James Hoyt – författare

Writing News for Broadcast is the Strunk and White of broadcast newswriting books. Long considered the gold standard of broadcast journalism textbooks, this guide for the student and the professional has inspired generations of newscasters through its eloquent examples and emphasis on the writer's responsibility, commitment, and integrity. It is written in a conversational style reflecting years of professional and teaching experience in radio and television newswriting. This new edition is fully revised with examples throughout, drawn from fine writing by journalists at networks and local stations. It includes updated chapters covering use of the wire services and special formats that have become popular in recent years such as the newsmagazine. But the third edition retains the inspirational quality that has for years made this text so widely respected. In this process of providing clear, succinct instruction in the basics of the trade, it conveys to students and practicing newswriters a sense of the extraordinary tradition within which they work.The authors' emphasis on skill and creativity, responsibility to the listener, and appreciation of the profession's finest hours and finest writers make this book unique.

The Korean Studies Guide serves as a comprehensive handbook for exploring the diverse aspects of Korean culture, history, and society. Developed in 1951 under the auspices of the University of California’s Institute of East Asiatic Studies, this guide reflects a renewed Western interest in Korea prompted by postwar geopolitical realities and the Korean War. With financial support from the Rockefeller Foundation and access to unparalleled resources like the Asami collection of Korean literature, the guide offers a structured, annotated bibliography that spans historical, cultural, and academic disciplines. It prioritizes historical materials while weaving in resources on government, economics, art, archaeology, and language, presenting an invaluable starting point for those pursuing in-depth Korean studies.What sets this guide apart is its deliberate effort to navigate Korea's complex linguistic and cultural intersections with neighboring China and Japan. By employing standardized romanization systems and including annotations accessible even to those unfamiliar with the source language, it mitigates language barriers and highlights Korea’s unique cultural identity within the broader East Asian context. The guide emphasizes Korea’s dual significance—both as a vital lens for understanding Far Eastern civilization and as a distinct entity with over two millennia of cultural continuity. Through its detailed bibliographies and inclusive approach, the Korean Studies Guide invites scholars to engage with Korea’s rich intellectual and historical legacy, underscoring the opportunities for further exploration in this dynamic field.This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1954.

The Korean Studies Guide serves as a comprehensive handbook for exploring the diverse aspects of Korean culture, history, and society. Developed in 1951 under the auspices of the University of California’s Institute of East Asiatic Studies, this guide reflects a renewed Western interest in Korea prompted by postwar geopolitical realities and the Korean War. With financial support from the Rockefeller Foundation and access to unparalleled resources like the Asami collection of Korean literature, the guide offers a structured, annotated bibliography that spans historical, cultural, and academic disciplines. It prioritizes historical materials while weaving in resources on government, economics, art, archaeology, and language, presenting an invaluable starting point for those pursuing in-depth Korean studies.What sets this guide apart is its deliberate effort to navigate Korea's complex linguistic and cultural intersections with neighboring China and Japan. By employing standardized romanization systems and including annotations accessible even to those unfamiliar with the source language, it mitigates language barriers and highlights Korea’s unique cultural identity within the broader East Asian context. The guide emphasizes Korea’s dual significance—both as a vital lens for understanding Far Eastern civilization and as a distinct entity with over two millennia of cultural continuity. Through its detailed bibliographies and inclusive approach, the Korean Studies Guide invites scholars to engage with Korea’s rich intellectual and historical legacy, underscoring the opportunities for further exploration in this dynamic field.This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1954.

Here we have over one hundred and fifty translationsof haiku verses, largely composed by the five most famous of haiku poets. All use insects as seasonal topics to set the scene in spring, summer or autumn. But the definition of insects in complicated because in the Sino-Japanese tradition the insect genus includes frogs as well as bees, spiders as well as silverfish, angleworms as well as gnats, and snakes as well as ants. This expanded category is here called creeping things, reflecting a similar division of fauna in the Bible. It seems appropriatethat the Japanese would use what is surely the world''s shortest poetic form consisting of a mere seventeen syllables arranged in lines of 5,7,5 to describe the miniscule world of creeping things. In so doing, they expressed kernels of poetic inspiration in a few simple words, eschewing the doggerel that so often has followed a brilliant line and leaving to the imagination place and time, for the beauty of the haiku often lies in what is only hunted and left unsaid.