James Meek – författare

An explosive modern novel from the award-winning writer of The People's Act of Love Mr Burman is unmoored. Still reckoning with the death of his wife Ada, and struggling to understand his grown-up daughter Leila, he finds himself on a train to London, at the invitation of the police. He is to meet Raf, a young man suspected of trying to blow up St Paul's cathedral - and a man once intimately connected with the Burman family. Have the police laid a trap? Compelling and compassionate, this novel follows Mr Burman's journey towards the mystery of a radical act and into the true nature of his own family. It asks what a person leaves behind when they've gone, and how much of the past we can carry with us into the future.

"The essential public good that Margaret Thatcher, Tony Blair and now Cameron sell is not power stations, or trains, or hospitals. It''s the public itself. it''s us." In a little over a generation the bones and sinews of the British economy - rail, energy, water, postal services, municipal housing - have been sold to remote, unaccountable private owners, often from overseas. In a series of brilliant portraits the award-winning novelist and journalist James Meek shows how Britain''s common wealth became private, and the impact it has had on us all: from the growing shortage of housing to spiralling energy bills. Meek explores the human stories behind the incremental privatization of the nation over the last three decades. He shows how, as our national assets are sold, ordinary citizens are handed over to private tax-gatherers, and the greatest burden of taxes shifts to the poorest. In the end, it is not only public enterprises that have become private property, but we ourselves. Urgent, powerfully written and deeply moving, this is a passionate anatomy of the state of the nation: of what we have lost and what losing it cost us - the rent we must pay to exist on this private island.

"The essential public good that Margaret Thatcher, Tony Blair and now Cameron sell is not power stations, or trains, or hospitals. It's the public itself. it's us." In a little over a generation the bones and sinews of the British economy - rail, energy, water, postal services, municipal housing - have been sold to remote, unaccountable private owners, often from overseas. In a series of brilliant portraits the award-winning novelist and journalist James Meek shows how Britain's common wealth became private, and the impact it has had on us all: from the growing shortage of housing to spiralling energy bills.Meek explores the human stories behind the incremental privatization of the nation over the last three decades. He shows how, as our national assets are sold, ordinary citizens are handed over to private tax-gatherers, and the greatest burden of taxes shifts to the poorest. In the end, it is not only public enterprises that have become private property, but we ourselves.Urgent, powerfully written and deeply moving, this is a passionate anatomy of the state of the nation: of what we have lost and what losing it cost us - the rent we must pay to exist on this private island.

1919, Siberia.Deep in the unforgiving landscape a town lies under military rule, awaiting the remorseless assault of Bolsheviks along the Trans-Siberian railway. One night a stranger, Samarin, appears from the woods with a tale of escape from an Arctic prison, insisting a cannibal is on his trail. Only Anna, a beautiful young widow, trusts his story. When a local shaman is found dead, suspicion and terror engulf the isolated community, which harbours a secret of its own . . .

'Inventive and original' The Times'Fans of intelligent historical fiction will be enthralled' Hilary MantelShortlisted for the Walter Scott Prize for Historical FictionLonglisted for the Orwell Prize for Political FictionThree journeys. One road.England, 1348. A gentlewoman flees an odious arranged marriage, a proctor sets out for a monastery in Avignon and a young ploughman in search of freedom is on his way to volunteer with a company of archers. All come together on the road to Calais. In the other direction comes the Black Death, the plague that will wipe out half of the population of Northern Europe.To Calais, In Ordinary Time is an exploration of love, death and power, against the backdrop of catastrophe.

In Dreams of Leaving and Remaining, award winning journalist Meek explores a nation uneasy with itself. In the decades since the twilight of empire, Britain has struggled to find its place, and identity, in the world. This has come to the point of crisis since the 2008 financial crash. Meek meets the farmers and fishermen who wish Britain to turn its back on the world and restore its former glory, and are willing to lose the very support that their industry depends on. He reports on a Cadbury''s factory that is to be shut down and moved to Poland in the name of free market economics, exploring the impact on the local community left behind. He charts how the NHS is coping with the twin burdens of austerity and an ageing population. Through his journey he asks what we can recover from the debris of an old nation as we head towards new horizons, and what we must leave behind. There are no easy answers, and what he creates instead is a masterly portrait of an anxious, troubled nation. Instead, he demands that we reconsider the power of the stories that we tell ourselves about who we are, a nation''s alienated from itself.

In Dreams of Leaving and Remaining, award winning journalist Meek explores a nation uneasy with itself. In the decades since the twilight of empire, Britain has struggled to find its place, and identity, in the world. This has come to the point of crisis since the 2008 financial crash. Meek meets the farmers and fishermen who wish Britain to turn its back on the world and restore its former glory, and are willing to lose the very support that their industry depends on. He reports on a Cadbury's factory that is to be shut down and moved to Poland in the name of free market economics, exploring the impact on the local community left behind. He charts how the NHS is coping with the twin burdens of austerity and an ageing population. Through his journey he asks what we can recover from the debris of an old nation as we head towards new horizons, and what we must leave behind. There are no easy answers, and what he creates instead is a masterly portrait of an anxious, troubled nation. Instead, he demands that we reconsider the power of the stories that we tell ourselves about who we are, a nation's alienated from itself.

An explosive modern novel from the award-winning writer of The People's Act of Love Mr Burman is unmoored. Still reckoning with the death of his wife Ada, and struggling to understand his grown-up daughter Leila, he finds himself on a train to London, at the invitation of the police. He is to meet Raf, a young man suspected of trying to blow up St Paul's cathedral - and a man once intimately connected with the Burman family. Have the police laid a trap? Compelling and compassionate, this novel follows Mr Burman's journey towards the mystery of a radical act and into the true nature of his own family. It asks what a person leaves behind when they've gone, and how much of the past we can carry with us into the future.