James T. Andrews – författare
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4 produkter
4 produkter
Häftad, Engelska, 2011
731 kr
Skickas inom 5-8 vardagar
The launch of the Sputnik satellite in October 1957 changed the course of human history. In the span of a few years, Soviets sent the first animal into space, the first man, and the first woman. These events were a direct challenge to the United States and the capitalist model that claimed ownership of scientific aspiration and achievement.The success of the space program captured the hopes and dreams of nearly every Soviet citizen and became a critical cultural vehicle in the countryÆs emergence from Stalinism and the devastation of World War II. It also proved to be an invaluable tool in a worldwide propaganda campaign for socialism, a political system that could now seemingly accomplish anything it set its mind to.Into the Cosmos shows us the fascinating interplay of Soviet politics, science, and culture during the Khrushchev era, and how the space program became a binding force between these elements. The chapters examine the ill-fitted use of cosmonauts as propaganda props, the manipulation of gender politics after Valentina TereshkovaÆs flight, and the use of public interest in cosmology as a tool for promoting atheism. Other chapters explore the dichotomy of promoting the space program while maintaining extreme secrecy over its operations, space animals as media darlings, the history of Russian space culture, and the popularity of space-themed memorabilia that celebrated Soviet achievement and planted the seeds of consumerism.
Del 8 - Urban Communication
Art and the Global City
Public Space, Transformative Media, and the Politics of Urban Rhetoric
Häftad, Engelska, 2022
596 kr
Skickas inom 5-8 vardagar
Art and the Global City brings together a host of academics (communication specialists, sociologists, historians and cultural theorists) who seek to expand the notion of a "communicative city" by looking at the role that art and public culture play in the rapidly expanding global landscape. Spanning four continents (North America, Europe/Eurasia, Asia, and Australia) and multiple cities (from Chicago to Singapore, Moscow, Seoul, and Melbourne), these case studies focus the reader’s attention to the evolution of art in public spaces and the rhetorical power of new artistic visions and conglomerations in the urban landscape.
Del 8 - Urban Communication
Art and the Global City
Public Space, Transformative Media, and the Politics of Urban Rhetoric
Inbunden, Engelska, 2022
1 316 kr
Skickas inom 5-8 vardagar
Art and the Global City brings together a host of academics (communication specialists, sociologists, historians and cultural theorists) who seek to expand the notion of a "communicative city" by looking at the role that art and public culture play in the rapidly expanding global landscape. Spanning four continents (North America, Europe/Eurasia, Asia, and Australia) and multiple cities (from Chicago to Singapore, Moscow, Seoul, and Melbourne), these case studies focus the reader’s attention to the evolution of art in public spaces and the rhetorical power of new artistic visions and conglomerations in the urban landscape.
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Long before the space race captured the world’s attention, K. E. Tsiolkovskii first conceived of multi-stage rockets that would later be adapted as the basis of both the U.S. and Soviet rocket programs.Often called the grandfather of Russian rocketry, this provincial scientist was even sanctioned by Stalin to give a speech from Red Square on May Day 1935, lauding the Soviet technological future while also dreaming and expounding on his own visions of conquering the cosmos. Later, the Khrushchev regime used him as a "poster boy" for Soviet excellence during its Cold War competition with the United States. Ironically, some revisionists have since pointed to such blatant promotion by the Communist Party in an attempt to downplay Tsiolkovskii’s scientific contributions.James T. Andrews explores the complexities of this man to show that Tsiolkovskii was much more than either a rocket inventor or a propaganda tool. He was a science popularizer, novelist, technical inventor, and visionary, whose science fiction writings included futuristic drawings of space stations long before they appeared on any engineer’s drawing board.Mining a myriad of Russian archives, Andrews produces not only a biographical account but also a study of Soviet technological propaganda, local science education, public culture in the 1920s and 1930s, and the cultural ramifications of space flight.