James Canton - Böcker

Until the 1880s, British travellers to Arabia were for the most part wealthy dilettantes who could fund their travels from private means. With the advent of an Imperial presence in the region, as the British seized power in Egypt, the very nature of travel to the Middle East changed. Suddenly, ordinary men and women found themselves visiting the region as British influence increased. Missionaries, soldiers and spies as well as tourists and explorers started to visit the area, creating an ever bigger supply of writers, and market for their books. In a similar fashion, as the Empire receded in the wake of World War II, so did the whole tradition of Middle East travel writing. In this elegantly crafted book, James Canton examines over one hundred primary sources, from forgotten gems to the classics of T E Lawrence, Thesiger and Philby. He analyses the relationship between Empire and author, showing how the one influenced the other, leading to a vast array of texts that might never have been produced had it not been for the ambitions of Imperial Britain. This work makes for essential reading for all of those interested in the literature of Empire, travel writing and the Middle East.

Twenty years ago, James Canton moved from London to the English countryside. Behind his farm labourer's cottage was a small field with a 'for sale' sign. At first it was a site for family picnics and cricket matches with friends, but James knew that the two-acre patch of earth held more potential - as a place for nature to return and flourish.Here is the story of how, over a number of years, he undertook a project to 'rewild' the field: digging a pond, forging meadowlands, creating habitats for birds and insects, encouraging flowers and plants that support pollinators and wildlife. Eventually what was once just a grassy space was again buzzing with life.The process raised some interesting questions. Rewilding is about bringing a large landscape back to a natural, self-sustaining state. But that wasn't possible on the scale of a field, a garden or a window box. What if we rethought the term? What if we aimed for 'renaturing' instead? Even on the smallest of scales we can create habitats to support a greater diversity of nature. A single window box planted with pollinator-friendly flowers can provide a mini-habitat to support honeybees; a tower block with a window box on every balcony becomes an acre of bee-friendly ecosystem. Renaturing shows how the concept of rewilding can be adopted by us all. We can all make positive change, however large or small. We can all be involved in caring for and restoring the natural world.

'Hearty and hopeful' ALICE VINCENT 'Profoundly uplifting' BEN GOLDSMITH'Thoughtful and insightful' NEIL ANSELLWhen James Canton moved to a farm labourer's cottage, he knew that the two-acre patch of earth behind it held potential as a place for nature to return and flourish. While 'rewilding' requires vast landscapes to become self-sustaining, he wondered what might be possible on the scale of his field - or even that of a garden or a window box.Renaturing is the story of how he learned to dig a pond, forge meadowlands, create habitats for birds and insects and encourage plants that support wildlife. Gradually, what was once just a grassy space was buzzing with life. The process revealed that rather than rewilding, we could all 'renature': even on the smallest scale we can create habitats to support diverse ecosystems. Above all, it shows how we can all make positive change, however large or small, in caring for and restoring the natural world.

A WATERSTONES BEST BOOK OF 2023: NATURE AND TRAVELFor thousands of years, our ancestors held a close connection with the landscapes they lived in. Seeking that lost connection, James Canton takes us on a journey across ancient England: from stone monuments to sacred groves, places of pilgrimage and sites of religious worship. Grounded invites us to step away from our modern world, to rekindle the wonder and awe in the places we live in, to discover the history and meaning encoded into the land - if only we take the time to look.