A comprehensive and authoritative single-volume reference work on the theatre arts of Asia-Oceania. Nine expert scholars provide entries on performance in twenty countries from Pakistan in the west, through India and Southeast Asia to China, Japan and Korea in the east. An introductory pan-Asian essay explores basic themes - they include ritual, dance, puppetry, training, performance and masks. The national entries concentrate on the historical development of theatre in each country, followed by entries on the major theatre forms, and articles on playwrights, actors and directors. The entries are accompanied by rare photographs and helpful reading lists.

An astonishing variety of theatrical performances may be seen in the eight countries of Southeast Asia—Burma, Cambodia, Indonesia, Laos, Malaysia, the Philippines, Thailand, and Vietnam. James Brandon spent more than three years observing and interviewing troupe members in these countries. He describes twenty-five of the most important theatrical forms, grouping them according to their origins as folk, court, popular, or Western theatre. He considers the theatre from four perspectives: its origins, its art, its role as a social institution, and its function as a medium of communication and propaganda. Brandon’s wide-ranging and lively discussion points out interesting similarities and differences among the countries, and many of his superb photographs are included here.

While its actors made their entrance down the Flower Way over three hundred years ago, little of kabuki's repertory has been available to English readers. Not only are adequate translations difficult to produce, but also because the spoken parts of the drama constitute but a portion of that grand spectacle, English renderings often have an elliptical quality.These five plays, however, were translated from tapes made by James Brandon at actual performances, imparting to them an unusual immediacy. The superb translations are further enhanced by detailed commentary and stage directions that reflect music and sound effects as well as positions of actors on stage and their stylized gestures and posturing, all of which are such a vital part of a live performance.A concise introduction includes the history of kabuki, its religious background and ties with prostitution, its themes and playwriting systems, and its performance conventions, actors, music, and dance. Appendixes provide a fascinating focus on various sound effects and music cues in performance. More than one hundred production photographs vividly convey the action and emotion of one of the world's greatest stage arts. First published in 1975, this volume remains a classic. A reprint to the 1975 edition. Accepted into the UNESCO Collection of Representative Works, Japanese Series.

A collection of Kabuki play translations which trace Kabuki's changing relations to Japanese society during the premodern era. Each translation is accompanied by an introduction that contextualizes the play.

A collection of Kabuki play translations which trace Kabuki's changing relations to Japanese society during the premodern era. Each translation is accompanied by an introduction that contextualizes the play.

A comprehensive and authoritative single-volume reference work on the theatre arts of Asia-Oceania. Nine expert scholars provide entries on performance in twenty countries from Pakistan in the west, through India and Southeast Asia to China, Japan and Korea in the east. An introductory pan-Asian essay explores basic themes - they include ritual, dance, puppetry, training, performance and masks. The national entries concentrate on the historical development of theatre in each country, followed by entries on the major theatre forms, and articles on playwrights, actors and directors. The entries are accompanied by rare photographs and helpful reading lists.

An astonishing variety of theatrical performances may be seen in the eight countries of Southeast Asia—Burma, Cambodia, Indonesia, Laos, Malaysia, the Philippines, Thailand, and Vietnam. James Brandon spent more than three years observing and interviewing troupe members in these countries. He describes twenty-five of the most important theatrical forms, grouping them according to their origins as folk, court, popular, or Western theatre. He considers the theatre from four perspectives: its origins, its art, its role as a social institution, and its function as a medium of communication and propaganda. Brandon’s wide-ranging and lively discussion points out interesting similarities and differences among the countries, and many of his superb photographs are included here.

While its actors made their entrance down the Flower Way over three hundred years ago, little of kabuki's repertory has been available to English readers. Not only are adequate translations difficult to produce, but also because the spoken parts of the drama constitute but a portion of that grand spectacle, English renderings often have an elliptical quality.These five plays, however, were translated from tapes made by James Brandon at actual performances, imparting to them an unusual immediacy. The superb translations are further enhanced by detailed commentary and stage directions that reflect music and sound effects as well as positions of actors on stage and their stylized gestures and posturing, all of which are such a vital part of a live performance.A concise introduction includes the history of kabuki, its religious background and ties with prostitution, its themes and playwriting systems, and its performance conventions, actors, music, and dance. Appendixes provide a fascinating focus on various sound effects and music cues in performance. More than one hundred production photographs vividly convey the action and emotion of one of the world's greatest stage arts. First published in 1975, this volume remains a classic. A reprint to the 1975 edition. Accepted into the UNESCO Collection of Representative Works, Japanese Series.

A collection of Kabuki play translations which trace Kabuki's changing relations to Japanese society during the premodern era. Each translation is accompanied by an introduction that contextualizes the play.

A collection of Kabuki play translations which trace Kabuki's changing relations to Japanese society during the premodern era. Each translation is accompanied by an introduction that contextualizes the play.