James Walters – författare

This is a look at Baudrillard's thought from a theological perspective. Jean Baudrillard was one of the foremost intellectual figures of the late twentieth century and his work is currently reaching a new prominence in the English-speaking world. Unlike other subjects of this series, Baudrillard's work is not directly addressed to theological concerns, espousing a post-Nietschean nihilism. However, his provocative analysis of the changing nature of reality, subjectivity and agency is of increasing importance to contemporary theology. Furthermore, his mode of cultural analysis (which he himself describes as "mystical") provides fruitful possibilities for theological reasoning in the post-idealist world he describes. Jim Walters provides the context of Baudrillard's writing and identifies key influences. He then sets out his core ideas, drawing in theological responses and relating them to theological concerns. Finally, he highlights some areas of his work of particular theological interest. "The Philosophy and Theology" series looks at major philosophers and explores their relevance to theological thought as well as the response of theology.

Arabica celebrates the vibrant flavours of the Eastern Mediterranean – whisking you on a culinary journey through the fertile valleys, mountain villages, coastal towns, and vibrant cities of Lebanon, Syria, Jordan and Turkey.Starting from a modest trestle table in London’s Borough Market to a growing network of restaurants and speciality products, the Arabica brand has steadfastly championed naturally healthy food and responsibly sourced ingredients. Founder and author James Walters draws inspiration from his extensive travels across the Eastern Mediterranean to create a cookbook brimming with colourful meze and small plates from of one of the world’s most exciting food cultures. He shares simple cooking techniques and ingredient tips that elevate dishes from ordinary to authentic, from satisfying to sublime.So, gather your friends and family to enjoy favourites like Grilled halloumi with black honey, Spinach & feta gül böreği, Chicken & pistachio shish, Baked chermoula cod with sweet potato, Lebanese meatballs, Lamb with pea tahini and Tomatoes, Peaches, Basil & Za’atar. Treat yourself to Turkish-style künefe, Chocolate halva mousse with sesame brittle, and cool off with cocktails and sodas, such as the Pomegranate margarita and Batroun lemonade.

Resisting some of the negative connotations that repetition can attract, this book illustrates how it has been used as a catalyst for creative expression across a range of television genres.Divided into two parts, the first three chapters contextualise repetition within related media and critical debates, before locating it as an important facet of television that is worth exploring in detail. The final three chapters discuss specific television shows that incorporate repetition creatively within their narrative structure and aesthetic composition, ranging from The Royle Family and Doctor Who to I May Destroy You and This is Going to Hurt. In each case, James Walters argues that repetition emerges as crucial to the expression of key themes and ideas, thus becoming a structural and compositional element itself.Exploring the ways in which repetition has featured in the work of figures such as Umberto Eco, Raymond Bellour and Bruce Kawin, and has influenced the approaches of television scholars like Raymond Williams, Roger Silverstone and John Ellis, this book is essential reading for scholars and students of film, television and media studies.

Resisting some of the negative connotations that repetition can attract, this book illustrates how it has been used as a catalyst for creative expression across a range of television genres.Divided into two parts, the first three chapters contextualise repetition within related media and critical debates, before locating it as an important facet of television that is worth exploring in detail. The final three chapters discuss specific television shows that incorporate repetition creatively within their narrative structure and aesthetic composition, ranging from The Royle Family and Doctor Who to I May Destroy You and This is Going to Hurt. In each case, James Walters argues that repetition emerges as crucial to the expression of key themes and ideas, thus becoming a structural and compositional element itself.Exploring the ways in which repetition has featured in the work of figures such as Umberto Eco, Raymond Bellour and Bruce Kawin, and has influenced the approaches of television scholars like Raymond Williams, Roger Silverstone and John Ellis, this book is essential reading for scholars and students of film, television and media studies.

This innovative and timely collection offers a wide-reaching critical evaluation of performance in television, mapping out key conventions, practices and concerns while introducing performance theory and criticism to the established field of television studies. Chapters from leading scholars move through a range of examples from different styles and genres, from Game of Thrones to America’s Next Top Model. Individual performances are analysed in close detail as the authors debate central questions of meaning, value and achievement. Opening out new pathways for inquiry and investigation, this book is an important touchstone for undergraduate and postgraduate students of television, media and theatre studies with an interest in the work of actors and non-actors on screen.

This innovative and timely collection offers a wide-reaching critical evaluation of performance in television, mapping out key conventions, practices and concerns while introducing performance theory and criticism to the established field of television studies. Chapters from leading scholars move through a range of examples from different styles and genres, from Game of Thrones to America’s Next Top Model. Individual performances are analysed in close detail as the authors debate central questions of meaning, value and achievement. Opening out new pathways for inquiry and investigation, this book is an important touchstone for undergraduate and postgraduate students of television, media and theatre studies with an interest in the work of actors and non-actors on screen.

Religion and the Public Sphere: New Conversations explores the changing contribution of religion to public life today. Bringing together a diverse group of preeminent scholars on religion, each chapter explores an aspect of religion in the public realm, from law, liberalism, the environment and security to the public participation of religious minorities and immigration. This book engages with religion in new ways, going beyond religious literacy or debates around radicalisation, to look at how religion can contribute to public discourse. Religion, this book will show, can help inform the most important debates of our time.

Religion and the Public Sphere: New Conversations explores the changing contribution of religion to public life today. Bringing together a diverse group of preeminent scholars on religion, each chapter explores an aspect of religion in the public realm, from law, liberalism, the environment and security to the public participation of religious minorities and immigration. This book engages with religion in new ways, going beyond religious literacy or debates around radicalisation, to look at how religion can contribute to public discourse. Religion, this book will show, can help inform the most important debates of our time.

Examines how the form and function of the Covenants were shorn of religious implications and repurposed, serving a pluralistic vision of the role of religion in politics and public life.Until now, scholarship on the Covenants has mainly focussed on their role in the conflicts of the 1640s, with discussion of the Covenants after 1660 mostly limited to the context of violent Scottish radicalism. This book moves beyond a rigid focus on Scotland to explore the legacy of the Covenants in England. It examines the discourse surrounding key events in the Restoration period and traces the influence of the Covenants in the context of radical Presbyterianism, and in mainstream debates around politics, church government, and the constitution of the British kingdoms. The Covenants continued to have relevance in two primary respects. Firstly, the Covenants were used as reference points for discussing the competing legacies of the English and Scottish Reformations and the confused issues of church and state that defined the Restoration period. Furthermore, the form of the Covenants as solemn individual subscriptions to a constitutional and religious model, and the political ideas that underpinned them, were emulated by those seeking to resist royal authority during the Exclusion Crisis of 1679-81, and during the events surrounding the Revolution of 1688. Thus, this book holds particular interest for students of constitutionalism, legal pluralism or civil religion in seventeenth-century Britain, and for those seeking to deepen their understanding of the intellectual origins of the Wars of the Three Kingdoms and the Revolution of 1688-9.

Chaplaincy is a rapidly growing ministry, but one that has been the centre of little theological discussion. Focusing on understanding what chaplaincy is and how it is exercised in different contexts, this book intends to support the work of chaplains by providing a theological examination of their ministry. The chapters in this book discuss how the work of chaplains outside the structures of the Church and yet frequently carried out by ministers authorized by the Church relates to some of the key questions of how the Church understands itself in relation to the world (i.e. institutions and structures that are not part of the church), whether or not the chaplains should engage in converting non-Christians to Christianity, and how chaplaincy is carried out both from within Christianity and in a multi-faith environment.This book explores the role of chaplains and the benefits of chaplaincy as a form of ministry as well as an examination of the personal characteristics and disposition best suited to serving as a chaplain. Chaplaincy and Christian Theology considers the nature of chaplaincy in public spaces and the implications of Christian theology within this ministry. Essential reading for chaplains, students of theology, and anyone involved in Christian ministry and Christian theology.

How to meaningfully engage with interfaith questions?Grounded in the author's experience of developing interfaith programmes at one of the world's leading universities, this book carves a fresh perspective on the challenges of religious difference by placing them within the broader currents of belief and scepticism in today's society. It sets out the local challenges presented by religious difference within the global picture, and explores the implications of global religious resurgence for Western secularist assumptions, both in our communities and in how we relate the rest of the world. Combining theory with examples of practical engagement, Walters offers an imaginative Christian theological approach to responding to religious difference without resorting to relativism. It is essential reading for anyone interested in the future of religion in the modern world.

Film is made of moments. In its earliest form, the cinema was a moment: mere seconds recorded and projected into the darkness. Even as film has developed into today's complex and intricate medium, it is the brief, temporary and transitory that combines to create the whole. Our memories of films are composed of the moments we deem to be crucial: touchstones for our understanding and appreciation. Moments matter.The 38 specially commissioned essays in Film Moments examine a wide selection of key scenes across a broad spectrum of national cinemas, historical periods and genres, featuring films by renowned auteurs including Alfred Hitchcock, Jean Renoir and Vincente Minnelli and important contemporary directors such as Pedro Costa, Zhang Ke Jia and Quentin Tarantino, addressing films including City Lights, Gone with the Wind, The Wizard of Oz, The Night of the Hunter, Wild Strawberries, 8 1?2, Bonnie and Clyde, Star Wars, Conte d'été, United 93 and Lord of the Rings: Return of the King.Film Moments provides both an enlightening introduction for students to the diversity of approaches and concerns in the study of film, and a dynamic and vibrant account of key film sequences for anyone interested in enhancing their understanding of cinema.

In the first dedicated title on this landmark political comedy, James Walters provides an in-depth study of the programme's achievements, by examining its power and influence within society and evaluating its legacy as a work of television art.

Fantasy Film proposes an innovative approach to the study of this most popular cinematic genre. Engaging with the diversity of tones, forms and styles that fantasy can take in the cinema, the book examines the value and significance of fantasy across a wide range of key films. This volume extends critical understanding beyond the often narrowly defined boundaries of what is seen as "fantasy".Fantasy Film uses key concepts in film studies - such as authorship, representation, history,genre, coherence and point of view - to interrogate the fantasy genre and establish its parameters. A wide range of films are held up to close scrutiny to illustrate the discussion.Moving from Alfred Hitchcock's dark thrillers to Vincente Minnelli's vibrant musicals, from George Méliès' 1904 Voyage à travers l'impossible to the X-Men series, the creative dexterity and excitement of film fantasy is evoked and explored. The book will be invaluable to students and fans of the fantasy genre.

Fantasy Film proposes an innovative approach to the study of this most popular cinematic genre. Engaging with the diversity of tones, forms and styles that fantasy can take in the cinema, the book examines the value and significance of fantasy across a wide range of key films. This volume extends critical understanding beyond the often narrowly defined boundaries of what is seen as "fantasy".Fantasy Film uses key concepts in film studies - such as authorship, representation, history,genre, coherence and point of view - to interrogate the fantasy genre and establish its parameters. A wide range of films are held up to close scrutiny to illustrate the discussion.Moving from Alfred Hitchcock's dark thrillers to Vincente Minnelli's vibrant musicals, from George Méliès' 1904 Voyage à travers l'impossible to the X-Men series, the creative dexterity and excitement of film fantasy is evoked and explored. The book will be invaluable to students and fans of the fantasy genre.

This volume is the product of an interdisciplinary conference held at the University of Texas at Austin. Specialists in the study of inscriptions, architecture, sculpture, coins, tombs, pottery, and texts collaborate to produce new portraits of religion and society in the ancient city of Corinth. The studies focus on groups like the early Roman colonists, the Augustales (priests of Augustus), or the Pauline house churches; on specific cults such as those of Asklepios, Demeter, or the Sacred Spring; on media (e.g., coins, or burial inscriptions); or on the monuments and populations of nearby Kenchreai or Isthmia. The result is a deeper understanding of the religious life of Corinth, contextualized within the socially stratified cultures of the Hellenistic and Roman periods.

This volume is the product of an interdisciplinary conference held at the University of Texas at Austin. Specialists in the study of inscriptions, architecture, sculpture, coins, tombs, pottery, and texts collaborate to produce new portraits of religion and society in the ancient city of Corinth. The studies focus on groups like the early Roman colonists, the Augustales (priests of Augustus), or the Pauline house churches; on specific cults such as those of Asklepios, Demeter, or the Sacred Spring; on media (e.g., coins, or burial inscriptions); or on the monuments and populations of nearby Kenchreai or Isthmia. The result is a deeper understanding of the religious life of Corinth, contextualized within the socially stratified cultures of the Hellenistic and Roman periods.

Reveals how mise-en-scène has shaped the fields of film and television studies.Visions in the Frame provides a detailed evaluation of the journey and status of mise-en-scène—the organization of the visual field within the frame—as a critical concept in film and television studies. The first part of the book looks at the persistence of mise-en-scène within film studies amid a series of fluctuations in theoretical, historical, cultural, philosophical, and critical approaches. The second part shifts focus to consider television studies and the extent to which mise-en-scène has remained an ambiguous element in the growth of the discipline. The third part engages in a series of close readings from a range of styles and genres of television shows, exploring the relationship between visual composition, meaning, and significance as a central critical focus. Across the three parts of the book, Visions in the Frame presents a rigorous and valuable context for understanding the contrasting position and influence of mise-en-scène within film and television studies, using this to offer guidance for its future role within both disciplines.

The use of alternate realities in cinema has been brought to new heights by such recent films as Eternal Sunshine of the Spotless Mind and Donnie Darko. Alternative Worlds in Hollywood Cinema is the first book to analyze these imaginary realms, tracing their construction and development across periods, genres, and history. Through an analysis of such landmark films as The Wizard of Oz, Vanilla Sky, and Back to the Future, James Walters reveals how unconventional worlds are crucial to each film’s dramatic agenda and narrative structure. This groundbreaking volume unifies decades of divergent work by film scholars and points the way towards a new theoretical framework for understanding fantasy in the context of popular film. Alternative Worlds in Hollywood Cinema will be an essential resource for film studies scholars and movie buffs alike. “The book is very readable . . . an important area of film study. The most original aspects of the book are the close readings of the films discussed and how these readings cohere across a single thesis.”—Pat Brereton, Dublin City University, author of Hollywood Utopia