James J. Sheehan – författare

Combining the history of ideas, institutions, and architecture, this study shows how the museum both reflected and shaped the place of art in German culture from the late eighteenth century to the early twentieth century. On a broader level, it illuminates the origin and character of the museum''s central role in modern culture.James Sheehan begins by describing the establishment of the first public galleries during the last decades of Germany''s old regime. He then examines the revolutionary upheaval that swept Germany between 1789 and 1815, arguing that the first great German museums reflected the nation''s revolutionary aspirations. By the mid-nineteenth century, the climate had changed; museums constructed in this period affirmed historical continuities and celebrated political accomplishments. During the next several years, however, Germans became disillusioned with conventional definitions of art and lost interest in monumental museums. By the turn of the century, the museum had become a site for the political and cultural controversies caused by the rise of artistic modernism. In this context, Sheehan argues, we can see the first signs of what would become the modern style of museum architecture and modes of display.The first study of its kind, this highly accessible book will appeal to historians, museum professionals, and anyone interested in the relationship between art, politics, and culture.

Combining the history of ideas, institutions, and architecture, this study shows how the museum both reflected and shaped the place of art in German culture from the late eighteenth century to the early twentieth century. On a broader level, it illuminates the origin and character of the museum's central role in modern culture.James Sheehan begins by describing the establishment of the first public galleries during the last decades of Germany's old regime. He then examines the revolutionary upheaval that swept Germany between 1789 and 1815, arguing that the first great German museums reflected the nation's revolutionary aspirations. By the mid-nineteenth century, the climate had changed; museums constructed in this period affirmed historical continuities and celebrated political accomplishments. During the next several years, however, Germans became disillusioned with conventional definitions of art and lost interest in monumental museums. By the turn of the century, the museum had become a site for the political and cultural controversies caused by the rise of artistic modernism. In this context, Sheehan argues, we can see the first signs of what would become the modern style of museum architecture and modes of display.The first study of its kind, this highly accessible book will appeal to historians, museum professionals, and anyone interested in the relationship between art, politics, and culture.

Combining the history of ideas, institutions, and architecture, this study shows how the museum both reflected and shaped the place of art in German culture from the late eighteenth century to the early twentieth century. On a broader level, it illuminates the origin and character of the museum''s central role in modern culture.James Sheehan begins by describing the establishment of the first public galleries during the last decades of Germany''s old regime. He then examines the revolutionary upheaval that swept Germany between 1789 and 1815, arguing that the first great German museums reflected the nation''s revolutionary aspirations. By the mid-nineteenth century, the climate had changed; museums constructed in this period affirmed historical continuities and celebrated political accomplishments. During the next several years, however, Germans became disillusioned with conventional definitions of art and lost interest in monumental museums. By the turn of the century, the museum had become a site for the political and cultural controversies caused by the rise of artistic modernism. In this context, Sheehan argues, we can see the first signs of what would become the modern style of museum architecture and modes of display.The first study of its kind, this highly accessible book will appeal to historians, museum professionals, and anyone interested in the relationship between art, politics, and culture.

Now available in paperback, this is a uniquely authoritative study of Germany from the mid-eighteenth century to the formation of the Bismarckian Reich. James J. Sheehan gives an extensive account of social and cultural, as well as political developments, and shows that the creation of a Prussian-led nation-state should not be seen as `natural' or inevitable. He shows how German history in this period was shaped by three separable yet closely linked developments: the rise of sovereign territorial states, the expansion of economic activity and social mobility, and the emergence of a literary culture.

This volume, in the Oxford History of Modern Europe series contains extensive accounts of social and cultural, as well as political developments in Germany from 1770-1866. Rather than viewing the creation of a Prussian-led Nation State, as 'natural' or inevitable, the book emphasizes alternative forces of unity and division which existed up until the Austro-Prussian War of 1866.

Sheehan's thoughtful book makes a convincing case that the modern political order arises out of people's shared expectations and hopes, without which the nation state could not exist.Every political order depends on a set of shared expectations about how the order does and should work. In Making a Modern Political Order, James Sheehan provides a sophisticated analysis of these expectations and shows how they are a source of both cohesion and conflict in the modern society of nation states. The author divides these expectations into three groups: first, expectations about the definition and character of political space, which in the modern era are connected to the emergence of a new kind of state; second, expectations about the nature of political communities (that is, about how people relate to one another and to their governments); and finally, expectations about the international system (namely, how states interact in a society of nation states). Although Sheehan treats these three dimensions of the political order separately, they are closely bound together, each dependent on—and reinforcing—the others. Ultimately, he claims, the modern nation state must balance all three organizing principles if it is to succeed.Sheehan's project begins with an examination of people's expectations about political space, community, and international society in the premodern European world that came to be called the "ancien régime." He then, in chapters on states, nations, and the society of nation states, proceeds to trace the development of a modern political order that slowly and unevenly replaced the ancien régime in Europe and eventually spread throughout the world. To close, he offers some speculations about the horizon ahead of us, beyond which lies a future order that may someday replace our own.

To the age-old debate over what it means to be human, the relatively new fields of sociobiology and artificial intelligence bring new, if not necessarily compatible, insights. What have these two fields in common? Have they affected the way we define humanity? These and other timely questions are addressed with colorful individuality by the authors of The Boundaries of Humanity.Leading researchers in both sociobiology and artificial intelligence combine their reflections with those of philosophers, historians, and social scientists, while the editors explore the historical and contemporary contexts of the debate in their introductions. The implications of their individual arguments, and the often heated controversies generated by biological determinism or by mechanical models of mind, go to the heart of contemporary scientific, philosophical, and humanistic studies.Contributors:Arnold I. Davidson, John Dupré, Roger Hahn, Stuart Hampshire, Evelyn Fox Keller, Melvin Konner, Alan Newell, Harriet Ritvo, James J. Sheehan, Morton Sosna, Sherry Turkle, Bernard Williams, Terry WinogradThis title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1991.

To the age-old debate over what it means to be human, the relatively new fields of sociobiology and artificial intelligence bring new, if not necessarily compatible, insights. What have these two fields in common? Have they affected the way we define humanity? These and other timely questions are addressed with colorful individuality by the authors of The Boundaries of Humanity. Leading researchers in both sociobiology and artificial intelligence combine their reflections with those of philosophers, historians, and social scientists, while the editors explore the historical and contemporary contexts of the debate in their introductions. The implications of their individual arguments, and the often heated controversies generated by biological determinism or by mechanical models of mind, go to the heart of contemporary scientific, philosophical, and humanistic studies.Contributors: Arnold I. Davidson, John Dupré, Roger Hahn, Stuart Hampshire, Evelyn Fox Keller, Melvin Konner, Alan Newell, Harriet Ritvo, James J. Sheehan, Morton Sosna, Sherry Turkle, Bernard Williams, Terry Winograd This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1991.

To the age-old debate over what it means to be human, the relatively new fields of sociobiology and artificial intelligence bring new, if not necessarily compatible, insights. What have these two fields in common? Have they affected the way we define humanity? These and other timely questions are addressed with colorful individuality by the authors of The Boundaries of Humanity.Leading researchers in both sociobiology and artificial intelligence combine their reflections with those of philosophers, historians, and social scientists, while the editors explore the historical and contemporary contexts of the debate in their introductions. The implications of their individual arguments, and the often heated controversies generated by biological determinism or by mechanical models of mind, go to the heart of contemporary scientific, philosophical, and humanistic studies.Contributors:Arnold I. Davidson, John Dupré, Roger Hahn, Stuart Hampshire, Evelyn Fox Keller, Melvin Konner, Alan Newell, Harriet Ritvo, James J. Sheehan, Morton Sosna, Sherry Turkle, Bernard Williams, Terry WinogradThis title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1991.

The essays in An Interrupted Past describe the fate of those German-speaking historians who fled from Nazi Europe to the United States. Their story is set into several contexts: the traditional relationship between German and American historiography, the evolution of the German historical profession in the twentieth century, the onset of Nazi persecution after 1933, the special situation in Austria, and the difficulty of settling the refugees in their new homeland. In addition to articles on prominent scholars, there are accounts of the group as a whole, including information on more than ninety individuals, and of their family lives. An Interrupted Past is set in one of the darkest periods in human history, a time of political catastrophe and personal suffering. Yet the lives recorded here also illustrate people's capacity to survive, adjust, and create under difficult circumstances.

The essays in An Interrupted Past describe the fate of those German-speaking historians who fled from Nazi Europe to the United States. Their story is set into several contexts: the traditional relationship between German and American historiography, the evolution of the German historical profession in the twentieth century, the onset of Nazi persecution after 1933, the special situation in Austria, and the difficulty of settling the refugees in their new homeland. In addition to articles on prominent scholars, there are accounts of the group as a whole, including information on more than ninety individuals, and of their family lives. An Interrupted Past is set in one of the darkest periods in human history, a time of political catastrophe and personal suffering. Yet the lives recorded here also illustrate people's capacity to survive, adjust, and create under difficult circumstances.

Of the thousands of children and young adults who fled Nazi Germany in the years before the Second World War, a remarkable number went on to become trained historians in their adopted homelands. By placing autobiographical testimonies alongside historical analysis and professional reflections, this richly varied collection comprises the first sustained effort to illuminate the role these men and women played in modern historiography. Focusing particularly on those who settled in North America, Great Britain, and Israel, it culminates in a comprehensive, meticulously researched biobibliographic guide that provides a systematic overview of the lives and works of this “second generation.”

Of the thousands of children and young adults who fled Nazi Germany in the years before the Second World War, a remarkable number went on to become trained historians in their adopted homelands. By placing autobiographical testimonies alongside historical analysis and professional reflections, this richly varied collection comprises the first sustained effort to illuminate the role these men and women played in modern historiography. Focusing particularly on those who settled in North America, Great Britain, and Israel, it culminates in a comprehensive, meticulously researched biobibliographic guide that provides a systematic overview of the lives and works of this “second generation.”