James Berry – författare

Gustas is nearly killed in the hurricane, trying to save his banana tree; Nenna and her brother Man-Man patrol the cocnut plantation in the dead of night, ready to catch interlopers; Becky longs for a bicycle and Fanso longs to find his father who walked out thirteen years ago.This is a wonderfully atmospheric collection of contemporary short stories that bring James Berry's Caribbean childhood vividly to life.

The cities of the Pacific Rim are in one of the most dynamic spheres of the global economy. In the twenty first century the focus of global affairs is destined to shift from the West to the East. These cities offer a wide range of different responses to the demands that rapid growth puts on planning and infrastructure : from the laxity that has lead to the urban sprawl of Bangkok to the regulation that is characteristic of Singapore.This book considers the interactive relationships between the operation of the planning system and the role and performance of property development and real estate markets in 14 Pacific Rim cities drawn from both the Eastern and Western perspective. The dynamic underlying these relationships considers the interplay between administrative structures, legislative controls and policy issues examining the role of actors and agencies in the property development and investment process.

The cities of the Pacific Rim are in one of the most dynamic spheres of the global economy. In the twenty first century the focus of global affairs is destined to shift from the West to the East. These cities offer a wide range of different responses to the demands that rapid growth puts on planning and infrastructure : from the laxity that has lead to the urban sprawl of Bangkok to the regulation that is characteristic of Singapore.This book considers the interactive relationships between the operation of the planning system and the role and performance of property development and real estate markets in 14 Pacific Rim cities drawn from both the Eastern and Western perspective. The dynamic underlying these relationships considers the interplay between administrative structures, legislative controls and policy issues examining the role of actors and agencies in the property development and investment process.

Only One of Me is a stunning collection of the best-loved children's poems from award-winning poet James Berry, filled with warm and colourful memories of a Caribbean childhood, and featuring a new introduction by much-loved children's poet, John Agard.This new edition of James' definitive collection showcases the very best work from a poet who was instrumental in the British Caribbean poetry movement and who's words are just as relevant now as they were twenty years ago.

These poems gives voice to the people who came on the first ships from the Caribbean, whose journeys held strange echoes of earlier sea voyages which had brought ancestors from Africa to the slave plantations. James Berry - from Jamaica - was one of these emigrants, settling in Britain in 1948. This late collection by Berry explores the different reasons he and his fellow travellers had for leaving the Caribbean when they rushed to get on the boat. This publication was linked with events marking the 200th anniversary of the abolition of slavery.The poems also look back on slavery and individual experiences of hardship and trying to make a living: ‘Mi one milkin cow just die! / Gone, gone – and leave me / Like hurricane disaster!’ Windrush Songs ranges from from lyrical pictures of Caribbean country life to poems in the voices of travellers with desires, fears, anxieties, hopes and ambitions. James Berry came to Britain on the next ship after the Windrush and shared many of the experiences that prompted this migration in search of change and a better life. Many of the poems from Windrush were included in James Berry's A Story I Am In: New & Selected Poems, but renewed interest in Windrush Songs has prompted its reissue.

"A Story I Am In" is not just James Berry's life in poetry but a book of all the lives he has witnessed or been part of - a story of life itself. He came to Britain in 1948, in the first postwar wave of Jamaican emigration, later becoming one of the first black writers in Britain to achieve wider recognition. Poetry mattered to Berry from an early age, exposed to two main languages: the standard English of Bible and prayerbook heard every Sunday at church, with all its rhythms and sounding patterns; and the tunes of everyday Jamaican language, with its sayings and proverbs, its special dialect words with their African connections, its expression of a roots culture. These experiences gave him that strong and particular Caribbean awareness of language which has nourished his poetry over many years. This major retrospective of his work covers five collections published over four decades, plus a selection from four books of poetry for children. Much of his poetry celebrates the divided world of a lifelong outsider. Growing up in Jamaica, Berry felt as much disturbed by his African background as by the European slave-trade and its aftermath. His poetry shows how 'root agonies' made him view Africa as a thoughtless and neglectful mother, how his years in Britain - most of his adult life - left him worried by past, present and future. Now in his mid-80s, he has sought in his later work to give voice to all the people who came on the first ships from the Caribbean, whose journeys held strange echoes of earlier sea voyages from Africa to the slave plantations.

Some people have dresses for every occasion but Afiya needs only one. Her dress records the memories of her childhood, from roses in bloom to pigeons in flight, from tigers at the zoo to October leaves falling. A joyful celebration of a young girl’s childhood, written by the late multi-award-winning Jamaican poet James Berry OBE.