James Moran – författare
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46 produkter
46 produkter
Häftad, Engelska, 2021
138 kr
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'These highbrows must remember that there is a demand for little things as well as for big things'George Bernard Shaw was one of the leading playwrights and public intellectuals of the nineteenth and twentieth centuries. He helped propel drama towards the unexpected, into a realm where it might shock audiences into new viewpoints and into fresh understandings of society. Throughout his long writing career Shaw wrote short plays, ranging in length from 1000-word puppet play, Shakes Versus Shav, to the 12,000-word suffragette comedy, Press Cuttings. These plays can be taken to illuminate Shaw's life and legacy, from ideas about war and patriotism in O'Flaherty, V.C. to censorship in The Shewing up of Blanco Posset.Surveying Shaw's entire career of writing short dramas, focusing especially on those years when his work in the form was particularly prolific (around 1909 and during the First World War), this collection places Shaw's short plays broadly into four key areas: farces, historical sketches, war dramas, and Shakespearean shorts. For each of these areas, the volume explores Shaw's aesthetic and thematic concerns, the precise historical and generic contexts in which the works were written, the major criticism and scholarship that has subsequently emerged, and the most notable stage and screen productions. This collection reveals how a playwright often criticized for being too wordy was actually a master of the short form.
Inbunden, Engelska, 2007
3 064 kr
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This is the first volume of papers devoted to an examination of the relationship between mental health/illness and the construction and experience of space. This historical analysis with contributions from leading experts will enlighten and intrigue in equal measure. The first rigorous scholarly analysis of its kind in book form, it will be of particular interest to the history, psychiatry and architecture communities.
Häftad, Engelska, 2011
793 kr
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This is the first volume of papers devoted to an examination of the relationship between mental health/illness and the construction and experience of space. This historical analysis with contributions from leading experts will enlighten and intrigue in equal measure. The first rigorous scholarly analysis of its kind in book form, it will be of particular interest to the history, psychiatry and architecture communities.
E-bok
PDF, Engelska, 2013341 kr
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Explores the regional contexts of literary modernism, reading international aesthetics through local culturesWhere did literary modernism happen? In this book, a range of scholars seek to answer this question, re-evaluating the parameters of modernism in the light of recent developments in literary geography as well as literary history, examining an array of different literary forms including novels, poetry, theatre, and ‘little magazines’. The volume identifies and appraises the local attachments of modernist texts in particular geographical regions and also interrogates the idea of the ''regional'' in light of the alienating displacements of transnational modernity.The essays collected here make fresh interventions in the field of modernist studies and acknowledge the legacies of regional modernisms for post-war representations of place and landscape. Individual essays discuss canonical figures (W. B. Yeats, Ezra Pound, James Joyce and D.H. Lawrence) as well as more marginal or lesser-known writers (Dylan Thomas, Hugh MacDiarmid, J. M. Synge, Sylvia Townsend Warner, Alfred Orage, Leo Walmsley, Lynette Roberts, Michael McLaverty, and Basil Bunting) from across Britain and Ireland.
E-bok
Engelska, 202251 kr
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E-bok
Engelska, 20251 638 kr
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E-bok
PDF, Engelska, 20251 638 kr
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Inbunden, Engelska, 2025
1 441 kr
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Sean O'Casey is one of Ireland's best-known writers. He is the most frequently performed playwright in the history of the Irish National Theatre, and his work is often revived onstage elsewhere. O'Casey is also widely studied in schools, colleges, and universities in the English-speaking world. This book offers a new contextualisation of this famous writer's work, revisiting his association with Irish nationalism, historical revisionism, and celebrated contemporaries such as W. B. Yeats and Lady Gregory. The volume also brings O'Casey's work into contact with topics including disability studies, gender and sexuality, post-colonialism, ecocriticism, and race. Sean O'Casey in Context explores a number of existing ideas about O'Casey in the light of new academic developments, and updates our understanding of this important writer by taking into account recent scholarly thinking and a range of theatrical productions from around the globe.
E-bok
PDF, Engelska, 2020883 kr
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This is the first volume of papers devoted to an examination of the relationship between mental health/illness and the construction and experience of space. This historical analysis with contributions from leading experts will enlighten and intrigue in equal measure. The first rigorous scholarly analysis of its kind in book form, it will be of particular interest to the history, psychiatry and architecture communities.
E-bok
Engelska, 2020883 kr
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This is the first volume of papers devoted to an examination of the relationship between mental health/illness and the construction and experience of space. This historical analysis with contributions from leading experts will enlighten and intrigue in equal measure. The first rigorous scholarly analysis of its kind in book form, it will be of particular interest to the history, psychiatry and architecture communities.
Häftad, Engelska, 2023
264 kr
Skickas inom 10-15 vardagar
What distinguishes modern tragedy from other forms of drama? How does it relate to contemporary political and social conditions? To what ends have artists employed the tragic form in different locations during the 20th century?Partly motivated by the urgency of our current situation in an age of ecocidal crisis, Modern Tragedy encompasses a variety of drama from throughout the 20th century. James Moran begins this book with John Millington Synge’s Riders to the Sea (1904), which shows how environmental awareness might be expressed through tragic drama. Moran also looks at Brecht’s reworking of Synge’s drama in the 1937 play Señora Carrar’s Rifles, and situates Brecht's script in the light of the theatre practitioner’s broader ideas about tragedy. Brecht’s tragic thinking – informed by Hegel and Marx – is contrasted with the Schopenhauerian approach of Samuel Beckett. The volume goes on to examine theatre makers whose ideas were partly motivated by applying an understanding of the tragic narrative of Synge’s Riders to the Sea to postcolonial contexts. Looking at Derek Walcott’s The Sea at Dauphin (1954), and J.P. Clark’s The Goat (1961), Modern Tragedy explores how tragedy, a form that is often associated with regressive assumptions about hegemony, might be rethought, and how aspects of the tragic may coincide with the experiences and concerns of authors and audiences of colour.
Inbunden, Engelska, 2023
744 kr
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What distinguishes modern tragedy from other forms of drama? How does it relate to contemporary political and social conditions? To what ends have artists employed the tragic form in different locations during the 20th century?Partly motivated by the urgency of our current situation in an age of ecocidal crisis, Modern Tragedy encompasses a variety of drama from throughout the 20th century. James Moran begins this book with John Millington Synge’s Riders to the Sea (1904), which shows how environmental awareness might be expressed through tragic drama. Moran also looks at Brecht’s reworking of Synge’s drama in the 1937 play Señora Carrar’s Rifles, and situates Brecht's script in the light of the theatre practitioner’s broader ideas about tragedy. Brecht’s tragic thinking – informed by Hegel and Marx – is contrasted with the Schopenhauerian approach of Samuel Beckett. The volume goes on to examine theatre makers whose ideas were partly motivated by applying an understanding of the tragic narrative of Synge’s Riders to the Sea to postcolonial contexts. Looking at Derek Walcott’s The Sea at Dauphin (1954), and J.P. Clark’s The Goat (1961), Modern Tragedy explores how tragedy, a form that is often associated with regressive assumptions about hegemony, might be rethought, and how aspects of the tragic may coincide with the experiences and concerns of authors and audiences of colour.
E-bok
Engelska, 2023269 kr
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What distinguishes modern tragedy from other forms of drama? How does it relate to contemporary political and social conditions? To what ends have artists employed the tragic form in different locations during the 20th century? Partly motivated by the urgency of our current situation in an age of ecocidal crisis, Modern Tragedy encompasses a variety of drama from throughout the 20th century. James Moran begins this book with John Millington Synge''s Riders to the Sea (1904), which shows how environmental awareness might be expressed through tragic drama. Moran also looks at Brecht''s reworking of Synge''s drama in the 1937 play Señora Carrar''s Rifles, and situates Brecht''s script in the light of the theatre practitioner''s broader ideas about tragedy. Brecht''s tragic thinking – informed by Hegel and Marx – is contrasted with the Schopenhauerian approach of Samuel Beckett. The volume goes on to examine theatre makers whose ideas were partly motivated by applying an understanding of the tragic narrative of Synge''s Riders to the Sea to postcolonial contexts. Looking at Derek Walcott''s The Sea at Dauphin (1954), and J.P. Clark''s The Goat (1961), Modern Tragedy explores how tragedy, a form that is often associated with regressive assumptions about hegemony, might be rethought, and how aspects of the tragic may coincide with the experiences and concerns of authors and audiences of colour.
E-bok
PDF, Engelska, 2023279 kr
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What distinguishes modern tragedy from other forms of drama? How does it relate to contemporary political and social conditions? To what ends have artists employed the tragic form in different locations during the 20th century? Partly motivated by the urgency of our current situation in an age of ecocidal crisis, Modern Tragedy encompasses a variety of drama from throughout the 20th century. James Moran begins this book with John Millington Synge''s Riders to the Sea (1904), which shows how environmental awareness might be expressed through tragic drama. Moran also looks at Brecht''s reworking of Synge''s drama in the 1937 play Señora Carrar''s Rifles, and situates Brecht''s script in the light of the theatre practitioner''s broader ideas about tragedy. Brecht''s tragic thinking – informed by Hegel and Marx – is contrasted with the Schopenhauerian approach of Samuel Beckett. The volume goes on to examine theatre makers whose ideas were partly motivated by applying an understanding of the tragic narrative of Synge''s Riders to the Sea to postcolonial contexts. Looking at Derek Walcott''s The Sea at Dauphin (1954), and J.P. Clark''s The Goat (1961), Modern Tragedy explores how tragedy, a form that is often associated with regressive assumptions about hegemony, might be rethought, and how aspects of the tragic may coincide with the experiences and concerns of authors and audiences of colour.
Inbunden, Engelska, 2022
1 368 kr
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Modernists and the Theatre examines how six key modernists, who are best known as poets and novelists, engaged with the realm of theatre and performance. Drawing on a wealth of unfamiliar archival material and fresh readings of neglected documents, James Moran demonstrates how these literary figures interacted with the playhouse, exploring W.B. Yeats’s earliest playwriting, Ezra Pound’s onstage acting, the links between James Joyce’s and D.H. Lawrence’s sense of drama, T.S. Eliot’s thinking about theatrical popularity, and the feminist politics of Virginia Woolf’s small-scale theatrical experimentation. While these modernists often made hostile comments about drama, this volume highlights how the writers were all repeatedly drawn to the form. While Yeats and Pound were fascinated by the controlling aspect of theatre, other authors felt inspired by theatre as a democratic forum in which dissenting voices could be heard. Some of these modernists used theatre to express and explore identities that had previously been sidelined in the public forum, including the working-class mining communities of Lawrence’s plays, the sexually unconventional and non-binary gender expressions of Joyce’s fiction, and the female experience that Woolf sought to represent and discuss in terms of theatrical performance. These writers may be known primarily for creating non-dramatic texts, but this book demonstrates the importance of the theatre to the activities of these authors, and shows how a sense of the theatrical repeatedly motivated the wider thinking and writing of six major figures in literary history.
E-bok
Engelska, 2021437 kr
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Modernists and the Theatre examines how six key modernists, who are best known as poets and novelists, engaged with the realm of theatre and performance. Drawing on a wealth of unfamiliar archival material and fresh readings of neglected documents, James Moran demonstrates how these literary figures interacted with the playhouse, exploring W.B. Yeats''s earliest playwriting, Ezra Pound''s onstage acting, the links between James Joyce''s and D.H. Lawrence''s sense of drama, T.S. Eliot''s thinking about theatrical popularity, and the feminist politics of Virginia Woolf''s small-scale theatrical experimentation. While these modernists often made hostile comments about drama, this volume highlights how the writers were all repeatedly drawn to the form. While Yeats and Pound were fascinated by the controlling aspect of theatre, other authors felt inspired by theatre as a democratic forum in which dissenting voices could be heard. Some of these modernists used theatre to express and explore identities that had previously been sidelined in the public forum, including the working-class mining communities of Lawrence''s plays, the sexually unconventional and non-binary gender expressions of Joyce''s fiction, and the female experience that Woolf sought to represent and discuss in terms of theatrical performance. These writers may be known primarily for creating non-dramatic texts, but this book demonstrates the importance of the theatre to the activities of these authors, and shows how a sense of the theatrical repeatedly motivated the wider thinking and writing of six major figures in literary history.
E-bok
PDF, Engelska, 2021453 kr
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Modernists and the Theatre examines how six key modernists, who are best known as poets and novelists, engaged with the realm of theatre and performance. Drawing on a wealth of unfamiliar archival material and fresh readings of neglected documents, James Moran demonstrates how these literary figures interacted with the playhouse, exploring W.B. Yeats''s earliest playwriting, Ezra Pound''s onstage acting, the links between James Joyce''s and D.H. Lawrence''s sense of drama, T.S. Eliot''s thinking about theatrical popularity, and the feminist politics of Virginia Woolf''s small-scale theatrical experimentation. While these modernists often made hostile comments about drama, this volume highlights how the writers were all repeatedly drawn to the form. While Yeats and Pound were fascinated by the controlling aspect of theatre, other authors felt inspired by theatre as a democratic forum in which dissenting voices could be heard. Some of these modernists used theatre to express and explore identities that had previously been sidelined in the public forum, including the working-class mining communities of Lawrence''s plays, the sexually unconventional and non-binary gender expressions of Joyce''s fiction, and the female experience that Woolf sought to represent and discuss in terms of theatrical performance. These writers may be known primarily for creating non-dramatic texts, but this book demonstrates the importance of the theatre to the activities of these authors, and shows how a sense of the theatrical repeatedly motivated the wider thinking and writing of six major figures in literary history.
Häftad, Engelska, 2023
418 kr
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Modernists and the Theatre examines how six key modernists, who are best known as poets and novelists, engaged with the realm of theatre and performance. Drawing on a wealth of unfamiliar archival material and fresh readings of neglected documents, James Moran demonstrates how these literary figures interacted with the playhouse, exploring W.B. Yeats’s earliest playwriting, Ezra Pound’s onstage acting, the links between James Joyce’s and D.H. Lawrence’s sense of drama, T.S. Eliot’s thinking about theatrical popularity, and the feminist politics of Virginia Woolf’s small-scale theatrical experimentation. While these modernists often made hostile comments about drama, this volume highlights how the writers were all repeatedly drawn to the form. While Yeats and Pound were fascinated by the controlling aspect of theatre, other authors felt inspired by theatre as a democratic forum in which dissenting voices could be heard. Some of these modernists used theatre to express and explore identities that had previously been sidelined in the public forum, including the working-class mining communities of Lawrence’s plays, the sexually unconventional and non-binary gender expressions of Joyce’s fiction, and the female experience that Woolf sought to represent and discuss in terms of theatrical performance. These writers may be known primarily for creating non-dramatic texts, but this book demonstrates the importance of the theatre to the activities of these authors, and shows how a sense of the theatrical repeatedly motivated the wider thinking and writing of six major figures in literary history.
E-bok
PDF, Engelska, 2013487 kr
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This Critical Companion to the work of one of Ireland''s most famous and controversial playwrights, Sean O''Casey, is the first major study of the playwright''s work to consider his oeuvre and the archival material that has appeared during the last decade. Published ahead of the centenary of the 1916 Easter Rising in Ireland with which O''Casey''s most famous plays are associated, it provides a clear and detailed study of the work in context and performance.James Moran shows that O''Casey not only remains the most performed playwright at Ireland''s national theatre, but that the playwright was also one of the most controversial and divisive literary figures, whose work caused riots and who alienated many of his supporters. Since the start of the ''Troubles'' in the North of Ireland, his work has been associated with Irish historical revisionism, and has become the subject of debate about Irish nationalism and revolutionary history. Moran''s admirably clear study considers the writer''s plays, autobiographical writings and essays, paying special attention to the Dublin trilogy, The Shadow of a Gunman, Juno and the Paycock, and The Plough and the Stars. It considers the work produced in exile, during the war and the late plays. The Companion also features a number of interviews and essays by other leading scholars and practitioners, including Garry Hynes, Victor Merriman and Paul Murphy, which provide further critical perspectives on the work.
E-bok
Engelska, 2013470 kr
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This Critical Companion to the work of one of Ireland''s most famous and controversial playwrights, Sean O''Casey, is the first major study of the playwright''s work to consider his oeuvre and the archival material that has appeared during the last decade. Published ahead of the centenary of the 1916 Easter Rising in Ireland with which O''Casey''s most famous plays are associated, it provides a clear and detailed study of the work in context and performance.James Moran shows that O''Casey not only remains the most performed playwright at Ireland''s national theatre, but that the playwright was also one of the most controversial and divisive literary figures, whose work caused riots and who alienated many of his supporters. Since the start of the ''Troubles'' in the North of Ireland, his work has been associated with Irish historical revisionism, and has become the subject of debate about Irish nationalism and revolutionary history. Moran''s admirably clear study considers the writer''s plays, autobiographical writings and essays, paying special attention to the Dublin trilogy, The Shadow of a Gunman, Juno and the Paycock, and The Plough and the Stars. It considers the work produced in exile, during the war and the late plays. The Companion also features a number of interviews and essays by other leading scholars and practitioners, including Garry Hynes, Victor Merriman and Paul Murphy, which provide further critical perspectives on the work.
Inbunden, Engelska, 2013
1 768 kr
Skickas inom 10-15 vardagar
This Critical Companion to the work of one of Ireland's most famous and controversial playwrights, Sean O'Casey, is the first major study of the playwright's work to consider his oeuvre and the archival material that has appeared during the last decade. Published ahead of the centenary of the 1916 Easter Rising in Ireland with which O'Casey's most famous plays are associated, it provides a clear and detailed study of the work in context and performance.James Moran shows that O’Casey not only remains the most performed playwright at Ireland's national theatre, but that the playwright was also one of the most controversial and divisive literary figures, whose work caused riots and who alienated many of his supporters. Since the start of the 'Troubles' in the North of Ireland, his work has been associated with Irish historical revisionism, and has become the subject of debate about Irish nationalism and revolutionary history. Moran's admirably clear study considers the writer's plays, autobiographical writings and essays, paying special attention to the Dublin trilogy, The Shadow of a Gunman, Juno and the Paycock, and The Plough and the Stars. It considers the work produced in exile, during the war and the late plays. The Companion also features a number of interviews and essays by other leading scholars and practitioners, including Garry Hynes, Victor Merriman and Paul Murphy, which provide further critical perspectives on the work.
Häftad, Engelska, 2013
456 kr
Skickas inom 10-15 vardagar
This Critical Companion to the work of one of Ireland's most famous and controversial playwrights, Sean O'Casey, is the first major study of the playwright's work to consider his oeuvre and the archival material that has appeared during the last decade. Published ahead of the centenary of the 1916 Easter Rising in Ireland with which O'Casey's most famous plays are associated, it provides a clear and detailed study of the work in context and performance.James Moran shows that O’Casey not only remains the most performed playwright at Ireland's national theatre, but that the playwright was also one of the most controversial and divisive literary figures, whose work caused riots and who alienated many of his supporters. Since the start of the 'Troubles' in the North of Ireland, his work has been associated with Irish historical revisionism, and has become the subject of debate about Irish nationalism and revolutionary history. Moran's admirably clear study considers the writer's plays, autobiographical writings and essays, paying special attention to the Dublin trilogy, The Shadow of a Gunman, Juno and the Paycock, and The Plough and the Stars. It considers the work produced in exile, during the war and the late plays. The Companion also features a number of interviews and essays by other leading scholars and practitioners, including Garry Hynes, Victor Merriman and Paul Murphy, which provide further critical perspectives on the work.
Del 17 - Torchwood
Torchwood: Consequences
E-bok
Engelska, 2010100 kr
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Saving the planet, watching over the Rift, preparing the human race for the twenty-first century... Torchwood has been keeping Cardiff safe since the late 1800s. Small teams of heroes, working 24/7, encountering and containing the alien, the bizarre and the inexplicable.But Torchwood do not always see the effects of their actions. What links the Rules and Regulations for replacing a Torchwood leader to the destruction of a supermarket? How does a witness to an alien's reprisals against Torchwood become caught up in a night of terror in a university library? And why should Gwen and Ianto's actions at a local publisher's affect Torchwood more than a century earlier?For Torchwood, the past will always catch up with them. And sometimes the future will catch up with the past...Featuring sci-fi stories by writers for the hit Torchwood series created by Russell T Davies for BBC Television, including James Moran and Joseph Lidster, plus Andrew Cartmel, Sarah Pinborough and David Llewellyn.
Häftad, Engelska, 2015
456 kr
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This is the first major book-length study for four decades to examine the plays written by D. H. Lawrence, and the first ever book to give an in-depth analysis of Lawrence’s interaction with the theatre industry during the early twentieth century. It connects and examines his performance texts, and explores his reaction to a wide-range of theatre (from the sensation dramas of working-class Eastwood to the ritual performances of the Pueblo people) in order to explain Lawrence's contribution to modern drama.F. R. Leavis influentially labelled the writer 'D. H. Lawrence: Novelist'. But this book foregrounds Lawrence's career as a playwright, exploring unfamiliar contexts and manuscripts, and drawing particular attention to his three most successful works: The Widowing of Mrs Holroyd, The Daughter-in-Law, and A Collier's Friday Night. It examines how Lawrence's novels are suffused with theatrical thinking, revealing how Lawrence’s fictions – from his first published work to the last story that he wrote before his death – continually take inspiration from the playhouse.The book also argues that, although Lawrence has sometimes been dismissed as a restrictively naturalistic stage writer, his overall oeuvre shows a consistent concern with theatrical experiment, and manifests affinities with the dramatic thinking of modernist figures including Brecht, Artaud, and Joyce. In a final section, the book includes contributions from influential theatre-makers who have taken their own cue from Lawrence's work, and who have created original work that consciously follows Lawrence in making working-class life central to the public forum of the theatre stage.
Inbunden, Engelska, 2015
1 927 kr
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This is the first major book-length study for four decades to examine the plays written by D. H. Lawrence, and the first ever book to give an in-depth analysis of Lawrence’s interaction with the theatre industry during the early twentieth century. It connects and examines his performance texts, and explores his reaction to a wide-range of theatre (from the sensation dramas of working-class Eastwood to the ritual performances of the Pueblo people) in order to explain Lawrence's contribution to modern drama.F. R. Leavis influentially labelled the writer 'D. H. Lawrence: Novelist'. But this book foregrounds Lawrence's career as a playwright, exploring unfamiliar contexts and manuscripts, and drawing particular attention to his three most successful works: The Widowing of Mrs Holroyd, The Daughter-in-Law, and A Collier's Friday Night. It examines how Lawrence's novels are suffused with theatrical thinking, revealing how Lawrence’s fictions – from his first published work to the last story that he wrote before his death – continually take inspiration from the playhouse.The book also argues that, although Lawrence has sometimes been dismissed as a restrictively naturalistic stage writer, his overall oeuvre shows a consistent concern with theatrical experiment, and manifests affinities with the dramatic thinking of modernist figures including Brecht, Artaud, and Joyce. In a final section, the book includes contributions from influential theatre-makers who have taken their own cue from Lawrence's work, and who have created original work that consciously follows Lawrence in making working-class life central to the public forum of the theatre stage.
E-bok
Engelska, 2015487 kr
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This is the first major book-length study for four decades to examine the plays written by D. H. Lawrence, and the first ever book to give an in-depth analysis of Lawrence''s interaction with the theatre industry during the early twentieth century. It connects and examines his performance texts, and explores his reaction to a wide-range of theatre (from the sensation dramas of working-class Eastwood to the ritual performances of the Pueblo people) in order to explain Lawrence''s contribution to modern drama. F. R. Leavis influentially labelled the writer ''D. H. Lawrence: Novelist''. But this book foregrounds Lawrence''s career as a playwright, exploring unfamiliar contexts and manuscripts, and drawing particular attention to his three most successful works: The Widowing of Mrs Holroyd, The Daughter-in-Law, and A Collier''s Friday Night. It examines how Lawrence''s novels are suffused with theatrical thinking, revealing how Lawrence''s fictions – from his first published work to the last story that he wrote before his death – continually take inspiration from the playhouse. The book also argues that, although Lawrence has sometimes been dismissed as a restrictively naturalistic stage writer, his overall oeuvre shows a consistent concern with theatrical experiment, and manifests affinities with the dramatic thinking of modernist figures including Brecht, Artaud, and Joyce. In a final section, the book includes contributions from influential theatre-makers who have taken their own cue from Lawrence''s work, and who have created original work that consciously follows Lawrence in making working-class life central to the public forum of the theatre stage.
E-bok
PDF, Engelska, 2015487 kr
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This is the first major book-length study for four decades to examine the plays written by D. H. Lawrence, and the first ever book to give an in-depth analysis of Lawrence''s interaction with the theatre industry during the early twentieth century. It connects and examines his performance texts, and explores his reaction to a wide-range of theatre (from the sensation dramas of working-class Eastwood to the ritual performances of the Pueblo people) in order to explain Lawrence''s contribution to modern drama. F. R. Leavis influentially labelled the writer ''D. H. Lawrence: Novelist''. But this book foregrounds Lawrence''s career as a playwright, exploring unfamiliar contexts and manuscripts, and drawing particular attention to his three most successful works: The Widowing of Mrs Holroyd, The Daughter-in-Law, and A Collier''s Friday Night. It examines how Lawrence''s novels are suffused with theatrical thinking, revealing how Lawrence''s fictions – from his first published work to the last story that he wrote before his death – continually take inspiration from the playhouse. The book also argues that, although Lawrence has sometimes been dismissed as a restrictively naturalistic stage writer, his overall oeuvre shows a consistent concern with theatrical experiment, and manifests affinities with the dramatic thinking of modernist figures including Brecht, Artaud, and Joyce. In a final section, the book includes contributions from influential theatre-makers who have taken their own cue from Lawrence''s work, and who have created original work that consciously follows Lawrence in making working-class life central to the public forum of the theatre stage.
Del 12 - Doctor Who Target Novels – Classic Era
Doctor Who: The Fires of Pompeii (Target Collection)
E-bok
Engelska, 2022100 kr
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"My masters will follow the example of Rome... our mighty empire bestraddling the whole of civilization!"It is AD 79, and the TARDIS lands in Pompeii on the eve of the town's destruction. Mount Vesuvius is ready to erupt and bury its surroundings in molten lava, just as history dictates. Or is it?The Doctor and Donna find that Pompeii is home to impossible things: circuits made of stone, soothsayers who read minds and fiery giants made of burning rock. From a lair deep in the volcano, these creatures plot the end of humanity - and the Doctor soon finds he has no way to win...
Del 23 - Social Histories of Medicine
Madness on Trial
A Transatlantic History of English Civil Law and Lunacy
Inbunden, Engelska, 2019
786 kr
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This book examines the powerful influence of civil law on understandings and responses to madness in England and in New Jersey. The influence of civil law on the history of madness has not hitherto been of major academic investigation. This body of law, established and developed over a five hundred year period, greatly influenced how those from England’s propertied classes understood and responded to madness. Moreover, the civil law governing the response to madness in England was successfully exported into several of its colonies, including New Jersey. Drawing on a well-preserved and rare collection of trials in lunacy in New Jersey, this book reveals the important ties of civil law, local custom and perceptions of madness in transatlantic perspectives. This book will be highly relevant to scholars interested in law, medicine, psychiatry and madness studies, as well as contemporary issues in mental capacity and guardianship.
Del 23 - Social Histories of Medicine
Madness on Trial
A Transatlantic History of English Civil Law and Lunacy
E-bok
PDF, Engelska, 2019357 kr
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This book examines the powerful influence of civil law on understandings and responses to madness in England and in New Jersey. The influence of civil law on the history of madness has not hitherto been of major academic investigation. This body of law, established and developed over a five hundred year period, greatly influenced how those from England’s propertied classes understood and responded to madness. Moreover, the civil law governing the response to madness in England was successfully exported into several of its colonies, including New Jersey. Drawing on a well-preserved and rare collection of trials in lunacy in New Jersey, this book reveals the important ties of civil law, local custom and perceptions of madness in transatlantic perspectives. This book will be highly relevant to scholars interested in law, medicine, psychiatry and madness studies, as well as contemporary issues in mental capacity and guardianship.