Jamie Matthews – författare

This book illuminates the concept of disaster communities through a series of international case studies. It offers an eclectic overview of how different forms of media and journalism contribute to our understanding of the lived experiences of communities at risk from, affected by, and recovering from disaster. This collection considers the different forms of media and journalism produced by and for communities and how they may recognise and speak to the different notions of community that emerge in disaster contexts – including vulnerabilities and consequences that arise from environmental destruction and geophysical hazards, the insecurity created by armed conflict and limitations on journalistic freedoms, and result from human (in)action and humanitarian crises.

This book illuminates the concept of disaster communities through a series of international case studies. It offers an eclectic overview of how different forms of media and journalism contribute to our understanding of the lived experiences of communities at risk from, affected by, and recovering from disaster. This collection considers the different forms of media and journalism produced by and for communities and how they may recognise and speak to the different notions of community that emerge in disaster contexts – including vulnerabilities and consequences that arise from environmental destruction and geophysical hazards, the insecurity created by armed conflict and limitations on journalistic freedoms, and result from human (in)action and humanitarian crises.

Master's Thesis from the year 2015 in the subject Communications - Miscellaneous, grade: A, Sodertorn University (School of Culture & Education), course: Media and Communications Studies, language: English, abstract: Communication plays a fundamental role in shaping our understanding of complex issues such as climate change. Too often scientists and journalists complain that the public does not fully comprehend climate change as they cannot see it. Adhering to calls for a need to propel away from media representations of climate change to a focus on more case-specific research, this Master Thesis analyses the aspect of visualisation within climate change communication with a focus on a contemporary example, the Extreme Ice Survey (EIS), as a case-specific study. EIS give a visual voice to our planets changing eco-systems, where an emphasis is placed on visually documenting the adverse effects climate change has on the planets glaciers, through conventional photography and time-lapse photography. Adhering to the need for further studies of visual representations towards the environment this thesis deploys an image analysis to investigate how meaning is framed through the EIS's photographs and time-lapse videos. A collective reading between the photographs and their accompanying written captions highlighted contradictive frames of beauty and uncertainty. Additionally, as climate change is predominately seen as an abstract entity, a metaphor analysis was also applied to open further frames of thought into more comprehensible understandings. Integrating both still images and moving images into the study provided different results. Time-lapse videos were analysed to open up new developments of seeing and to extract potential frames of unfolding narratives, perspective and time.