James Dodd – författare

Following up on his previous book, Violence and Phenomenology, James Dodd presents here an expanded and deepened reflection on the problem of violence. The book’s six essays are guided by a skeptical philosophical attitude about the meaning of violence that refuses to conform to the exigencies of essence and the stable patterns of lived experience. Each essay tracks a discoverable, sometimes familiar figure of violence, while at the same time questioning its limits and revealing sites of its resistance to conceptualization. Dodd’s essays are readings as much as they are reflections; attempts at interpretation as much as they are attempts to push concepts of violence to their limits. They draw upon a range of different authors—Sartre, Levinas, Schelling, Scheler, and Husserl—and historical moments, but without any attempt to reduce them into a series of examples elucidating a comprehensive theory. The aim is to follow a path of distinctively episodic and provisional modes of thinking and reflection that offers a potential glimpse at how violence can be understood.

Following up on his previous book, Violence and Phenomenology, James Dodd presents here an expanded and deepened reflection on the problem of violence. The book’s six essays are guided by a skeptical philosophical attitude about the meaning of violence that refuses to conform to the exigencies of essence and the stable patterns of lived experience. Each essay tracks a discoverable, sometimes familiar figure of violence, while at the same time questioning its limits and revealing sites of its resistance to conceptualization. Dodd’s essays are readings as much as they are reflections; attempts at interpretation as much as they are attempts to push concepts of violence to their limits. They draw upon a range of different authors—Sartre, Levinas, Schelling, Scheler, and Husserl—and historical moments, but without any attempt to reduce them into a series of examples elucidating a comprehensive theory. The aim is to follow a path of distinctively episodic and provisional modes of thinking and reflection that offers a potential glimpse at how violence can be understood.

This book pursues the problem of whether violence can be understood to be constitutive of its own sense or meaning, as opposed to being merely instrumental. Dodd draws on the resources of phenomenological philosophy, and takes the form of a series of dialogues between figures both inside and outside of this tradition. The central figures considered include Carl von Clausewitz, Carl Schmitt, Hannah Arendt, Jean-Paul Sartre, Ernst Jünger, and Martin Heidegger, and the study concludes with an analysis of the philosophy of Jan Patocka.

This book pursues the problem of whether violence can be understood to be constitutive of its own sense or meaning, as opposed to being merely instrumental. Dodd draws on the resources of phenomenological philosophy, and takes the form of a series of dialogues between figures both inside and outside of this tradition. The central figures considered include Carl von Clausewitz, Carl Schmitt, Hannah Arendt, Jean-Paul Sartre, Ernst Jünger, and Martin Heidegger, and the study concludes with an analysis of the philosophy of Jan Patocka.

A nuanced reflection on the meaning and resonance of Patočka’s philosophyForegrounding the turbulent political and intellectual scene in Czechoslovakia following the Prague Spring in 1968, James Dodd explores the unity of philosophy, history, and politics in Jan Patočka’s life and legacy. James Dodd presents Patočka as an essential philosopher of modern concepts—such as freedom, subjectivity, and history—and also as an interpreter of prominent thinkers such as Husserl and Heidegger.Dodd outlines the phenomenology that Patočka, as a late pupil of Husserl and Heidegger, crafted in response to the classical model before turning to his philosophy of history, which was oriented around the problem of Europe and the care for the soul. Finally, Dodd examines Patočka’s role as a dissident intellectual and one of the principal voices of the Charter 77 human rights movement before his death in March 1977. By situating Patočka’s thought in relation to classical phenomenology and to the political and historical conditions of Central Europe, Dodd illuminates the enduring impact of this key thinker of the twentieth century.

Heretical Essays is Patocka's final work, and one of his most exciting and iconoclastic. Patocka begins with prehistory, approached through the "natural world" as conceived by Husserl and Heidegger.According to Patocka, nature is as an alien construct, and history, which began as a quest for higher meaning, ends with life as self-sustaining consumption. Patocka explains how Europe declined from its Greek heritage to seek power rather than truth, splintering into ethnic subdivisions, and then how the Enlightenment moved Europe from an ethical to a material orientation.This book includes a translation of the Preface to the French Edition by Paul Ricoeur.

Patocka's celebrated Introduction is here made available in English for the first time. In addition to introducing Husserl's ideas, this book is also an important work of original philosophy. Patocka ranges over the whole of Husserl's output, from The Philosophy of Arithmetic to The Crisis of the European Sciences, and traces the evolution of all the central issues of Husserlian phenomenology--intentionality, categorial intuition, temporality, the subject-body; the concrete a priori, and transcendental subjectivity. But rather than attempting to give a tour of Husserl's workshop, Patocka is himself hard at work on Husserl's problems.

Religion, War and the Crisis of Modernity: A Special Issue Dedicated to the Philosophy of Jan PatočkaThe New Yearbook for Phenomenology and Phenomenological Philosophy provides an annual international forum for phenomenological research in the spirit of Husserl's groundbreaking work and the extension of this work by such figures as Scheler, Heidegger, Sartre, Levinas, Merleau-Ponty and Gadamer.Contributors: Ivan Chvatík, Nicolas de Warren, James Dodd, Eddo Evink, Ludger Hagedorn, Jean-Luc Marion, Claire Perryman-Holt, Marcia Sá Cavalcante Schuback, Michael Staudigl, Christian Sternad , and Ľubica Učník.

This volume celebrates the work of Dr. Phil. h.c. Gerhard Milstreu in his 40th year as director of Tanum Museum of Rock Carving and Rock Art Research Centre, Underslös, Sweden. Here, a feast of scholarly contributions from across Europe, at all levels of study have been collected. Each and every one of the chapters addresses aspects connected to the work Gerhard has done over the last 40 years. Through their words and images, these pay respect to and acknowledge Gerhard’s achievements in the fields of rock art documentation, research, international collaboration and outreach. Gerhard has striven from the outset to: promote the importance of the image within archaeology, increase public interest and involvement with prehistoric art, and to encourage the next generation to continue the work. Thus, many authors think very deeply about the images, how we interpret them and how we record them, particularly in light of recent advances in technology. Others explore how Gerhard has fostered dissemination and public involvement. The range of countries and subjects represented; France, Italy, Holland, Norway, Sweden, Denmark and the UK; reflects the success of Gerhard’s focus on international collaboration and dialogue. Given Gerhard’s emphasis on giving the past a future, it is appropriate that leading up and coming scholars, from all levels of higher education, are also present and have the opportunity to present their latest research.

Die Autoren beginnen mit einem historischen Ruckblick auf die Entstehung der modernen Physik und die ersten Erfolge bei der Beschreibung der vier fundamentalen Krafte der Natur: der Elektrodynamik, der Schwachen und Starken Kernkrafte und der Schwerkraft. Die Darstellung der grossen Fortschritte der 60er und 70er Jahre mit der Entstehung des Standardmodells der Elementarteilchenphysik ist im Aufbau eher systematisch. Der Schwerpunkt liegt aber stets auf der Einfuhrung des Lesers in die Konzepte und Begriffe dieser Wissenschaft, ohne aber den mathematischen Apparat in Anspruch zu nehmen. Wie die zahlreichen Bilder dienen die Formeln eher zur Illustration des Textes und stellen keine strengen Herleitungen dar. Im abschliessenden Kapitel wird versucht, den derzeitigen Forschungsstand wiederzugeben und die aktuellen Bemuhungen der Physiker um ein besseres Verstandnis der Krafte der Natur vorzustellen.

Phenomenology, Architecture and the Built World is an introduction to the methods and basic concepts of phenomenological philosophy through an analysis of the phenomenon of the built world. The conception of the built world that emerges is of space and time fashioned in accordance with a living understanding of what it is for human beings to exist in the world. Human building and making is thus no mere supplementary instrument in the pursuit of the ends of life, but a fundamental embodiment of the self-understanding of human beings. Phenomenological description is uniquely capable of bringing into view the physiognomy of this understanding, its texture and complexity, thereby providing an important basis for a critique of what constitutes its essence and its conditions of possibility.