James H. Grayson – författare
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5 produkter
5 produkter
Myths and Legends from Korea
An Annotated Compendium of Ancient and Modern Materials
Häftad, Engelska, 2012
807 kr
Skickas inom 10-15 vardagar
This book contains 175 tales drawn equally from the ancient and modern periods of Korea, plus 16 further tales provided for comparative purposes. Nothing else on this scale or depth is available in any western language. Three broad classes of material are included: foundation myths of ancient states and clans, ancient folktales and legends, modern folktales. Each narrative contains information on its source and provenance, and on its folklore type, similarities to folklore types from China, Japan and elsewhere.
Myths and Legends from Korea
An Annotated Compendium of Ancient and Modern Materials
Inbunden, Engelska, 2000
2 108 kr
Skickas inom 10-15 vardagar
This book contains 175 tales drawn equally from the ancient and modern periods of Korea, plus 16 further tales provided for comparative purposes. Nothing else on this scale or depth is available in any western language. Three broad classes of material are included: foundation myths of ancient states and clans, ancient folktales and legends, modern folktales. Each narrative contains information on its source and provenance, and on its folklore type, similarities to folklore types from China, Japan and elsewhere.
929 kr
Skickas inom 10-15 vardagar
This is an historical survey of all the religious traditions of Korea in relation to the socio-cultural trends of seven different periods of Korean history. The book includes a discussion of the history of the study of religion in Korea, a chronological description of Korean folk religion including shamanism, Buddhism, Confucianism, Roman Catholicism and Protestantism, Islam, and Korean New Religions, and some final observations about the unique characteristics of religious beliefs and practices in Korea.
2 078 kr
Skickas inom 10-15 vardagar
This is an historical survey of all the religious traditions of Korea in relation to the socio-cultural trends of seven different periods of Korean history. The book includes a discussion of the history of the study of religion in Korea, a chronological description of Korean folk religion including shamanism, Buddhism, Confucianism, Roman Catholicism and Protestantism, Islam, and Korean New Religions, and some final observations about the unique characteristics of religious beliefs and practices in Korea.
1 126 kr
Skickas inom 5-8 vardagar
Creative responses to Covid 19 – no longer consumed by notions of divine retribution as in past plagues – constituted a broad cultural flowering, often within the digital world. This volume combines anthropology’s understanding of ritual and society with folklore’s appreciation of the marginal to explore the role of artistic practice in this period.The chapters consider many different examples of artistic resourcefulness in this time of adversity. Lockdown constraints provided opportunities to re-invent traditions, as in the alternative ‘non-fiestas’ of the Basque Country, in which women took up roles previously denied to them. On the pilgrim route of St James, decorating shrines allowed people a sense of normality and continuity at a time when churches had closed their doors. The shutting of venues led one group of Japanese classical musicians to new online ways of working, and a global following. Making a church tour in Buenas Aires virtual amplified an old legend that resonated with the media, highlighting the scandal of femicide during the pandemic.For individuals, online crafting might lend apt metaphors of mending, stabilizing and repair to daily lives; but, in the case of collage, absurdity and disjunction could also express uncomfortable new meanings. Forums of positive haiku blossomed; but satirical responses in the reworking of traditional Greek proverbs on Twitter, allowed participants to signal their distrust of politicians through creative uses of language. Anti-Vaxx and QAnon narratives, when viewed as folklore rather than disinformation foregrounding the fashioning of self and community within digital space. Children repurposed old games with ‘Coronavirus tag’, while locked-down artist-parents’ creative engagement with the world beyond their front door led to a national campaign for the rights of children to play on the street.Overall, there was a shift in artistic practice from inward activity to one undertaken in social solidarity. In many ways, this is the unifying theme of this startling period of recent history, as well as of this volume.