Jane Davison – författare

One of the prime purposes of accounting is to communicate and yet, to date, this fundamental aspect of the discipline has received relatively little attention. The Routledge Companion to Accounting Communication represents the first collection of contributions to focus on the power of communication in accounting.The chapters have a shared aim of addressing the misconception that accounting is a purely technical, number-based discipline by highlighting the use of narrative, visual and technological methods to communicate accounting information. The contents comprise a mixture of reflective overview, stinging critique, technological exposition, clinical analysis and practical advice on topical areas of interest such as:The miscommunication that preceded the global financial crisisThe failure of sustainability reportingThe development of XBRLHow to cut clutter With an international coterie of contributors, including a communication theorist, a Big Four practitioner and accounting academics, this volume provides an eclectic array of expert analysis and reflection. The contributors reveal how accounting communications represent, or misrepresent, the financial affairs of entities, thus presenting a state-of-the-art assessment on each of the main facets of this important topic. As such, this book will be of interest to a wide range of readers, including: postgraduate students in management and accounting; established researchers in the fields of both accounting and communications; and accounting practitioners.

One of the most important Irish novelists of the twentieth century, Kate O’Brien (1897–1974) was also a pioneer of women’s writing. In a career that spanned almost fifty years, nine novels, nine plays, two travelogues, and copious criticism, O’Brien rebelled against the narrow nationalism andrestrictive Catholicism prevalent in independent Ireland. In this highly original approach to O’Brien’s work, Davison traces the influence of three leading Spanish writers—Jacinto Benavente, Miguel deCervantes, and Teresa of Avila. O’Brien’s lifelong fascination with Spanish literature and culture offered an oblique way of resisting the Catholic and conservative imperatives of the Irish Free State. In a series of close comparative readings, Davison identifies the origin of O’Brien’s creative disinhibition and ultimately situates her within a tradition of dissident Irish women writers.

One of the most important Irish novelists of the twentieth century, Kate O’Brien (1897–1974) was also a pioneer of women’s writing. In a career that spanned almost fifty years, nine novels, nine plays, two travelogues, and copious criticism, O’Brien rebelled against the narrow nationalism andrestrictive Catholicism prevalent in independent Ireland. In this highly original approach to O’Brien’s work, Davison traces the influence of three leading Spanish writers—Jacinto Benavente, Miguel deCervantes, and Teresa of Avila. O’Brien’s lifelong fascination with Spanish literature and culture offered an oblique way of resisting the Catholic and conservative imperatives of the Irish Free State. In a series of close comparative readings, Davison identifies the origin of O’Brien’s creative disinhibition and ultimately situates her within a tradition of dissident Irish women writers.