Jan Harris - Böcker

Analyzing the complex interaction between the material and immaterial aspects of new digital technologies, this book draws upon a mix of theoretical approaches (including sociology, media theory, cultural studies and technological philosophy), to suggest that the ‘Matrix’ of science fiction and Hollywood is simply an extreme example of how contemporary technological society enframes and conditions its citizens. Arranged in two parts, the book covers:theorizing the Im/Material Matrixliving in the Digital Matrix.Providing a novel perspective on on-going digital developments by using both the work of current thinkers and that of past theorists not normally associated with digital issues, it gives a fresh insight into the roots and causes of the social matrix behind the digital one of popular imagination. The authors highlight the way we should be concerned by the power of the digital to undermine physical reality, but also explore the potential the digital has for alternative, empowering social uses. The book’s central point is to impress upon the reader that the digital does indeed matter. It includes a pessimistic interpretation of technological change, and adds a substantial historical perspective to the often excessively topical focus of much existing cyberstudies literature making it an important volume for students and researchers in this field.

Analyzing the complex interaction between the material and immaterial aspects of new digital technologies, this book draws upon a mix of theoretical approaches (including sociology, media theory, cultural studies and technological philosophy), to suggest that the ‘Matrix’ of science fiction and Hollywood is simply an extreme example of how contemporary technological society enframes and conditions its citizens. Arranged in two parts, the book covers:theorizing the Im/Material Matrixliving in the Digital Matrix.Providing a novel perspective on on-going digital developments by using both the work of current thinkers and that of past theorists not normally associated with digital issues, it gives a fresh insight into the roots and causes of the social matrix behind the digital one of popular imagination. The authors highlight the way we should be concerned by the power of the digital to undermine physical reality, but also explore the potential the digital has for alternative, empowering social uses. The book’s central point is to impress upon the reader that the digital does indeed matter. It includes a pessimistic interpretation of technological change, and adds a substantial historical perspective to the often excessively topical focus of much existing cyberstudies literature making it an important volume for students and researchers in this field.

M1 F2. A sitting-room Frances, middle-aged and unmarried, is ecstatically awaiting the arrival of legendary mega star of stage and screen Ezzlie Harlow. Loyal fan Frances, unbeknown to Ezzlie, has offered her very humble end-of-terrace home to the down on her luck singer. Harlow's agent, eager to be rid of his fading star, has bundled her off with a one way ticket to what she thinks is a little manion with servant; he forgot to mention Little Mansion is the name of the village at the back of beyond. Both The Fan and The Star are in for shocks, betrayal and a reversal of fortune, as they learn from each other to be careful what you wish for, because it might come to pass. An excellent comedy drama in one act for two women and one man that was presented as part of The Camden Festival Fringe in 2011 under the title The Fan and the Star and the Star and the Fan.