Jane Chance – författare

Interdisciplinary in approach, Tolkien the Medievalist provides a fresh perspective on J. R. R. Tolkien's Medievalism. In fifteen essays, eminent scholars and new voices explore how Professor Tolkien responded to a modern age of crisis - historical, academic and personal - by adapting his scholarship on medieval literature to his own personal voice. The four sections reveal the author influenced by his profession, religious faith and important issues of the time; by his relationships with other medievalists; by the medieval sources that he read and taught, and by his own medieval mythologizing.

Interdisciplinary in approach, Tolkien the Medievalist provides a fresh perspective on J. R. R. Tolkien's Medievalism. In fifteen essays, eminent scholars and new voices explore how Professor Tolkien responded to a modern age of crisis - historical, academic and personal - by adapting his scholarship on medieval literature to his own personal voice. The four sections reveal the author influenced by his profession, religious faith and important issues of the time; by his relationships with other medievalists; by the medieval sources that he read and taught, and by his own medieval mythologizing.

" With New Line Cinema's production of The Lord of the Rings film trilogy, the popularity of the works of J.R.R. Tolkien is unparalleled. Tolkien's books continue to be bestsellers decades after their original publication. An epic in league with those of Spenser and Malory, The Lord of the Rings trilogy, begun during Hitler's rise to power, celebrates the insignificant individual as hero in the modern world. Jane Chance's critical appraisal of Tolkien's heroic masterwork is the first to explore its "mythology of power"--that is, how power, politics, and language interact. Chance looks beyond the fantastic, self-contained world of Middle-earth to the twentieth-century parallels presented in the trilogy.

" J.R.R. Tolkien's zeal for medieval literary, religious, and cultural ideas deeply influenced his entire life and provided the seeds for his own fiction. In Tolkien's Art, Chance discusses not only such classics as The Hobbit, The Lord of the Rings, and The Silmarillion, but focuses on his minor works as well, outlining in detail the sources and influences--from pagan epic to Christian legend-that formed the foundation of Tolkien's masterpieces, his "mythology for England."

Provides a many-sided look at the poems of Chaucer and the sexual politics of his day.The concealment of embarrassing, often sexual, secrets and the burden of political alliances and strategies-in short, sexual politics-motivated Chaucer in much of his work. This concept, long suspected but mostly ignored by Chaucer critics, finally receives its first full treatment in The Mythographic Chaucer. Firmly placing Chaucer in the cultural politics of his time, Jane Chance shows how he inverted the mythographic and textual conventions of the period for his own literary, social, and political purposes. Comparing significant mythological images, references, and figures in Chaucerian poems with those of other medieval mythographers, Chance discloses Chaucer's ironic use of mythographic tradition to disguise the scandalous and politically sensitive. Here we see, for instance, how Chaucer relied on the medieval model of poetic concealment to construct the fabulation (the narratio fabulosa, itself a medieval techne) of sexual politics. This analysis gives us a rich sense of the complexity of Chaucer's mythographic options and his playful employment of contextual material as he rewrote-and tried to resolve-tensions among vernacular, classical, and Christian (sometimes Hebraic) scriptural and textual traditions. Invaluable to an understanding of Chaucer, this book is also instructive in showing how mythographic analysis can combine "traditional" literary elucidation with the issues of contemporary cultural theory.

This study of medieval women as postcolonial writers defines the literary strategies of subversion by which they authorized their alterity within the dominant tradition.

These scholarly writings blend with and relate to his fictional writings in various ways depending on the moment at which he began teaching, translating, or editing a specific medieval work and, simultaneously, composing a specific poem, fantasy, or fairy-story.

This study of medieval women as postcolonial writers defines the literary strategies of subversion by which they authorized their alterity within the dominant tradition.

The Assembly of Gods, which was published near the end of the fifteenth century, is an allegorical dream vision poem. It is notable for its strange mixture of both classical and Christian sources, in which the classical pantheon debates over the moral state of an individual, in an attempt to bring Reson and Sensualyte into balance in the individual. This text is suitable for all levels of students with its introduction explaining the cultural and linguistic context of the text, as well as a gloss and notes. This volume is invaluable to those teaching courses on late medieval allegory and dream poems.