James Aaron Green – författare

In this major new study, James Aaron Green provides the first account of literary thought experiments published from 1878 to 1918 that speculate on the prospect of radically longer lives. Green argues that these fictions helped negotiate the emergent experiences and meanings of age and aging during years when long-established norms were being eroded and supplanted. By recovering fictions by lesser-known writers and re-evaluating those by more familiar writers like H. G. Wells and J. M. Barrie, the study reveals the surprising abundance and formal diversity of such speculative accounts. Through readings supported by archival materials (anti-aging advertisements, medical treatises), these accounts are shown to have intervened on a wide range of scientific and social questions related to age and aging – from transfusion to colonialism, and second chances to apocalyptic demography. Ultimately, Green’s innovative historicist study proves how close attention to fictions of radical life extension can not only renovate our understanding of historical attitudes to age and aging, but also those of today.

In this major new study, James Aaron Green provides the first account of literary thought experiments published from 1878 to 1918 that speculate on the prospect of radically longer lives. Green argues that these fictions helped negotiate the emergent experiences and meanings of age and aging during years when long-established norms were being eroded and supplanted. By recovering fictions by lesser-known writers and re-evaluating those by more familiar writers like H. G. Wells and J. M. Barrie, the study reveals the surprising abundance and formal diversity of such speculative accounts. Through readings supported by archival materials (anti-aging advertisements, medical treatises), these accounts are shown to have intervened on a wide range of scientific and social questions related to age and aging from transfusion to colonialism, and second chances to apocalyptic demography. Ultimately, Green's innovative historicist study proves how close attention to fictions of radical life extension can not only renovate our understanding of historical attitudes to age and aging, but also those of today.

In this major new study, James Aaron Green provides the first account of literary thought experiments published from 1878 to 1918 that speculate on the prospect of radically longer lives. Green argues that these fictions helped negotiate the emergent experiences and meanings of age and aging during years when long-established norms were being eroded and supplanted. By recovering fictions by lesser-known writers and re-evaluating those by more familiar writers like H. G. Wells and J. M. Barrie, the study reveals the surprising abundance and formal diversity of such speculative accounts. Through readings supported by archival materials (anti-aging advertisements, medical treatises), these accounts are shown to have intervened on a wide range of scientific and social questions related to age and aging from transfusion to colonialism, and second chances to apocalyptic demography. Ultimately, Green's innovative historicist study proves how close attention to fictions of radical life extension can not only renovate our understanding of historical attitudes to age and aging, but also those of today.

This book re-reads the relationship between the Victorian sensation novel and modernity. Whereas critics have long recognized its appearance in the form of nervous subjects and technologically-enabled mobility, Green contends that sensation fiction also depicts modernity in the form of intellectual and moral discontinuity. Through closely historicist readings of novels by Wilkie Collins and Mary Elizabeth Braddon, as well as by Joseph Sheridan Le Fanu and Rhoda Broughton, this book traces how discontinuity is manifested in the suspenseful plotting of these fictions, through which readers are challenged to revise conventional assumptions about the world and adopt more contingent perspectives. The study demonstrates that reading for this sense of modernity does not merely uncover the genre's engagements with various mid-century contexts. More fundamentally, it broaches a new sense of the function and significance of sensation fiction: the acclimatization of its readers to the discontinuities of modern existence.