James Geary – författare

It is the East, and Juliet is the sun! This is one of Shakespeare's most famous lines and one of the most well-known metaphors in literature. But metaphor is much more than a mere literary device employed by love-struck poets when they refer to their girlfriends as interstellar masses of incandescent gas. It is also intensely yet inconspicuously present in everything from ordinary conversation and commercial messaging to news reports and political speeches. Metaphor is at work in all fields of human endeavor, including economics, business, science, and psychology. In "I Is an Other", James Geary takes readers from Aristotle's investigation of metaphor right up to the latest neuroscientific insights into how metaphor works in the brain. Along the way, he demonstrates how metaphor affects financial decision making, how metaphor lurks behind effective advertisements, how metaphor inspires learning and discovery, and how metaphor can be used as a tool to achieve emotional insight and psychological change. Geary also explores how a life without metaphor, as experienced by some people with autism spectrum disorders, significantly changes the way a person interacts with the world.As Geary demonstrates, metaphor has leaped off the page and landed with a mighty splash right in the middle of our stream of consciousness. Witty, persuasive, and original, "I Is an Other" showcases how a simple way with words, which in the past was considered a tool only for poets, is really a driving force in our society. This book will open readers' eyes to the secret life of metaphor and its role in swinging elections, moving markets, and powerfully influencing daily life.

Celebrating the short, witty, philosophical phrases known as aphorisms, this delightful history is an entertaining tour through the wisest and wittiest sayings in the world.  Aphorisms are literature’s hand luggage. Light and compact, they contain everything you need to get through a rough day at the office or a dark night of the soul. Aphorisms, the oldest written art form on the planet, have been going viral for thousands of years, delivering the short, sharp shock of old forgotten truths. Today, visual artists are mixing pithy language with compelling imagery and using social media to take the form into the future. In a world of disinformation and deepfakes, aphorisms point to the power of fresh debate over tired dogma and inconvenient truths over comfortable lies.  Starting in ancient China and ending with contemporary meme-makers and street artists, The World in A Phrase tells the story of the aphorism through brief biographies of some of its greatest practitioners: sages like Lao-tzu and the Buddha, philosophers like Schopenhauer and Nietzsche, writers like George Eliot and Marie von Ebner-Eschenbach, humorists like Mark Twain and Dorothy Parker, activists like James Baldwin and Audre Lorde, poets like Langston Hughes and Kay Ryan, and artists like Jenny Holzer and David Byrne.  The World in A Phrase is for lovers of words and seekers of wisdom. This new edition of The New York Times bestseller features 26 additional aphorists and explores the aphorism in the age of social media, showing why these short sentences are the ultimate deep dives in an era when TL;DR has become a cultural catchphrase.

James Geary explores every facet of wittiness, from its role in innovation to why puns demonstrate the essence of creativity. Geary reasons that wit is both visual and verbal, physical and intellectual: there’s the serendipitous wit of scientists, the crafty wit of inventors, the optical wit of artists and the metaphysical wit of philosophers.In Wit’s End, Geary embraces wit in every form by adopting a different style for each chapter; he writes the section on verbal repartee as a dramatic dialogue, the neuroscience of wit as a scientific paper, the spirituality of wit as a sermon, and other chapters in jive, rap and the heroic couplets of Alexander Pope. Demonstrating that brevity really is the soul of wit, Geary crafts each chapter from concise sections of 200, 400 or 800 words. Entertaining and illuminating Wit’s End shows how wit is much more than a sense of humour.

James Geary explores every facet of wittiness, from its role in innovation to why puns demonstrate the essence of creativity. Geary reasons that wit is both visual and verbal, physical and intellectual: there’s the serendipitous wit of scientists, the crafty wit of inventors, the optical wit of artists and the metaphysical wit of philosophers.In Wit’s End, Geary embraces wit in every form by adopting a different style for each chapter; he writes the section on verbal repartee as a dramatic dialogue, the neuroscience of wit as a scientific paper, the spirituality of wit as a sermon, and other chapters in jive, rap and the heroic couplets of Alexander Pope. Demonstrating that brevity really is the soul of wit, Geary crafts each chapter from concise sections of 200, 400 or 800 words. Entertaining and illuminating Wit’s End shows how wit is much more than a sense of humour.