Jan Fortune – författare

In this prequel to The Standing Ground, we travel back two generations to the origins of the oppressive E-Government state that infiltrates every aspect of people’s lives in the decade following Brexit and a global pandemic. But, as the darkness overtakes Britain and other areas of Europe, the light of resistance wakes in a community that spans the Celtic outposts of Brittany and North Wales. And in a strange child, Myrddin Emrys, also known as Merlin.Weaving together Arthurian legend and exploratory fiction of the near future, The Roots of the Ground explores the human cost of a monoculture that tramples freedom and privacy and asserts with Carl Jung that:'As far as we can discern, the sole purpose of human existence is to kindle a light in the darkness of mere being.'

In a near-future world without privacy or freedom, life is unravelling for Luke, a teenager whose questions and individuality have no place in surveilled society. A virtual encounter with a girl who claims to live beyond the all-controlling grip of E-Government sets him on a quest not only for answers, but for escape. But is Alys real? Why are there echoes of her world in his father, Nazir Malik’s home, especially since Nazir is a celebrity artist trusted by E-Government? And what role can characters from Celtic Arthurian legend possibly play in saving the future? Most urgently, can Luke overcome the threats that surround him and find the Standing Ground?"A wonderful novel… a fresh rendition of the future that draws on technologies that are currently emerging… and on Arthurian legend… akin to Philip Pullman’s street-smart, other-worldly creations, complete with convincing, humorous and likeable characters… a gripping read."Anna Kiernan

Two years after the events of The Standing Ground, the tiny outpost of Y Tir in North Wales becomes a refuge for those who want to live without implants—permanent links to government surveillance that are threatening to dominate people’s lives again. But can Alys, Luke and Emrys thwart the growing threats of the new tech-giants whose offers of enhanced memories and virtual lives mask the erosion of privacy and even humanity? As new enemies threaten Y Tir’s existence, and old enemies emerge to sew seeds of destruction, Alys’ and Luke’s lives are put under increasing pressure. But there are also allies, not least Alys’ and Luke’s daughter, Iris, who appears to have fallen out of the mists of Greek legend and into Celtic myth. Can Iris, more strange and powerful even than Myrddin Emrys, also known as Merlin, save the day for Y Tir?

How do we come home in a strange land? Moving to a remote forest hamlet in a new country in the midst of a pandemic, the only way to connect is to take the time to linger, listen and observe—to be with the land that is becoming home. From this observations a series of haiku arise, following the Japanese system of 24 seasons divided into 72 micro-seasons and interspersed with eight lyric poems that travel around the Celtic wheel of the year. And so a forest garden and its surrounding Finistère woodland slowly reveals itself, weaving together the lunar and solar, melding the Celtic shape of the year with the increments of the Japanese solar terms, each one unveiling a new aspect of change. Charting a life unmoored from the familiar, but permeable to the new the poems find their place at ‘the end of the world’, as the Romans called Finistère, but also in Penn-ar-Bed, the Breton name which is both the end and start of the world. Most endings are also beginnings and here in these precise, exquisitely observed poems, we find ourselves both unsettled and settling, exploring what it means to hold together being adrift and belonging; cycles and transformation and how we find a beginning at the end of the world.

In October 2020, as new lock downs were implemented, Jan Fortune moved from a beloved home of twenty years in North Wales to a tiny hamlet in a forest in Finistère. Isolated during lockdowns, facing major unforeseen house renovations, illness and bereavement, she was also training as a herbalist while juggling work.Constantly, she asked herself: What are you doing here?How had a moment in a church gazing at a stained glass window as a four-year-old, a friendship between two girls who role-played their way through seven years as people from 10th century Moorish Spain, a thirty-one year volatile marriage, work-place assaults, a heart-changing encounter with herbalism and a new relationship led to this place in the seventh decade of life?At the heart's farthest edge unravels a series of cusp moments so slight they might have vanished unnoticed, yet in retrospect make sense of following a call to a forest in a new land and language, exploring herbalism, creativity and the ways in which we might live a small life well in this beautiful, wounded world.Friendship, motherhood, love, making art and the natural world collide with the times we live in to produce a love letter to moments that persist across years, shining with joy or the sheen of tears, revealing how our deepest stories matter.

Intimate and inventive guide to becoming a more creative and dedicated writer, whether fiction, poetry, non-fiction or simply for personal journalling.

From the moment Meg seeks entry into the priesthood, her vocation is challenged. Charting a path through the campaign for women’s ordination, Stale Bread & Miracles unfolds into a story that is heart-breaking and hopeful… an unflinching meditation on the dehumanising power of the institution and the humane tenacity to re-invent life, told in language that combines the rhythm and lyricism of poetry with the narrative minimalism of pared down prose. This is an extraordinary narrative, now in it’s third edition.