We grow what we know. As a boy in Drew County, Arkansas, author James Willis grew into what he knew. In this memoir, he provides insight into who he was, what he did, and how his circumstances, experiences, and relationships helped him mature to the man he is today.

What Almost Did Not Happen chronicles the details of Willis lifehis birth in 1938 in Monticello, Arkansas; being raised as an only child by his parents; growing up against the backdrop of the 1940s; his various national and international travels; his education and work as a high school teacher and university professor; marriage and raising children; being a grandfather; and the people and places that shaped his life.

An engaging account, What Almost Did Not Happen preserves the memories of Williss life and records the history of an uncommonly common man and how he became that man.

Many of Ohio''s historically significant locations have developed a reputation for being haunted. While it might be almost impossible to prove the validity of the paranormal tales that surround them, one thing is clear: ghost stories help to keep history alive. But the questions remain: How did these stories get started? More important, are any of them tied directly to actual historic events? And do any facts support the ghost lore? Rather than rely on second-and third-person accounts, author and paranormal researcher James A. Willis sat down with the owners, employees, and patrons of Ohio locations that are said to be haunted—the Arts Castle in Delaware, the Fairport Harbor Marine Museum, the Haunted Hydro in Fremont, Loveland Castle, the Merry-Go-Round Museum in Sandusky, the Ohio State Reformatory in Mansfield, the Zanesville Community Theatre, and many others. After conducting more than 200 hours of one-on-one interviews, Willis was able to piece together unique histories for each location, including eyewitness accounts from people who believed they experienced paranormal activity. But Willis wasn''t content to stop with first-person accounts. He also brought high-tech "ghost-hunting" equipment into each location and spent a night attempting to collect empirical data to see if he could experience a paranormal encounter himself. What were the results of these vigils? You''ll have to read the book to find out! Come along on a journey with Willis as he travels to the crossroads where history and folklore collide, and visit the fascinating Ohio locations where the past comes alive—in more ways than one!

Many of Ohio''s historically significant locations have developed a reputation for being haunted. While it might be almost impossible to prove the validity of the paranormal tales that surround them, one thing is clear: ghost stories help to keep history alive. But the questions remain: How did these stories get started? More important, are any of them tied directly to actual historic events? And do any facts support the ghost lore? Rather than rely on second-and third-person accounts, author and paranormal researcher James A. Willis sat down with the owners, employees, and patrons of Ohio locations that are said to be haunted—the Arts Castle in Delaware, the Fairport Harbor Marine Museum, the Haunted Hydro in Fremont, Loveland Castle, the Merry-Go-Round Museum in Sandusky, the Ohio State Reformatory in Mansfield, the Zanesville Community Theatre, and many others. After conducting more than 200 hours of one-on-one interviews, Willis was able to piece together unique histories for each location, including eyewitness accounts from people who believed they experienced paranormal activity. But Willis wasn''t content to stop with first-person accounts. He also brought high-tech "ghost-hunting" equipment into each location and spent a night attempting to collect empirical data to see if he could experience a paranormal encounter himself. What were the results of these vigils? You''ll have to read the book to find out! Come along on a journey with Willis as he travels to the crossroads where history and folklore collide, and visit the fascinating Ohio locations where the past comes alive—in more ways than one!

Painting buildings is an exciting and versatile genre - it allows you to enjoy the lines of architecture but also to add feeling and context to a picture. This practical book explains the full depth of the subject, from first sketches to final presentation. Using a range of examples, it is packed with advice and information, and follows the riches of painting the built landscape. Not just a handy reference, this is a beautiful and inspirational guide for every artist who wants to capture and interpret a scene. Topics covered include: Drawing - practise observation and sketching to identify the principal lines of view. Perspective - understand three-dimensional structures and their position to each other and in space. Oils - use the versatility of the paint to express and experiment with your ideas. Location - develop your paintings outdoors and in the studio. Style - add figures, weather and atmosphere to your work to give it character and mood. Finally, Inspiration - learn new ideas and themes from finished examples by a number of leading artists.

Painting buildings is an exciting and versatile genre - it allows you to enjoy the lines of architecture but also to add feeling and context to a picture. This practical book explains the full depth of the subject, from first sketches to final presentation. Using a range of examples, it is packed with advice and information, and follows the riches of painting the built landscape. Not just a handy reference, this is a beautiful and inspirational guide for every artist who wants to capture and interpret a scene. Topics covered include: Drawing - practise observation and sketching to identify the principal lines of view. Perspective - understand three-dimensional structures and their position to each other and in space. Oils - use the versatility of the paint to express and experiment with your ideas. Location - develop your paintings outdoors and in the studio. Style - add figures, weather and atmosphere to your work to give it character and mood. Finally, Inspiration - learn new ideas and themes from finished examples by a number of leading artists.

Die Bibliotheca Teubneriana, established in 1849, has evolved into the world's most venerable and extensive series of editions of Greek and Latin literature, ranging from classical to Neo-Latin texts. Some 4-5 new editions are published every year.

A team of renowned scholars in the field of Classical Philology acts as advisory board:

Gian Biagio Conte (Scuola Normale Superiore di Pisa)James Diggle (University of Cambridge)Donald J. Mastronarde (University of California, Berkeley)Franco Montanari (Università di Genova)Heinz-Günther Nesselrath (Georg-August-Universität Göttingen)Dirk Obbink (University of Oxford)Oliver Primavesi (Ludwig-Maximilians Universität München)Michael D. Reeve (University of Cambridge)Richard J. Tarrant (Harvard University)

Formerly out-of-print editions are offered as print-on-demand reprints. Furthermore, all new books in the Bibliotheca Teubneriana series are published as eBooks. The older volumes of the series are being successively digitized and made available as eBooks.If you are interested in ordering an out-of-print edition, which hasn't been yet made available as print-on-demand reprint, please contact us: Kerstin.Haensch@degruyter.com

All editions of Latin texts published in the Bibliotheca Teubneriana are collected in the online database BTL Online.

We grow what we know. As a boy in Drew County, Arkansas, author James Willis grew into what he knew. In this memoir, he provides insight into who he was, what he did, and how his circumstances, experiences, and relationships helped him mature to the man he is today.

What Almost Did Not Happen chronicles the details of Willis lifehis birth in 1938 in Monticello, Arkansas; being raised as an only child by his parents; growing up against the backdrop of the 1940s; his various national and international travels; his education and work as a high school teacher and university professor; marriage and raising children; being a grandfather; and the people and places that shaped his life.

An engaging account, What Almost Did Not Happen preserves the memories of Williss life and records the history of an uncommonly common man and how he became that man.

Many of Ohio''s historically significant locations have developed a reputation for being haunted. While it might be almost impossible to prove the validity of the paranormal tales that surround them, one thing is clear: ghost stories help to keep history alive. But the questions remain: How did these stories get started? More important, are any of them tied directly to actual historic events? And do any facts support the ghost lore? Rather than rely on second-and third-person accounts, author and paranormal researcher James A. Willis sat down with the owners, employees, and patrons of Ohio locations that are said to be haunted—the Arts Castle in Delaware, the Fairport Harbor Marine Museum, the Haunted Hydro in Fremont, Loveland Castle, the Merry-Go-Round Museum in Sandusky, the Ohio State Reformatory in Mansfield, the Zanesville Community Theatre, and many others. After conducting more than 200 hours of one-on-one interviews, Willis was able to piece together unique histories for each location, including eyewitness accounts from people who believed they experienced paranormal activity. But Willis wasn''t content to stop with first-person accounts. He also brought high-tech "ghost-hunting" equipment into each location and spent a night attempting to collect empirical data to see if he could experience a paranormal encounter himself. What were the results of these vigils? You''ll have to read the book to find out! Come along on a journey with Willis as he travels to the crossroads where history and folklore collide, and visit the fascinating Ohio locations where the past comes alive—in more ways than one!

Many of Ohio''s historically significant locations have developed a reputation for being haunted. While it might be almost impossible to prove the validity of the paranormal tales that surround them, one thing is clear: ghost stories help to keep history alive. But the questions remain: How did these stories get started? More important, are any of them tied directly to actual historic events? And do any facts support the ghost lore? Rather than rely on second-and third-person accounts, author and paranormal researcher James A. Willis sat down with the owners, employees, and patrons of Ohio locations that are said to be haunted—the Arts Castle in Delaware, the Fairport Harbor Marine Museum, the Haunted Hydro in Fremont, Loveland Castle, the Merry-Go-Round Museum in Sandusky, the Ohio State Reformatory in Mansfield, the Zanesville Community Theatre, and many others. After conducting more than 200 hours of one-on-one interviews, Willis was able to piece together unique histories for each location, including eyewitness accounts from people who believed they experienced paranormal activity. But Willis wasn''t content to stop with first-person accounts. He also brought high-tech "ghost-hunting" equipment into each location and spent a night attempting to collect empirical data to see if he could experience a paranormal encounter himself. What were the results of these vigils? You''ll have to read the book to find out! Come along on a journey with Willis as he travels to the crossroads where history and folklore collide, and visit the fascinating Ohio locations where the past comes alive—in more ways than one!

Painting buildings is an exciting and versatile genre - it allows you to enjoy the lines of architecture but also to add feeling and context to a picture. This practical book explains the full depth of the subject, from first sketches to final presentation. Using a range of examples, it is packed with advice and information, and follows the riches of painting the built landscape. Not just a handy reference, this is a beautiful and inspirational guide for every artist who wants to capture and interpret a scene. Topics covered include: Drawing - practise observation and sketching to identify the principal lines of view. Perspective - understand three-dimensional structures and their position to each other and in space. Oils - use the versatility of the paint to express and experiment with your ideas. Location - develop your paintings outdoors and in the studio. Style - add figures, weather and atmosphere to your work to give it character and mood. Finally, Inspiration - learn new ideas and themes from finished examples by a number of leading artists.

Painting buildings is an exciting and versatile genre - it allows you to enjoy the lines of architecture but also to add feeling and context to a picture. This practical book explains the full depth of the subject, from first sketches to final presentation. Using a range of examples, it is packed with advice and information, and follows the riches of painting the built landscape. Not just a handy reference, this is a beautiful and inspirational guide for every artist who wants to capture and interpret a scene. Topics covered include: Drawing - practise observation and sketching to identify the principal lines of view. Perspective - understand three-dimensional structures and their position to each other and in space. Oils - use the versatility of the paint to express and experiment with your ideas. Location - develop your paintings outdoors and in the studio. Style - add figures, weather and atmosphere to your work to give it character and mood. Finally, Inspiration - learn new ideas and themes from finished examples by a number of leading artists.

Die Bibliotheca Teubneriana, established in 1849, has evolved into the world's most venerable and extensive series of editions of Greek and Latin literature, ranging from classical to Neo-Latin texts. Some 4-5 new editions are published every year.

A team of renowned scholars in the field of Classical Philology acts as advisory board:

Gian Biagio Conte (Scuola Normale Superiore di Pisa)James Diggle (University of Cambridge)Donald J. Mastronarde (University of California, Berkeley)Franco Montanari (Università di Genova)Heinz-Günther Nesselrath (Georg-August-Universität Göttingen)Dirk Obbink (University of Oxford)Oliver Primavesi (Ludwig-Maximilians Universität München)Michael D. Reeve (University of Cambridge)Richard J. Tarrant (Harvard University)

Formerly out-of-print editions are offered as print-on-demand reprints. Furthermore, all new books in the Bibliotheca Teubneriana series are published as eBooks. The older volumes of the series are being successively digitized and made available as eBooks.If you are interested in ordering an out-of-print edition, which hasn't been yet made available as print-on-demand reprint, please contact us: Kerstin.Haensch@degruyter.com

All editions of Latin texts published in the Bibliotheca Teubneriana are collected in the online database BTL Online.