James A. Matisoff – författare

This 800-page volume is a clear and readable presentation of the current state of research on the history of the Tibeto-Burman (TB) language family, a typologically diverse group of over 250 languages spoken in Southern China, the Himalayas, NE India, and peninsular Southeast Asia. The TB languages are the only proven relatives of Chinese, with which they form the great Sino-Tibetan family. The exposition is systematic, treating the reconstruction of all the elements of the TB proto-syllable in turn, including initial consonants (Ch. III), prefixes (Ch. IV), monophthongal and diphthongal rhymes (Ch. V), final nasals (Ch. VII), final stops (Ch. VIII), final liquids (Ch. IX), root-final *-s (Ch. X), suffixes (Ch. XI). Particular attention is paid to variational phenomena at all historical levels (e.g. Ch. XII 'Allofamic variation in rhymes'). This Handbook builds on the best previous scholarship, and adds up-to-date material that has accumulated over the past 30 years. It contains reconstructions of over a thousand Tibeto-Burman roots, as well as suggested comparisons with several hundred Chinese etyma.It is liberally indexed and cross-referenced for maximum accessibility and internal consistency. Emphasis is placed on the special theoretical issues involved in historical reconstruction in the East/Southeast Asian linguistic area.

This pioneering book is the prototype of the etymological thesaurus that has been the goal of the Sino-Tibetan Etymological Dictionary and Thesaurus project (STEDT) since 1987. It presents nearly 170 Proto-Tibeto-Burman etymologies in the semantic area of the reproductive system, along with discussions of possible Chinese cognates. Special attention is paid to patterns of semantic associations between the reproductive system and other areas of the lexicon.

The Lahu are a hill-dwelling Tibeto-Burman people whose language reflects the influence of Thai and Chinese, yet retains a unique beauty and expressive power of its own. The Dictionary of Lahu is one of the most exhaustive and sophisticated dictionaries yet produced for a Southeast Asian language. Together with the author''s The Grammar of Lahu (UCPL vol. 75, 1973/1982), it places Lahu among the best documented minority languages of the world.The Lahu are a hill-dwelling Tibeto-Burman people whose language reflects the influence of Thai and Chinese, yet retains a unique beauty and expressive power of its own. The Dictionary of Lahu is one of the most exhaustive and sophisticated dictionaries y

In this delightful book, the author enumerates and classifies the formulas Yiddish speakers use to express their emotions. It is a rarity among scholarly books, for it brings joy while it teaches; it makes us smile, sometimes roar with laughter, while it develops the most rigorous linguistic argumentation. The author analyzes the many kinds of Yiddish "psycho-ostensives"—ranging from blessings and thanks to lamentations and curses. To a person who mentions something horrible you can say: Zalts dir in di oygn, fefer dir in noz! ("Salt into your eyes, and pepper into your nose!"). Or to a child you might tenderly murmur: A gezúnt dir in yeder éyverl! ("A health to all your little body-parts!"). The author illustrates how these formulas can be used to fulfill social conventions, to keep away evil, to show off—or even to deceive the listener.Comments [1999]"I have known and profited from this book for many years, and its interest for linguistics and Yiddish studies has grown steadily. The book will have three audiences: specialists in Yiddish; linguists, psychologists, and anthropologists who are interested in the emotional side of language; and general linguists familiar with Matisoff's outstanding contributions, both witty and insightful, in other linguistic fields."—William Labov,University of Pennsylvania"Matisoff's book was pathbreaking, innovative, and crucially important when it was first published and remains so today. It is as relevant as it was then, if not more so. Matisoff is a consummate scholar and also an excellent writer: clear and weighty but also whimsical and witty." —Deborah Tannen,Georgetown University