This book concerns the role of language in the Indonesian revolution. James Siegel, an anthropologist with long experience in various parts of that country, traces the beginnings of the Indonesian revolution, which occurred from 1945 through 1949 and which ended Dutch colonial rule, to the last part of the nineteenth century. At that time, the peoples of the Dutch East Indies began to translate literature from most places in the world. Siegel discovers in that moment a force within communication more important than the specific messages it conveyed. The subsequent containment of this linguistic force he calls the "fetish of modernity," which, like other fetishes, was thought to be able to compel events. Here, the event is the recognition of the bearer of the fetish as a person of the modern world. The taming of this force in Indonesian nationalism and the continuation of its wild form in the revolution are the major subjects of the book. Its material is literature from Indonesian and Dutch as well as first-person accounts of the revolution.

In this brilliant ethnography of contemporary Java, James Siegel analyzes how language operates to organize and to order an Indonesian people. Despite the imposition of Suharto''s New Order, the inhabitants of the city of Solo continue to adhere to their own complex ideas of deference and hierarchy through translation between high and low Javanese speech styles. Siegel uncovers moments when translation fails and compulsive mimicry ensues. His examination of communication and its failures also exposes the ways a culture reconstitutes itself. It leads to insights into the "accidents" that precede the formulations of culture as such.

This book concerns the role of language in the Indonesian revolution. James Siegel, an anthropologist with long experience in various parts of that country, traces the beginnings of the Indonesian revolution, which occurred from 1945 through 1949 and which ended Dutch colonial rule, to the last part of the nineteenth century. At that time, the peoples of the Dutch East Indies began to translate literature from most places in the world. Siegel discovers in that moment a force within communication more important than the specific messages it conveyed. The subsequent containment of this linguistic force he calls the "fetish of modernity," which, like other fetishes, was thought to be able to compel events. Here, the event is the recognition of the bearer of the fetish as a person of the modern world. The taming of this force in Indonesian nationalism and the continuation of its wild form in the revolution are the major subjects of the book. Its material is literature from Indonesian and Dutch as well as first-person accounts of the revolution.

In this brilliant ethnography of contemporary Java, James Siegel analyzes how language operates to organize and to order an Indonesian people. Despite the imposition of Suharto''s New Order, the inhabitants of the city of Solo continue to adhere to their own complex ideas of deference and hierarchy through translation between high and low Javanese speech styles. Siegel uncovers moments when translation fails and compulsive mimicry ensues. His examination of communication and its failures also exposes the ways a culture reconstitutes itself. It leads to insights into the "accidents" that precede the formulations of culture as such.