James T. Campbell – författare

This is a study of the transplantation of a creed devised by and for African Americans--the African Methodist Episcopal Church--that was appropriated and transformed in a variety of South African contexts. Focusing on a transatlantic institution like the African Methodist Episcopal Church, the book studies the complex human and intellectual traffic that has bound African American and South African experience. It explores the development and growth of the AfricanMethodist Episcopal Church both in South Africa and America, and the interaction between the two churches. This is a highly innovative work of comparative and religious history. Its linking of the UnitedStates and African black religious experiences is unique and makes it appealing to readers interested in religious history and black experience in both the United States and South Africa.

Founded by free people of color in Philadelphia in the aftermath of the American Revolution, the African Methodist Episcopal (AME) Church emerged in the nineteenth century as the preeminent black institution in the United States. In 1896, the church opened mission work in South Africa, absorbing an independent ""Ethiopian"" church founded by dissident African Christians a few years earlier. In the process, the church helped ignite one of the most influential popular movements in South African history. Songs of Zion examines this remarkable historical convergence from both sides of the Atlantic. James Campbell charts the origins and evolution of black American independent churches, arguing that the very act of becoming Christian forced African Americans to reflect on their relationship to their ancestral continent. He then turns to South Africa, exploring the AME Church's entrance and evolution in a series of specific South African contexts. Throughout the book, Campbell focuses on the comparisons that Africans and African Americans themselves drew between their situations. Their transatlantic encounter, he argues, enabled both groups to understand and act upon their worlds in new ways. |Discusses the interaction between the African Methodist Episcopal Church in the United States and in South Africa, arguing that each group influenced the other to understand and act on their worlds in new ways.

Slavery and the University is the first edited collection of scholarly essays devoted solely to the histories and legacies of this subject on North American campuses and in their Atlantic contexts. Gathering together contributions from scholars, activists, and administrators, the volume combines two broad bodies of work: (1) historically based interdisciplinary research on the presence of slavery at higher education institutions in terms of the development of proslavery and antislavery thought and the use of slave labor; and (2) analysis on the ways in which the legacies of slavery in institutions of higher education continued in the post–Civil War era to the present day.The collection features broadly themed essays on issues of religion, economy, and the regional slave trade of the Caribbean. It also includes case studies of slavery’s influence on specific institutions, such as Princeton University, Harvard University, Oberlin College, Emory University, and the University of Alabama. Though the roots of Slavery and the University stem from a 2011 conference at Emory University, the collection extends outward to incorporate recent findings. As such, it offers a roadmap to one of the most exciting developments in the field of U.S. slavery studies and to ways of thinking about racial diversity in the history and current practices of higher education.

Slavery and the University is the first edited collection of scholarly essays devoted solely to the histories and legacies of this subject on North American campuses and in their Atlantic contexts. Gathering together contributions from scholars, activists, and administrators, the volume combines two broad bodies of work: (1) historically based interdisciplinary research on the presence of slavery at higher education institutions in terms of the development of proslavery and antislavery thought and the use of slave labor; and (2) analysis on the ways in which the legacies of slavery in institutions of higher education continued in the post–Civil War era to the present day.The collection features broadly themed essays on issues of religion, economy, and the regional slave trade of the Caribbean. It also includes case studies of slavery’s influence on specific institutions, such as Princeton University, Harvard University, Oberlin College, Emory University, and the University of Alabama. Though the roots of Slavery and the University stem from a 2011 conference at Emory University, the collection extends outward to incorporate recent findings. As such, it offers a roadmap to one of the most exciting developments in the field of U.S. slavery studies and to ways of thinking about racial diversity in the history and current practices of higher education.

In June 1964, Neshoba County, Mississippi, provided the setting for one of the most notorious crimes of the civil rights era: the Klan-orchestrated murder of three young voting-rights workers, James Chaney, Michael Schwerner, and Andrew Goodman. Captured on the road between the towns of Philadelphia and Meridian, the three were driven to a remote country crossroads, shot, and buried in an earthen dam, from which their bodies were recovered after a forty-four-day search.The crime transfixed the nation. As federal investigators and an aroused national press corps descended on Neshoba County, white Mississippians closed ranks, dismissing the men's disappearance as a ""hoax"" perpetrated by civil rights activists to pave the way for a federal ""invasion"" of the state. In this climate of furious conformity, only a handful of white Mississippians spoke out. Few did so more openly or courageously than Florence Mars. A fourth-generation Neshoban, Mars braved social ostracism and threats of violence to denounce the murders and decry the climate of fear and intimidation that had overtaken her community. She later recounted her experiences in Witness in Philadelphia, one of the classic memoirs of the civil rights era. Though few remember today, Mars was also a photographer. Shocked by the ferocity of white Mississippians' reaction to the Supreme Court's 1954 ruling against racial segregation, she bought a camera, built a homemade darkroom, and began to take pictures, determined to document a racial order she knew was dying. Mississippi Witness features over one hundred of these photographs, most taken in the decade between 1954 and 1964, almost all published here for the first time. While a few depict public events-Mars photographed the 1955 trial of the murderers of Emmett Till-most feature private moments, illuminating the separate and unequal worlds of black and white Mississippians in the final days of Jim Crow.Powerful and evocative, the photographs in Mississippi Witness testify to the abiding dignity of human life even in conditions of cruelty and deprivation, as well as to the singular vision of one of Mississippi's-and the nation's-most extraordinary photographers.