James Fodor – författare

Paul Ricoeur is one of the most influential philosophers alive today. This book draws primarily on Ricouer's hermeneutic insights to address the fundamental question of how reference, truth, and meaning are related in the discourse of theology. The author defends the view that theological truth claims cannot be sustained without some appeal to the referential, or in Ricouer's terminology, "refigurative" potential intrinsic to our linguistic practices. What it means for Christians to tell the truth, for their language and life to display and thus elicit trust, cannot be understood apart from an appreciation of the refigurative power of language. By appealing to Aristotle's theory of mimesis (imitation) and muthos (plot), as well as to the ideas of Augustine and Heidegger on time, Paul Ricouer offers striking possibilities whereby theological discourse might renew its task of speaking truthfully of God, and hence of our relation to God, to one another, and to the world.

This collection of essays by distinguished authors explores the present-day field of theological aesthetics: from von Balthasar’s contribution and parallel developments to correctives and alternatives to his approach. A tribute to von Balthasar’s own project expands into a dialogue with ancient and medieval traditions in search of revelatory aesthetics. The contributors outline challenges to his approach (including Protestant perspectives) and introduce new ways of viewing the field of theological aesthetics, which ultimately opens up to the idea of concrete cultural contexts and practical human needs determining the use of the arts and aesthetic sensibilities in theology.

This collection of essays by distinguished authors explores the present-day field of theological aesthetics: from von Balthasar’s contribution and parallel developments to correctives and alternatives to his approach. A tribute to von Balthasar’s own project expands into a dialogue with ancient and medieval traditions in search of revelatory aesthetics. The contributors outline challenges to his approach (including Protestant perspectives) and introduce new ways of viewing the field of theological aesthetics, which ultimately opens up to the idea of concrete cultural contexts and practical human needs determining the use of the arts and aesthetic sensibilities in theology.