James W. Cook – författare

A definitive account of one of the most dominant trends in recent historical writing, "The Cultural Turn in U.S. History" takes stock of the field at the same time as it showcases exemplars of its practice.The first of this volume's three distinct sections offers a comprehensive genealogy of American cultural history, tracing its multifaceted origins, defining debates, and intersections with adjacent fields. The second section comprises previously unpublished essays by a distinguished roster of contributors who illuminate the discipline's rich potential by plumbing topics that range from nineteenth-century anxieties about greenback dollars to confidence games in 1920s Harlem, from Shirley Temple's career to the story of a Chicano community in San Diego that created a public park under a local freeway.Featuring an equally wide-ranging selection of pieces that meditate on the future of the field, the final section explores such subjects as the different strains of cultural history, its relationships with arenas from mass entertainment to public policy, and the ways it has been shaped by catastrophe.Taken together, these essays represent a watershed moment in the life of a discipline, harnessing its vitality to offer a glimpse of the shape it will take in years to come.

The P. T. Barnum Reader reveals the trailblazing American showman P. T. Barnum as, by turns, a moral reformer, a habitual hoaxer, an insightful critic, a savvy "puffer," a master of images, a sparkling writer, a relentless provocateur, and an early advocate of "family" entertainments. Taken together, these selections paint a new and more complete portrait of this complex man than has ever been seen before.   James W. Cook's The Colossal P. T. Barnum Reader is the largest collection of Barnum's works ever produced. Included are excerpts from his pseudo-autobiographical novel The Adventures of an Adventurer (1841), his European letters from 1844-46 informing readers of the New York Atlas of his regal reception overseas, and a large selection from his Ancient and Modern Humbugs of the World, Barnum's 1864-65 insider's look into the frauds of nineteenth-century American culture. It offers a glimpse of Tom Thumb's minstrel and singing performances in front of Queen Victoria, Barnum's many fraudulent representations of the supposedly ancient Joice Heth, and a more immediate, less filtered sense of Barnum as cultural and social critic in his serialized writings and travelogues. This volume also features reproductions of difficult to find posters from Barnum's two-decade collaboration with the prominent New York lithographers, Currier and Ives, and vintage photographs.  Finally, the reader also helps us to understand Barnum's role in building the modern culture industry. We follow his career from itinerant hawker, hardly distinguishable from his pre-industrial forebears, to manager of the world's first show business empire, with a staff of thousands and brand recognition across four continents. The Colossal P. T. Barnum Reader tracks the shifting personas of the great showman, his representational choices, and his publics across the nineteenth century.

Ingenious automatons which appeared to think on their own. Dubious mermaids and wild men who resisted classification. Elegant sleight-of-hand artists who routinely exposed the secrets of their trade. These were some of the playful forms of fraud which astonished, titillated, and even outraged nineteenth-century America's new middle class, producing some of the most remarkable urban spectacles of the century.In The Arts of Deception, James W. Cook explores this distinctly modern mode of trickery designed to puzzle the eye and challenge the brain. Championed by the "Prince of Humbug," P. T. Barnum, these cultural puzzles confused the line between reality and illusion. Upsetting the normally strict boundaries of value, race, class, and truth, the spectacles offer a revealing look at the tastes, concerns, and prejudices of America's very first mass audiences. We are brought into the exhibition halls, theaters, galleries, and museums where imposture flourished, and into the minds of the curiosity-seekers who eagerly debated the wonders before their eyes. Cook creates an original portrait of a culture in which ambiguous objects, images, and acts on display helped define a new value system for the expanding middle class, as it confronted a complex and confusing world.

This is a compilation of short stories as a horror genre. There are fifteen short stories and the stories vary in length. It is the writers hope that the reader enjoys the book and looks forward to reading more of my future writings.

The Final Scroll is a story pertaining to the events unfolding in Jerusalem where the anti-Christ is about to make himself known to the world aided by Pope Peter II. The story follows the exploits of New York journalist Sue Chamberlain as she is thrust on an international quest in search of the elusive scrolls that make up the lost Book of Abraham that was never put into the Jewish or Christian Bibles. The elusive final scroll is the one that is the most wanted of all and can Sue find that scroll before the anti-Christ gets his hands on it first?

This book contains a compilation of 25 short stories based on the Horror Genre. It is meant to keep the reader on the edge of their seat and make them become afraid to be alone in the dark.

The book will propel the reader into a land of fantasy where there are super weapons and four major armies battling for control of the Middle East. The book take the reader at least three hundred years into the future after World War 3 when a flash of light once again sends Sgt. Crawford into a world of destiny. Will Sgt Crawford make it out alive and back home to the 21st Century?