James Ley – författare

My story is about love… No, it’s about loss… No, it’s about love and loss and pain and loneliness… But it’s funny!Calvin is going to completely revolutionise his life. Escape his abusive boyfriend, detonate his inner sex bomb, see (and shag) the world. Yes, he’s going to change things, and everything will be wonderful, and he’s going to be so happy. Definitely. Finally. Right?Together with Wilf, a rusty Volkswagen Polo which, like Calvin, has seen better days, they hit the road on a wild ride of dodgy Airbnbs, greasy takeaways, anonymous graveyard sex and banging 80s power ballads — ending up somewhere they never imagined they’d go. But is Calvin breaking free, breaking down, or just breakdancing in hot pants?This riotous and heartfelt new play from James Ley (Love Song to Lavender Menace) takes audiences on a hilarious and unapologetic ride through Scotland as Calvin and Wilf attempt to escape loneliness, cope with mental illness and learn to love themselves, with the help of one another. This edition was published alongside the production at Traverse Theatre for the Edinburgh Festival Fringe in August 2022.

My story is about love… No, it''s about loss… No, it''s about love and loss and pain and loneliness… But it''s funny!Calvin is going to completely revolutionise his life. Escape his abusive boyfriend, detonate his inner sex bomb, see (and shag) the world. Yes, he''s going to change things, and everything will be wonderful, and he''s going to be so happy. Definitely. Finally. Right?Together with Wilf, a rusty Volkswagen Polo which, like Calvin, has seen better days, they hit the road on a wild ride of dodgy Airbnbs, greasy takeaways, anonymous graveyard sex and banging 80s power ballads - ending up somewhere they never imagined they''d go. But is Calvin breaking free, breaking down, or just breakdancing in hot pants?This riotous and heartfelt new play from James Ley (Love Song to Lavender Menace) takes audiences on a hilarious and unapologetic ride through Scotland as Calvin and Wilf attempt to escape loneliness, cope with mental illness and learn to love themselves, with the help of one another. This edition was published alongside the production at Traverse Theatre for the Edinburgh Festival Fringe in August 2022.

My story is about love… No, it''s about loss… No, it''s about love and loss and pain and loneliness… But it''s funny!Calvin is going to completely revolutionise his life. Escape his abusive boyfriend, detonate his inner sex bomb, see (and shag) the world. Yes, he''s going to change things, and everything will be wonderful, and he''s going to be so happy. Definitely. Finally. Right?Together with Wilf, a rusty Volkswagen Polo which, like Calvin, has seen better days, they hit the road on a wild ride of dodgy Airbnbs, greasy takeaways, anonymous graveyard sex and banging 80s power ballads - ending up somewhere they never imagined they''d go. But is Calvin breaking free, breaking down, or just breakdancing in hot pants?This riotous and heartfelt new play from James Ley (Love Song to Lavender Menace) takes audiences on a hilarious and unapologetic ride through Scotland as Calvin and Wilf attempt to escape loneliness, cope with mental illness and learn to love themselves, with the help of one another. This edition was published alongside the production at Traverse Theatre for the Edinburgh Festival Fringe in August 2022.

Nominated for Community Award at The Stage Awards 2025Five powerful new plays by some of the most exciting artists working in the UK today – created with and for young people. Developed as part of Wonder Fools’ international project Positive Stories for Negative Times, which has engaged over 11,000 young people across 24 countries including the UK, South Africa, India, USA, Canada, Italy and Australia. Co-commissioned by Wonder Fools and the Traverse Theatre, these bold, imaginative plays span a wide range of styles, themes and forms – designed for ages 6–25. They invite young people to explore big ideas, ask urgent questions and take creative risks. The plays in this volume are:We Ain't Movin' by Travis AlabanzaAges 12-18Roman Cardboard Swift by Ella HicksonAges 12-25Hold Me Closer Bunny Baxter by James LeyAges 14-25Careful What You Wish For by Hannah LowAges 6-12The Book of Spin by Mammalian Diving ReflexAges 12-25Positive Stories For Negative Times began in response to the loss of creative spaces during the pandemic – offering young people the chance to connect, express themselves and make new work. Now an international programme, it includes hundreds of participating groups around the world, a Youth Board who dramaturg every commissioned play, a CPD programme for leaders, and four youth theatre festivals across Scotland taking place in summer 2025.Supported by Creative Scotland, the Gannochy Trust, Hugh Fraser Foundation, William Syson Foundation, Trades House of Glasgow Commonweal Fund and Gordon Fraser Foundation.

Nominated for Community Award at The Stage Awards 2025Five powerful new plays by some of the most exciting artists working in the UK today created with and for young people. Developed as part of Wonder Fools' international project Positive Stories for Negative Times, which has engaged over 11,000 young people across 24 countries including the UK, South Africa, India, USA, Canada, Italy and Australia. Co-commissioned by Wonder Fools and the Traverse Theatre, these bold, imaginative plays span a wide range of styles, themes and forms designed for ages 6 25. They invite young people to explore big ideas, ask urgent questions and take creative risks. The plays in this volume are:We Ain't Movin' by Travis AlabanzaAges 12-18Roman Cardboard Swift by Ella HicksonAges 12-25Hold Me Closer Bunny Baxter by James LeyAges 14-25Careful What You Wish For by Hannah LowAges 6-12The Book of Spin by Mammalian Diving ReflexAges 12-25Positive Stories For Negative Times began in response to the loss of creative spaces during the pandemic offering young people the chance to connect, express themselves and make new work. Now an international programme, it includes hundreds of participating groups around the world, a Youth Board who dramaturg every commissioned play, a CPD programme for leaders, and four youth theatre festivals across Scotland taking place in summer 2025.Supported by Creative Scotland, the Gannochy Trust, Hugh Fraser Foundation, William Syson Foundation, Trades House of Glasgow Commonweal Fund and Gordon Fraser Foundation.

Nominated for Community Award at The Stage Awards 2025Five powerful new plays by some of the most exciting artists working in the UK today created with and for young people. Developed as part of Wonder Fools' international project Positive Stories for Negative Times, which has engaged over 11,000 young people across 24 countries including the UK, South Africa, India, USA, Canada, Italy and Australia. Co-commissioned by Wonder Fools and the Traverse Theatre, these bold, imaginative plays span a wide range of styles, themes and forms designed for ages 6 25. They invite young people to explore big ideas, ask urgent questions and take creative risks. The plays in this volume are:We Ain't Movin' by Travis AlabanzaAges 12-18Roman Cardboard Swift by Ella HicksonAges 12-25Hold Me Closer Bunny Baxter by James LeyAges 14-25Careful What You Wish For by Hannah LowAges 6-12The Book of Spin by Mammalian Diving ReflexAges 12-25Positive Stories For Negative Times began in response to the loss of creative spaces during the pandemic offering young people the chance to connect, express themselves and make new work. Now an international programme, it includes hundreds of participating groups around the world, a Youth Board who dramaturg every commissioned play, a CPD programme for leaders, and four youth theatre festivals across Scotland taking place in summer 2025.Supported by Creative Scotland, the Gannochy Trust, Hugh Fraser Foundation, William Syson Foundation, Trades House of Glasgow Commonweal Fund and Gordon Fraser Foundation.

The Critic in the Modern World explores the work of six influential literary critics—Samuel Johnson, William Hazlitt, Matthew Arnold, T.S. Eliot, Lionel Trilling and James Wood—each of whom occupies a distinct historical moment. It considers how these representative critics have constructed their public personae, the kinds of arguments they have used, and their core principles and philosophies. Spanning three hundred years of cultural history, The Critic in the Modern World considers the various ways in which literary critics have positioned themselves in relation to the modern tradition of descriptive criticism. In providing a lucid account of each critic's central principles and philosophies, it considers the role of the literary critic as a public figure, interpreting him as someone who is compelled to address the wider issues of individualism and the social implications of the democratising, secularising, liberalising forces of modernity.

The Critic in the Modern World explores the work of six influential literary critics-Samuel Johnson, William Hazlitt, Matthew Arnold, T.S. Eliot, Lionel Trilling and James Wood-each of whom occupies a distinct historical moment. It considers how these representative critics have constructed their public personae, the kinds of arguments they have used, and their core principles and philosophies. Spanning three hundred years of cultural history, The Critic in the Modern World considers the various ways in which literary critics have positioned themselves in relation to the modern tradition of descriptive criticism. In providing a lucid account of each critic's central principles and philosophies, it considers the role of the literary critic as a public figure, interpreting him as someone who is compelled to address the wider issues of individualism and the social implications of the democratising, secularising, liberalising forces of modernity.

The Critic in the Modern World explores the work of six influential literary critics-Samuel Johnson, William Hazlitt, Matthew Arnold, T.S. Eliot, Lionel Trilling and James Wood-each of whom occupies a distinct historical moment. It considers how these representative critics have constructed their public personae, the kinds of arguments they have used, and their core principles and philosophies. Spanning three hundred years of cultural history, The Critic in the Modern World considers the various ways in which literary critics have positioned themselves in relation to the modern tradition of descriptive criticism. In providing a lucid account of each critic's central principles and philosophies, it considers the role of the literary critic as a public figure, interpreting him as someone who is compelled to address the wider issues of individualism and the social implications of the democratising, secularising, liberalising forces of modernity.

The Critic in the Modern World explores the work of six influential literary critics—Samuel Johnson, William Hazlitt, Matthew Arnold, T.S. Eliot, Lionel Trilling and James Wood—each of whom occupies a distinct historical moment. It considers how these representative critics have constructed their public personae, the kinds of arguments they have used, and their core principles and philosophies. Spanning three hundred years of cultural history, The Critic in the Modern World considers the various ways in which literary critics have positioned themselves in relation to the modern tradition of descriptive criticism. In providing a lucid account of each critic's central principles and philosophies, it considers the role of the literary critic as a public figure, interpreting him as someone who is compelled to address the wider issues of individualism and the social implications of the democratising, secularising, liberalising forces of modernity.

In 1982, two friends Bob and Sigrid opened their new radical lesbian, gay and feminist bookshop, ‘Lavender Menace' on Edinburgh’s Forth Street. On the eve of the shop’s 5th birthday, sales assistants Paul and David take a look back at its origins, in this funny, moving play. Cast your mind back to 1982 - Margaret Thatcher sends the British Fleet to the Falklands, Channel 4 comes to the living room and Prince William is born. But this play has nothing to do with all that. This play is about activism, community and fighting for acceptance with words, music, humour and heart. The play looks back at 1982, as Bob and Sigrid open their shop. A trailblazing venture that began life in the cloakroom of a gay club, the shop will become the beating heart of Edinburgh's LGBT+ community. Now, on the final night of the shop's existence, sales assistants Lewis and Glen look back at its origins, its importance, its celebration of queer culture, how things have changed for the better (maybe)...And straight away the arguments begin! Love Song to Lavender Menace is a beautifully funny and moving exploration of the love and passion it takes to make something happen and the loss that is felt when you have to let it go."Ley’s script achieves a deft and sophisticated balance of subjects and registers, shedding light on queer experience with humour, warmth, passion and complexity." (The Scotsman)

In 1982, two friends Bob and Sigrid opened their new radical lesbian, gay and feminist bookshop, 'Lavender Menace' on Edinburgh's Forth Street. On the eve of the shop's 5th birthday, sales assistants Paul and David take a look back at its origins, in this funny, moving play. Cast your mind back to 1982 - Margaret Thatcher sends the British Fleet to the Falklands, Channel 4 comes to the living room and Prince William is born. But this play has nothing to do with all that. This play is about activism, community and fighting for acceptance with words, music, humour and heart. The play looks back at 1982, as Bob and Sigrid open their shop. A trailblazing venture that began life in the cloakroom of a gay club, the shop will become the beating heart of Edinburgh's LGBT+ community. Now, on the final night of the shop's existence, sales assistants Lewis and Glen look back at its origins, its importance, its celebration of queer culture, how things have changed for the better (maybe)...And straight away the arguments begin! Love Song to Lavender Menace is a beautifully funny and moving exploration of the love and passion it takes to make something happen and the loss that is felt when you have to let it go."Ley's script achieves a deft and sophisticated balance of subjects and registers, shedding light on queer experience with humour, warmth, passion and complexity." (The Scotsman)

Includes the plays Spain, I Heart Maths and UpThe theme of self-indulgence unites the three plays in The Ego Plays collection. At the heart of each is a gay man asking a lot of questions… about himself. These questions range from scientififIc and philosophical musings to angst-ridden pleas for enlightenment. They come from men who have become so trapped in their own situations that they can no longer successfully connect with the outside world. Up is a play about despair, I Heart Maths is a play about love and Spain is a play about moving on. Together they present the cognitive processes of three men who have allowed personal problems to grow to monstrous proportions. In each of these plays excessive self analysisleads to the main characters taking desperate measures, though frequently also leading to humorous consequences. But while these plays are comedies, exploring the perils of taking oneself too seriously, they are not intended to be cruel. Instead they set their characters free by making their worst fears come true and then taking them somewhere new.

Includes the plays Spain, I Heart Maths and UpThe theme of self-indulgence unites the three plays in The Ego Plays collection. At the heart of each is a gay man asking a lot of questions… about himself. These questions range from scientififIc and philosophical musings to angst-ridden pleas for enlightenment. They come from men who have become so trapped in their own situations that they can no longer successfully connect with the outside world. Up is a play about despair, I Heart Maths is a play about love and Spain is a play about moving on. Together they present the cognitive processes of three men who have allowed personal problems to grow to monstrous proportions. In each of these plays excessive self analysisleads to the main characters taking desperate measures, though frequently also leading to humorous consequences. But while these plays are comedies, exploring the perils of taking oneself too seriously, they are not intended to be cruel. Instead they set their characters free by making their worst fears come true and then taking them somewhere new.