James Franco – författare

Palo Alto is the debut of a powerful new literary voice. Written with an immediacy and sense of place Palo Alto traces the lives of an extended group of teenagers as they experiment with vices of all kinds, struggle with their families and one another, and succumb to self-destructive, often heartless nihilism. Franco presents his characters in all their raw humanity, while at the same time providing insight into the teenage mind.In the classic American tradition of story-cycles such as Sherwood Anderson's Winesburg, Ohio, Palo Alto presents a stark, vivid, disturbing, but, above all, compassionate portrait of lives on the rough fringes of youth.

Inspired by Alcoholics Anonymous's 12 Steps and 12 Traditions, Actors Anonymous is a dark, genre-bending work that mixes memoir and pure invention in an audacious examination of celebrity, acting and the making of fiction.Actors Anonymous is unsettling, funny and personal - a series of stories told in many forms: a McDonald's drive-thru operator who spends his shift trying on accents; an ex-child star recalling a massive beachside bacchanal; hospital volunteers putting a camera in the hands of a patient obsessed with horror films; a vampire-flick starlet who discovers a cryptic book written by a famous actor, who may have killed his father and gone on the run.The book contains profound insights into the nature and purpose of acting. Franco mercilessly turns his 'James Franco' persona inside out while, at the same time, providing a fascinating meditation on his art, along with nightmarish tales of excess. 'Hollywood has always been a private club,' he writes. 'I open the gates. I say welcome. I say, Look inside.'Franco's writing is vivid and disturbing, but what distinguishes his work is the great compassion he extends towards his characters, who he presents in all their raw humanity, while at the same time providing insight into their deeper selves.

In Directing Herbert White James Franco writes about making a film of Frank Bidart's poem, Herbert White.Though the main character, Herbert White is a necrophiliac, and a killer, the poem - and the film - are an expression of life's isolation and loneliness. A poem became a film.In the rest of book, Franco uses poems to express what he feels about film: about acting; about the actors he admires - James Dean, Marlon Brando, Sean Penn; about the cult of celebrity and his struggles with it; about his teenage years in Palo Alto, and about mortality prompted by the death of his father.These preoccupations are handled with a simplicity and directness that recalls the work of Frank O'Hara.

Now a “provocative” and “impressive” (Variety) film from director Gia Coppola (Francis Ford Coppola’s granddaughter)—starring Emma Roberts, James Franco, Nat Wolff, and Val Kilmer—the fiction debut from James Franco that Vogue called “compelling and gutsy.”James Franco’s story collection traces the lives of a group of teenagers as they experiment with vices of all kinds, struggle with their families and one another, and succumb to self-destructive, often heartless nihilism. In “Lockheed” a young woman’s summer—spent working a dull internship—is suddenly upended by a spectacular incident of violence at a house party. In “American History” a high school freshman attempts to impress a girl with a realistic portrayal of a slave owner during a classroom skit—only to have his feigned bigotry avenged. In “I Could Kill Someone,” a lonely teenager buys a gun with the aim of killing his high school tormentor, but begins to wonder about his bully’s own inner life. These “spare and riveting” (O, The Oprah Magazine) stories are a compelling portrait of lives on the rough fringes of youth. Palo Alto is, “a collection of beautifully written stories” (Kirkus Reviews, starred review) that “capture with perfect pitch the impossible exhilaration, the inevitable downbeatness, and the pure confusion of being an adolescent” (Elle). Features a bonus essay by James Franco on Gia Coppola''s film adaptation.

Now a “provocative” and “impressive” (Variety) film from director Gia Coppola (Francis Ford Coppola’s granddaughter)—starring Emma Roberts, James Franco, Nat Wolff, and Val Kilmer—the fiction debut from James Franco that Vogue called “compelling and gutsy.”James Franco’s story collection traces the lives of a group of teenagers as they experiment with vices of all kinds, struggle with their families and one another, and succumb to self-destructive, often heartless nihilism. In “Lockheed” a young woman’s summer—spent working a dull internship—is suddenly upended by a spectacular incident of violence at a house party. In “American History” a high school freshman attempts to impress a girl with a realistic portrayal of a slave owner during a classroom skit—only to have his feigned bigotry avenged. In “I Could Kill Someone,” a lonely teenager buys a gun with the aim of killing his high school tormentor, but begins to wonder about his bully’s own inner life. These “spare and riveting” (O, The Oprah Magazine) stories are a compelling portrait of lives on the rough fringes of youth. Palo Alto is, “a collection of beautifully written stories” (Kirkus Reviews, starred review) that “capture with perfect pitch the impossible exhilaration, the inevitable downbeatness, and the pure confusion of being an adolescent” (Elle). Features a bonus essay by James Franco on Gia Coppola''s film adaptation.

Co-published by OHWOW and The Museum of Contemporary Art (MOCA) Los Angeles, this 192-page hardcover book is a visual examination of moments in and out of frame, expanding the exhibition’s narrative and documenting the fresh and unconventional films, videos, photography, painting, drawings, and sculpture presented in the exhibition. The book also includes film stills and photographs not included in the exhibition. An introductory essay by author and art theorist Francisco J. Ricardo, PhD. , outlines the background to Rebel, explaining the impetus for Franco’s inquiry and his artistic motivations, from conception through execution. REBEL features the work of James Franco, Douglas Gordon, Harmony Korine, Damon Mccarthy, Paul Mccarthy, Terry Richardson, Ed Ruscha, and Aaron Young.