James R. Kincaid – författare

A charming memento of the Victorian era's literary colossus, The Daily Charles Dickens is a literary almanac for the ages. Tenderly and irreverently anthologized by Dickens scholar James R. Kincaid, this collection mines the British author's beloved novels and Christmas stories as well as his lesser-known sketches and letters for "an around-the-calendar set of jolts, soothings, blandishments, and soarings."A bedside companion to dip into year round, this book introduces each month with a longer seasonal quote, while concise bits of wisdom and whimsy mark each day. Hopping gleefully from Esther Summerson's abandonment by her mother in Bleak House to a meditation on the difficult posture of letter-writing in The Pickwick Papers, this anthology displays the wide range of Dickens's stylistic virtuosity-his humor and his deep tragic sense, his ear for repetition, and his genius at all sorts of voices. Even the devotee will find between these pages a mix of old friends and strangers-from Oliver Twist and Ebenezer Scrooge to the likes of Lord Coodle, Sir Thomas Doodle, Mrs. Todgers, and Edwin Drood-as well as a delightful assortment of the some of the novelist's most famous, peculiar, witty, and incisive passages, tailored to fit the season. To give one particularly apt example: David Copperfield blunders, in a letter of apology to Agnes Wickfield, "I began one note, in a six-syllable line, `Oh, do not remember'-but that associated itself with the fifth of November, and became an absurdity."Never Pecksniffian or Gradgrindish, this daily dose of Dickens crystallizes the novelist's agile humor and his reformist zeal alike. This is a book to accompany you through the best of times and the worst of times.

Of Men and Monsters examines the serial killer as an American cultural icon, one that both attracts and repels. Richard Tithecott suggests that the stories we tell and the images we conjure of serial killers—real and fictional—reveal as much about mainstream culture and its values, desires, and anxieties as they do about the killers themselves.

From his precocious childhood to the end of what he calls his “amatory career,” an adventurous Victorian known only as “Walter” records a breathtaking carnal epic through hundreds of sexual encounters with one or more nursemaids, prostitutes, cousins, actresses, workingmen, and other men’s wives. In ruling everything sexual within the realm of possibility, Walter reveals “varied delights…whims and fancies normal and abnormal,” sexual violence, fetishes—and sometimes, surprisingly, love. From his many escapades, he learns an invaluable lesson: “One can never know too much concerning human nature.” Portraying an era of notorious repression, in which the appearance of propriety had to be strictly maintained, My Secret Life provides a rare look at the hidden side of Victorian life: the upstairs and downstairs encounters where nothing is “proper”—or forbidden. First published in London around 1900, this landmark work freshly illuminates the complex sexual dynamics of a society strictly divided between rich and poor, male and female, sexual and chaste. In James Kincaid’s abridgment, Walter and his world come to vivid life in new and often surprising ways. Edited and with an Introduction by James Kincaid and with an Afterword by Paul Sawyer

EVERETT AND KINCAID present a fictitious chronicle of the late South Carolina Senator Strom Thurmond's desire to pen a history of African Americans-his and his aides' belief being that he has done as much, or more, than any American to shape that history. An epistolary novel, A History of the African-American People (Proposed) follows the letters of loose-cannon congressional office workers, insane interns at a large New York publishing house, and disturbed publishing executives, along with homicidal rival editors, kindly family friends, and an aspiring author named Septic. Strom Thurmond appears charming and open, mad and sure of his place in American history.