James L. Smith – författare

This book is intended to be used as a textbook on senior/graduate level courses in human factors engineering and ergonomics. It will provide students with a background in physiological, biomechanical and anthropometric bases of ergonomics, and then focus on the applications of ergonomic principles in designing work systems for efficient human-machine interfaces.

Dion Boucicault was a witty, selfish and deceitful charmer, a bigamist, a profligate spendthrift and the author of dozens of successful plays, only a handful of which endure. Among these his early comedies influenced Oscar Wilde, and his Irish melodramas Shaw, Synge, and O'Casey. London Assurance was his first success, a 'modern comedy' which opened at Covent Garden in 1841 and was the hit of the season. This is the first fully-annotated edition of the play, and it includes an outline of the author's amazing career, an account of the play's composition, and a critical introduction.

In this late Restoration comedy Vanbrugh not only pushes the unhappily married couple, which had been good for no more than a raucous subplot in earlier comedies of manners, centre-stage - he also makes the audience sympathise with the wife: The only thing Sir John and Lady Brute agree on is that they ought not to have married each other; now he spends his time in drunken debauchery with his cronies, while she tries to withstand the advances of her admirer Constant. After a series of farcical accidents involving cross-dressing and the eternal lover-in-the-wardrobe, the couple end where they began. Since the scene in which Sir John disguises as a clergyman was deemed 'immoral and profane', an alternative scene (in its way equally profane) was written, in which he disguises as his own wife. This edition provides both versions and discusses the play's continuing popularity on the stage.

First published in 1973, this book explores the genre of melodrama. After discussing the defining characteristics of melodrama, the book examines the dramatic structures of the two major and contrasting emotions presented in melodrama: triumph and defeat. It concludes with a reflection on the ways in which elements of melodrama have appeared in protest theatre.

First published in 1973, this book explores the genre of melodrama. After discussing the defining characteristics of melodrama, the book examines the dramatic structures of the two major and contrasting emotions presented in melodrama: triumph and defeat. It concludes with a reflection on the ways in which elements of melodrama have appeared in protest theatre.