shows as The Munsters, Rosemary’s Baby, Eleanor and Franklin, New York, New York, 2010: A Space Odyssey, and Mask, for which he won an academy award. The next phase of his career was to create hundreds of alien characters for over 600 episodes of Star Trek in all its iterations, from The Next Generation to Enterprise.Replete with anecdotes about Hollywood and its stars, from Bette Davis’s preference for being made-up in the nude to Shelley Winters’s habit of nipping from a “little bottle” while on the set, Makeup Man will satisfy any Hollywood’s fan’s appetite for gossip or a behind-the-scenes look at how tinsel town’s most iconic film characters were created.Academy Award-winning Michael Westmore has been making up the stars for over fifty years. He frequently appears on the SyFy channel show Face Off with his daughter McKenzie Westmore.

Headline: A peak behind the Hollywood mask by one of its foremost makeup artistsIn Hollywood’s heyday, almost every major studio had a Westmore heading up the makeup department. Since 1917, there has never been a time when Westmores weren’t shaping the visages of stardom. For their century-long dedication to the art of makeup, the Westmores were honored with a star on the Hollywood Walk of Fame in 2008. In this lively memoir, Michael Westmore not only regales us with tales of Hollywood’s golden age, but also from his own career where he notably transformed Sylvester Stallone into Rocky Balboa and Robert DiNiro into Jake LaMotta, among many other makeup miracles. Westmore’s talent as a makeup artist first became apparent when he created impenetrable disguises for Kirk Douglas, Tony Curtis, Burt Lancaster, Robert Mitchum, and Frank Sinatra for the 1963 film The List of Adrian Messenger. He later went on to become the preferred makeup man for Bobby Darin and Elizabeth Taylor, and worked on such movies and TV shows as The Munsters, Rosemary’s Baby, Eleanor and Franklin, New York, New York, 2010: A Space Odyssey, and Mask, for which he won an academy award. The next phase of his career was to create hundreds of alien characters for over 600 episodes of Star Trek in all its iterations, from The Next Generation to Enterprise.Replete with anecdotes about Hollywood and its stars, from Bette Davis’s preference for being made-up in the nude to Shelley Winters’s habit of nipping from a “little bottle” while on the set, Makeup Man will satisfy any Hollywood’s fan’s appetite for gossip or a behind-the-scenes look at how tinsel town’s most iconic film characters were created.Academy Award-winning Michael Westmore has been making up the stars for over fifty years. He frequently appears on the SyFy channel show Face Off with his daughter McKenzie Westmore.

Headline: A peak behind the Hollywood mask by one of its foremost makeup artistsIn Hollywood’s heyday, almost every major studio had a Westmore heading up the makeup department. Since 1917, there has never been a time when Westmores weren’t shaping the visages of stardom. For their century-long dedication to the art of makeup, the Westmores were honored with a star on the Hollywood Walk of Fame in 2008. In this lively memoir, Michael Westmore not only regales us with tales of Hollywood’s golden age, but also from his own career where he notably transformed Sylvester Stallone into Rocky Balboa and Robert DiNiro into Jake LaMotta, among many other makeup miracles. Westmore’s talent as a makeup artist first became apparent when he created impenetrable disguises for Kirk Douglas, Tony Curtis, Burt Lancaster, Robert Mitchum, and Frank Sinatra for the 1963 film The List of Adrian Messenger. He later went on to become the preferred makeup man for Bobby Darin and Elizabeth Taylor, and worked on such movies and TV shows as The Munsters, Rosemary’s Baby, Eleanor and Franklin, New York, New York, 2010: A Space Odyssey, and Mask, for which he won an academy award. The next phase of his career was to create hundreds of alien characters for over 600 episodes of Star Trek in all its iterations, from The Next Generation to Enterprise.Replete with anecdotes about Hollywood and its stars, from Bette Davis’s preference for being made-up in the nude to Shelley Winters’s habit of nipping from a “little bottle” while on the set, Makeup Man will satisfy any Hollywood’s fan’s appetite for gossip or a behind-the-scenes look at how tinsel town’s most iconic film characters were created.Academy Award-winning Michael Westmore has been making up the stars for over fifty years. He frequently appears on the SyFy channel show Face Off with his daughter McKenzie Westmore.