Jane Collins – författare

This is a long overdue addition to a series of books and edited collections spawned initially from Immanuel Wallerstein's The Modern World-System. These 12 `theoretically informed case studies' from a 1987 conference add considerable insight to the heavy emphasis of the World-Systems approaches on macroeconomic determinism with the inclusion of ideological and cultural factors. Most cases address how capital uses social categories to cheapen industrial labor costs in Asia and the US. Two illuminating chapters analyze the `minoritization of immigrants' and variations in masculinity norms as aspects of this labor cheapening process. ChoiceA collection of papers presented at the Eleventh Annual Political Economy of the World-System Conference, this volume illustrates the degree to which fundamental processes of the world-system entail racist and sexist practices. The contributors have taken as their focus the attempt to both explain--in social, political, or historical terms--the pervasiveness of racism and sexism and trace the relationship between the two and the organization of the contemporary political economy. Taken together, their papers offer a more coherent treatment of the problem than has heretofore been available. By integrating an understanding of racial and sexual oppression with that of other processes that constitute the world-economy they offer new insights into the workings of the world-system and new hope for concerted efforts to eliminate racism and sexism.Many of the essays included here take the form of theoretically informed case studies. Detailed historical works explore such issues as labor force formation in the New York garment industry in the late 19th and early 20th century and competition in the world textile industry in the latter half of the 1880s. A critical analysis of the construction of census categories and an examination of the myths of differential ethnic success provide real-world examples of discrimination and its effects. A number of papers focus on the implications of our understanding of racial and sexual oppression for political struggle, while others assess the impact of women's exclusion from the workforce on power relationships in the home. Two major theoretical pieces address the issues in more general terms, emphasizing the circumstances under which racism and sexism are created and recreated in various contexts. Taken as a whole, the volume provides a necessary and enlightening re-examination of the role of race and gender in the world-economy.

Theatre and Performance Design: A Reader in Scenography is an essential resource for those interested in the visual composition of performance and related scenographic practices. Theatre and performance studies, cultural theory, fine art, philosophy and the social sciences are brought together in one volume to examine the principle forces that inform understanding of theatre and performance design.The volume is organised thematically in five sections: looking, the experience of seeing space and placethe designer: the scenographic bodies in space making meaning This major collection of key writings provides a much needed critical and contextual framework for the analysis of theatre and performance design. By locating this study within the broader field of scenography – the term increasingly used to describe a more integrated reading of performance – this unique anthology recognises the role played by all the elements of production in the creation of meaning. Contributors include Josef Svoboda, Richard Foreman, Roland Barthes, Oscar Schlemmer, Maurice Merleau-Ponty, Richard Schechner, Jonathan Crary, Elizabeth Wilson, Henri Lefebvre, Adolph Appia and Herbert Blau.

Theatre and Performance Design: A Reader in Scenography is an essential resource for those interested in the visual composition of performance and related scenographic practices. Theatre and performance studies, cultural theory, fine art, philosophy and the social sciences are brought together in one volume to examine the principle forces that inform understanding of theatre and performance design.The volume is organised thematically in five sections: looking, the experience of seeing space and placethe designer: the scenographic bodies in space making meaning This major collection of key writings provides a much needed critical and contextual framework for the analysis of theatre and performance design. By locating this study within the broader field of scenography – the term increasingly used to describe a more integrated reading of performance – this unique anthology recognises the role played by all the elements of production in the creation of meaning. Contributors include Josef Svoboda, Richard Foreman, Roland Barthes, Oscar Schlemmer, Maurice Merleau-Ponty, Richard Schechner, Jonathan Crary, Elizabeth Wilson, Henri Lefebvre, Adolph Appia and Herbert Blau.

Aesthetics of Absence presents a significant challenge to the many embedded assumptions and hierarchical structures that have become ‘naturalised’ in western theatre production. This is the first English translation of a new collection of writings and lectures by Heiner Goebbels, the renowned German theatre director, composer and teacher. These writings map Goebbels’ engagement with ‘Aesthetics of Absence’ through his own experience at the forefront of innovative music-theatre and performance making.In this volume, Goebbels reflects on works created over a period of more than 20 years staged throughout the world; introduces some of his key artistic influences, including Robert Wilson and Jean-Luc Godard; discusses the work of his students and ex-students, the collective Rimini Protokoll; and sets out the case for a radical rethinking of theatre and performance education. He gives us a rare insight into the rehearsal process of critically acclaimed works such as Eraritjaritjaka and Stifters Dinge, explaining in meticulous detail the way he weaves an eclectic range of references from fine art, theatre, literature, politics, anthropology, contemporary and classical music, jazz and folk, into his multi-textured music-theatre compositions.As an artist who is prepared to share his research and demystify the processes through which his own works come into being, as a teacher with a coherent pedagogical strategy for educating the next generation of theatre-makers, in this volume, Goebbels brings together practice, research and scholarship.

Aesthetics of Absence presents a significant challenge to the many embedded assumptions and hierarchical structures that have become ‘naturalised’ in western theatre production. This is the first English translation of a new collection of writings and lectures by Heiner Goebbels, the renowned German theatre director, composer and teacher. These writings map Goebbels’ engagement with ‘Aesthetics of Absence’ through his own experience at the forefront of innovative music-theatre and performance making.In this volume, Goebbels reflects on works created over a period of more than 20 years staged throughout the world; introduces some of his key artistic influences, including Robert Wilson and Jean-Luc Godard; discusses the work of his students and ex-students, the collective Rimini Protokoll; and sets out the case for a radical rethinking of theatre and performance education. He gives us a rare insight into the rehearsal process of critically acclaimed works such as Eraritjaritjaka and Stifters Dinge, explaining in meticulous detail the way he weaves an eclectic range of references from fine art, theatre, literature, politics, anthropology, contemporary and classical music, jazz and folk, into his multi-textured music-theatre compositions.As an artist who is prepared to share his research and demystify the processes through which his own works come into being, as a teacher with a coherent pedagogical strategy for educating the next generation of theatre-makers, in this volume, Goebbels brings together practice, research and scholarship.

For Love of a Soldier contains the stories of 29 people whose family members—spouses, siblings, children—are serving or have served in the American military during the Iraq War. The families tell their stories and explain why they believe that taking action to end American military involvement in Iraq is the best possible way to support the troops who are so dear to them. The passionate and articulate individuals whose interviews make up the body of the book include: spouses and parents of soldiers with post-traumatic stress disorder, a couple with eight children and grandchildren who have served or are currently serving in Iraq, the parents who have formed an organization of anti-war families, parents whose children have been killed or maimed in the war, and parents whose children have committed suicide after returning home from the war.