James Newton - Böcker
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5 produkter
5 produkter
A Compleat Herbal of the Late James Newton, M.D. Containing the Prints and the English Names of Several Thousand Trees, Plants, Shrubs, ...
Häftad, Engelska, 2010
252 kr
Skickas inom 5-8 vardagar
Compleat Herbal of the Late James Newton, M.D. Containing the Prints and the English Names of Several Thousand Trees, Plants, Shrubs,
Inbunden, Engelska, 2018
377 kr
Skickas inom 5-8 vardagar
1 383 kr
Skickas inom 10-15 vardagar
The Mad Max Effect provides an in-depth analysis of the Mad Max series, and how it began as an inventive concoction ofa number of influences from a range of exploitation genres (including the biker movie, the revenge film, and the car chasecinema of the 1970s), to eventually inspiring a fresh cycle of international low budget ‘road warrior’ movies that appeared on home video in the 1980s.The Mad Max Effect is the first detailed academic study of the most famous and celebrated post-apocalypse film series, andexamines how a humble Australian action movie came from the cultural margins of exploitation cinema to have a profound impact on the broader media landscape.
420 kr
Skickas inom 10-15 vardagar
The Mad Max Effect provides an in-depth analysis of the Mad Max series, and how it began as an inventive concoction ofa number of influences from a range of exploitation genres (including the biker movie, the revenge film, and the car chasecinema of the 1970s), to eventually inspiring a fresh cycle of international low budget ‘road warrior’ movies that appeared on home video in the 1980s.The Mad Max Effect is the first detailed academic study of the most famous and celebrated post-apocalypse film series, andexamines how a humble Australian action movie came from the cultural margins of exploitation cinema to have a profound impact on the broader media landscape.
1 243 kr
Skickas inom 5-8 vardagar
The Anarchist Cinema examines the complex relationships that exist between anarchist theory and film. No longer hidden in obscure corners of cinematic culture, anarchy is a theme that has traversed arthouse, underground and popular film. James Newton explores the notion that cinema is an inherently subversive space, establishes criteria for deeming a film anarchic, and examines the place of underground and DIY filmmaking within the wider context of the category. The author identifies subversive undercurrents in cinema and uses anarchist political theory as an interpretive framework to analyse filmmakers, genres and the notion of cinema as an anarchic space.