James Sallis – författare

'Much later, as he sat with his back against an inside wall of a Motel 6 just north of Phoenix, watching the pool of blood lap toward him, Driver would wonder whether he had made a terrible mistake. Later still, of course, there'd be no doubt. But for now Driver is, as they say, in the moment. And the moment includes this blood lapping toward him, the pressure of dawn's late light at windows and door, traffic sounds from the interstate nearby, the sound of someone weeping in the next room....'Thus begins Drive, a new novella by James Sallis. Set mostly in Arizona and L.A., the story is, according to Sallis, '...about a guy who does stunt driving for movies by day and drives for criminals at night.' In classic noir fashion, he is double-crossed and, though before he has never participated in the violence ("I drive. That's all."), he goes after the ones who doublecrossed and tried to kill him.

Winner of the 2019 H.R.F. Keating Award for the best biographical or critical book related to crime fictionOriginally published by Gryphon Books in 1993, Difficult Lives was one of the earliest attempts to track the legacy of original paperback writers such as Jim Thompson, David Goodis and Chester Himes. The individual essays on these three first appeared in literary magazines.Difficult Lives visits a rare moment when daylight was showing around the seams of American society and visions quite in contrast to the sanctioned version drifted to the surface in books one bought off racks in drugstores and bus stations -- stark, bonelike, disturbing books.We're pleased to make Difficult Lives available again, doubling your pleasure by pairing it with Hitching Rides, an equal volume of new essays on other crime writers including Derek Raymond, Jean-Patrick Manchette, Patricia Highsmith and Shirley Jackson.

The Guitar in Jazz presents in rich, entertaining detail the history and development of the guitar as a jazz instrument. In a series of essays by some of jazz's leading historians and critics, the volume traces the impressive evolution of jazz guitar playing, from the pioneering styles of Nick Lucas and Eddie Lang through the recent innovations of such contemporary masters as Jim Hall and Ralph Towner. Editor James Sallis has included essays that focus on individual guitarists, including Charlie Christian, Django Reinhardt, and JoePass. Other chapters vividly describe important jazz guitar styles, such as swing guitar and fingerstyle guitar. In all, The Guitar in Jazz provides a full and captivating portrait of the guitar's place in jazz. The book also offers insights into the larger history of jazz—its development, the social contexts in which the music came into being, and its eventual recognition as "the American classical music." The essays will appeal to guitar players and enthusiasts, and to all jazz lovers.

"The guitar and American music are inexorably intertwined," writes James Sallis in The Guitar Players. He notes that "American music was built on the backs of black slaves." The great classical blues period of the 1920s had rich antecedents going back further than plantation orchestras featuring fiddles and bajos. The introduction of the guitar, at first not a solo instrument, really demonstrated rhythmic ingenuity. Sallis shows how folk music and a cross-fertilization of traditions and techniques resulted in blues, ragtime, jazz, rock 'n' roll, and country-western. He writes eloquently about fourteen transitional or pivotal performers: the Mississippi Sheiks; Lonnie Johnson, the first virtuoso blues guitarist; Eddie Lang, the first great jazz guitarist; Roy Smeck, the foremost popularizer of guitar playing; Charlie Christian, the founder of modern jazz guitar; Riley Puckett, the first great country-music guitarist; T-Bone Walker, "daddy of the blues"; George Barnes; Hank Garland; Wes Montgomery, the jazz innovator; Mike Bloomfield, the heavy-rock guitarist; Ry Cooder; Ralph Towner; and Lenny Breau.

A spare, sparkling tour de force about one woman's journey to becoming a cop, by master of noir James Sallis, author of Drive.A spare, sparkling tour de force about one woman's journey to becoming a cop.Sarah Jane Pullman is a good cop with a complicated past. From her small-town chicken-farming roots through her runaway adolescence, court-ordered Army stint, ill-advised marriage and years slinging scrambled eggs over greasy spoon griddles, Sarah Jane unfolds her life story, a parable about memory, atonement, and finding shape in chaos. Her life takes an unexpected turn when she finds herself named the de facto sheriff of a rural town, investigating the mysterious disappearance of her predecessor - and the even more mysterious realities of the life he was hiding from his own colleagues and closest friends.In the tradition of James Crumley's The Last Good Kiss and Ivy Pochoda's Wonder Valley, this kaleidoscopic character study sparkles in every dark and bright detail - a virtuoso work by a master of both the noir and the tender aspects of human nature.

James Sallis’ collection of five novellas.'James Sallis is a superb writer ' - TimesJames Sallis’ World’s Edge presents five masterful novellas—Dayenu, Carriers, Settlers, Allotments, and Reconstruction—exploring fractured societies, human resilience, and the fragile intersections of morality and survival. Sallis’s prose, as sharp as it is evocative, captures the nuances of his dystopian and near-future settings, resonating with themes of dislocation and identity. Widely regarded as a pivotal voice in contemporary US fiction, Sallis’s work aligns with literary giants such as Cormac McCarthy and Denis Johnson, weaving the poetic bleakness of the former with the incisive character studies of the latter. These stories draw readers into a world both intimate and unyielding, where existential questions lurk beneath stark, elegant narratives.

The third part of James Sallis' sequence of novels featuring Lew GriffinIn a time of anger, activism, and bitter racial tensions, a sniper has appeared to heat up an already sweltering New Orleans summer - by tearing up innocent people like paper targets. The shooter's sixth fatality is cut down while she is walking at Lew Griffin's side. The victim was white, Griffin is black - a reluctant young p.i. whose poet's heart has already been hardened by amoral injustice and heavy drink. And though he had only just met his unfortunate companion, Griffin knows it's up to him to find her killer - before a madman puts the final match to a volatile urban tinderbox.

Drive, James Sallis's critically acclaimed thriller about a movie stunt-man who moonlights as a getaway driver for the mob, became an award-winning film, directed by Nicholas Winding Refn, starring Ryan Gosling and Carey Mulligan and introduced Sallis to a worldwide audience - this is the stunning sequelSeven years have passed since Driver ended his campaign against those who double-crossed him. He has left the old life, become Paul West and founded a successful business back in Phoenix.But walking down the street one day, he and his fiancee are attacked by two men and, while Driver dispatches both, his fiancee is killed.Sinking back into anonymity, aided by his friend Felix, an ex-gangbanger and Desert Storm vet, Driver realises that his past stalks him - and will not stop.He has to turn and face it.

WHAT YOU WERE FIGHTING FOR is a wonderful collection of short stories that provokes the mind with its weird and intriguing tales. We catch glimpses of worlds that are similar to our own, but always different enough to make you wonder and sit at the edge of your seat. Reading this collection you often have to work out what is truly happening as Sallis weaves his imaginative portrayals of idiosyncratic characters with all the subtlety of the mind that spawned the Lew Griffin novels, Willnot, Sarah Jane, and Drive.