Jane Desmarais – författare

The meaning of decadence varies with context, depending on what (or who) is understood to have declined, decayed, or degenerated. These negative meanings are familiar from history (the decline and fall of Rome), sociology (the decay of communities), morality (the degeneration of values), and more, including such popular conceptions of decadence as excess and corruption. At the same time, all of this negative decadence has found positive cultural expression, principally in literature, through the work of such celebrated nineteenth-century decadents as Charles Baudelaire, Oscar Wilde, and many others. This volume takes the study of decadence beyond these canonical literary works to explore the phenomenon in broader historical, geographical, and cultural contexts. In thirty-five chapters by esteemed scholars from a range of disciplines, the Oxford Handbook of Decadence addresses different critical periods, such as classical antiquity, various ages of empire, the interwar era in the twentieth century, and contemporary times, as well as key places--France, Belgium, Britain, Italy, Germany, the Nordic nations, Russia and Ukraine, the Ottoman Empire, and Japan--and such genres as the novel, the short story, drama, the essay, prose poetry, and film. The volume also considers decadence more broadly as a culture not limited to literature by tracing its manifestations in such material forms as book design, fashion, interior decoration, and architecture, as well as through the experiential register of the senses: decadent vision, sound, smell, taste, and touch are all reflected, respectively, in painting, music, perfume, cuisine, and feeling. Finally, the chapters explore the theoretical resonance of decadence in such fields as theology, science, ecology, politics, psychoanalysis, and philosophy. By illuminating the various ways decadence can be construed, the Handbook offers an in-depth and original exploration into the paradox of decadence: a culture that draws its creative energy from the idea of decline.

This book is a study of the simultaneous physiological recordings and psychoanalytic observations when emotional/psychological responses to external stimuli occur pari passu with observed physiological changes. It is the culmination of the author's psychiatric and psychoanalytic work with patients over fifty years, and is based on the simple premise that physiological measurements cannot describe the mind and the mind cannot describe physiological processes. In order for us to have a significant knowledge of the object the author argues that we need both, and that medical specialists and health professionals (doctors, nurses, psychoanalysts, psychotherapists, psychiatrists, etc.) need to be trained to adopt a Complementary approach to patients. The complex relationship between mind and body offers vital clues to the individual's condition, and only by considering patients both physically and mentally can doctors and psychoanalysts make precise and competent judgements.

The number of people suffering from different eating disorders has grown dramatically within the last twenty years. These two volumes examine feeding difficulties and eating disorders in children and adolescents, from babies to 19-year-olds. The volumes consist of clinical cases that describe the process of psychoanalytic psychotherapy used to treat the patients. The contributors look at the underlying causes for the disorders, such as bulimia and anorexia, lead to a normal life with the help of psychoanalytic psychotherapy. In addition, this collection takes into account the profound effects eating disorders have, not only on the patients, but on their immediate family and friends as well.'Many cases describe the anxieties and strategies of defence used against feelings of dependence and the risk of accepting from another. This is a core theme in both volumes and is the principal idea behind the paradoxical title, The Generosity of Acceptance.

The number of people suffering from different eating disorders has grown dramatically within the last twenty years. These two volumes examine feeding difficulties and eating disorders in children and adolescents, from babies to 19-year-olds. The volumes consist of clinical cases that describe the process of psychoanalytic psychotherapy used to t

The tradition of Decadent writing in the 19th century remains a fascinating current in the evolution of modern literature. This new anthology brings together key texts from an international range of Decadent writings and writings about Decadence, many of them previously hard to find and some freshly translated from French, German, Italian, and – in a special section on ancient Roman antecedents – from Latin.The selection of texts and extracts, more fully annotated than in other sources, includes key Decadent manifestos and declarations of principle by Théophile Gautier, Walter Pater and Oscar Wilde; poems by Charles Baudelaire, Arthur Symons and many others; extracts from prose fictions by J.-K. Huysmans, Aubrey Beardsley and others; critical denunciations, with more discerning responses to the challenge of Decadence; parodies by Max Beerbohm among others of Decadent attitudes and styles; and significant extracts from relevant ancient Roman writings by Petronius and Juvenal.The selection and explanatory notes combine to offer university students of literature and culture at all levels, along with teachers and lay enthusiasts, a rich resource for the understanding of Decadence as an elusive idea and as a literary tradition, in its complex evolution from the 1830s to the fin de siècle and beyond.

The tradition of Decadent writing in the 19th century remains a fascinating current in the evolution of modern literature. This new anthology brings together key texts from an international range of Decadent writings and writings about Decadence, many of them previously hard to find and some freshly translated from French, German, Italian, and – in a special section on ancient Roman antecedents – from Latin.The selection of texts and extracts, more fully annotated than in other sources, includes key Decadent manifestos and declarations of principle by Théophile Gautier, Walter Pater and Oscar Wilde; poems by Charles Baudelaire, Arthur Symons and many others; extracts from prose fictions by J.-K. Huysmans, Aubrey Beardsley and others; critical denunciations, with more discerning responses to the challenge of Decadence; parodies by Max Beerbohm among others of Decadent attitudes and styles; and significant extracts from relevant ancient Roman writings by Petronius and Juvenal.The selection and explanatory notes combine to offer university students of literature and culture at all levels, along with teachers and lay enthusiasts, a rich resource for the understanding of Decadence as an elusive idea and as a literary tradition, in its complex evolution from the 1830s to the fin de siècle and beyond.

In the late 19th century, a group of writers across Europe challenged artistic and social convention to create stories steeped in transgression, sensuality and obsession.Their work was radical, daring and controversial, and it captured a unique feeling and exciting atmosphere. Rich with aesthetic hedonism, this anthology showcases the very best short stories from the movement.In ‘The Nightingale and the Rose’, Oscar Wilde expertly captures the decadent mood when a young student laments the futility of art; Vernon Lee tells the story of a mysterious and beautiful woman who brings strange misfortune to a coastal village in ‘Dionea’; ‘A Funeral Oration’ by Jean Lorrain oozes with excess and indulgence; ‘Enoch Soames’ grapples with the fin-de-siècle fear of leaving no legacy. From famous to lesser-known writers, there is no shortage of drama, darkness and decay in this riveting collection.Classic Stories from the Age of Decadence is part of the Macmillan Collector’s Library: a series of stunning, pocket-sized classics bound in cloth with ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition is edited and introduced by writer and academic Jane Desmarais.

Decadence and Literature explains how the concept of decadence developed since Roman times into a major cultural trope with broad explanatory power. No longer just a term of opprobrium for mannered art or immoral behaviour, decadence today describes complex cultural and social responses to modernity in all its forms. From the Roman emperor's indulgence in luxurious excess as both personal vice and political control, to the Enlightenment libertine's rational pursuit of hedonism, to the nineteenth-century dandy's simultaneous delight and distaste with modern urban life, decadence has emerged as a way of taking cultural stock of major social changes. These changes include the role of women in forms of artistic expression and social participation formerly reserved for men, as well as the increasing acceptance of LGBTQ+ relationships, a development with a direct relationship to decadence. Today, decadence seems more important than ever to an informed understanding of contemporary anxieties and uncertainties.

Poisoned cigars, seductive apparitions, minds and empires in the last of their decline and the most notorious kiss in dramatic history – decadent plays challenged the moral as much as the dramatic imagination of their own day, and continue to probe horizons of taste and the possibilities of stagecraft. In the late 19th and early 20th centuries, many writers reacted to urban modernity by embracing decadent themes and styles, and dramatists were no exception. Decadence offered these writers a framework for exploring nonconformist identities and beliefs that challenged behavioural norms as much as the desirability of modern progress. Decadent plays were at once behind the times in their celebration of antiquity, and forward-thinking in their staging of themes that have become all the more timely in the 21st century, including queerness, unconventional eroticism, and critiques of empire and industrial progress. Equally, the diversity of decadent drama cannot be pigeon-holed; many of these plays still have the capacity to offend worldviews, and invite us to interrogate present-day conventions and propriety.International in scope and eclectic in content, this edited anthology is an authoritative and accessible introduction to a fast-expanding field of decadent literature. The first publication of its kind to deal with decadent drama, and featuring plays translated into English for the first time, Decadent Plays: 1890–1930 breaks new ground by foregrounding decadence as a dramatic sensibility in this most pivotal of periods in the history of modern drama.Featuring canonical and little-known works by Oscar Wilde, Michael Field, Lesya Ukrainka, Rachilde, Remy de Gourmont, Jean Lorrain, Leonid Andreyev, Gabriele D’Annunzio, Maurice Maeterlinck, Izumi Kyoka, and Djuna Barnes, this anthology is an essential introduction to decadent drama that will pique the interest of specialists and non-specialists alike.

Poisoned cigars, seductive apparitions, minds and empires in the last of their decline and the most notorious kiss in dramatic history – decadent plays challenged the moral as much as the dramatic imagination of their own day, and continue to probe horizons of taste and the possibilities of stagecraft. In the late 19th and early 20th centuries, many writers reacted to urban modernity by embracing decadent themes and styles, and dramatists were no exception. Decadence offered these writers a framework for exploring nonconformist identities and beliefs that challenged behavioural norms as much as the desirability of modern progress. Decadent plays were at once behind the times in their celebration of antiquity, and forward-thinking in their staging of themes that have become all the more timely in the 21st century, including queerness, unconventional eroticism, and critiques of empire and industrial progress. Equally, the diversity of decadent drama cannot be pigeon-holed; many of these plays still have the capacity to offend worldviews, and invite us to interrogate present-day conventions and propriety.International in scope and eclectic in content, this edited anthology is an authoritative and accessible introduction to a fast-expanding field of decadent literature. The first publication of its kind to deal with decadent drama, and featuring plays translated into English for the first time, Decadent Plays: 1890 to 1930 breaks new ground by foregrounding decadence as a dramatic sensibility in this most pivotal of periods in the history of modern drama.Featuring canonical and little-known works by Oscar Wilde, Michael Field, Lesya Ukrainka, Rachilde, Remy de Gourmont, Jean Lorrain, Leonid Andreyev, Gabriele D’Annunzio, Maurice Maeterlinck, Izumi Kyoka, and Djuna Barnes, this anthology is an essential introduction to decadent drama that will pique the interest of specialists and non-specialists alike.

Psychotherapy and the Treatment of Cancer Patients addresses the need for a more integrated care of cancer patients within hospitals which pays attention to the mental anguish as well as physical distress caused by the disease. This book is based on Lawrence Goldie's own research with cancer patients, which has shown that psychoanalytic psychotherapy together with general medical care can significantly help dying patients cope with the pain and suffering associated with the disease.Drawing on this research, the book advocates a more holistic approach to the cancer patient and suggests ways in which more expert attention might be provided through awareness, training and resources. The book describes the innovative approach of applying the psychoanalytic psychotherapeutic approach within the hospital context to help individuals cope with cancer. As well as an overview of cancer and the therapeutic approach, topics covered include:* the impact of cancer on hospital relationships * cancer in different areas of the body and mind * ‘mind-bending pain’ * dread and trauma - on being told the truth * psychoanalytic psychotherapy in the NHS 'general' hospital * examining group processes in hospital. Psychotherapy and the Treatment of Cancer Patients challenges the existing orthodoxies about palliative care and points to ways in which the principles and methods of psychoanalysis can be applied successfully to cancer care within the hospital context.

Psychotherapy and the Treatment of Cancer Patients addresses the need for a more integrated care of cancer patients within hospitals which pays attention to the mental anguish as well as physical distress caused by the disease. This book is based on Lawrence Goldie's own research with cancer patients, which has shown that psychoanalytic psychotherapy together with general medical care can significantly help dying patients cope with the pain and suffering associated with the disease.Drawing on this research, the book advocates a more holistic approach to the cancer patient and suggests ways in which more expert attention might be provided through awareness, training and resources. The book describes the innovative approach of applying the psychoanalytic psychotherapeutic approach within the hospital context to help individuals cope with cancer. As well as an overview of cancer and the therapeutic approach, topics covered include:* the impact of cancer on hospital relationships * cancer in different areas of the body and mind * ‘mind-bending pain’ * dread and trauma - on being told the truth * psychoanalytic psychotherapy in the NHS 'general' hospital * examining group processes in hospital. Psychotherapy and the Treatment of Cancer Patients challenges the existing orthodoxies about palliative care and points to ways in which the principles and methods of psychoanalysis can be applied successfully to cancer care within the hospital context.

The number of people suffering from different eating disorders has grown dramatically within the last twenty years. These two volumes examine feeding difficulties and eating disorders in children and adolescents, from babies to 19-year-olds. The volumes consist of clinical cases that describe the process of psychoanalytic psychotherapy used to treat the patients. The contributors look at the underlying causes for the disorders, such as bulimia and anorexia, lead to a normal life with the help of psychoanalytic psychotherapy. In addition, this collection takes into account the profound effects eating disorders have, not only on the patients, but on their immediate family and friends as well.'Many cases describe the anxieties and strategies of defence used against feelings of dependence and the risk of accepting from another. This is a core theme in both volumes and is the principle idea behind the paradoxical title, The Generosity of Acceptance. This title applies primarily to the struggle of some patients to accept from another, to become dependent on another, but it also refers to the need of clinicians to accept generously the sometimes violent projections of the patients. The gift of help often involves a risk of rejection, and the chapters in these two volumes vividly describe the courage and generosity it takes to persevere with patients suffering from serious eating disorders.'- From the IntroductionContributors to Volume II:Sue Brough; Helene Dubinsky; Jeanne Magagn; Roberta Mondadori; Diomira Petrelli; Emanuela Quagliata; Kent Ravenscroft; and Luisa Carbone Tirelli.

This book is a study of the simultaneous physiological recordings and psychoanalytic observations when emotional/psychological responses to external stimuli occur pari passu with observed physiological changes. It is the culmination of the author's psychiatric and psychoanalytic work with patients over fifty years, and is based on the simple premise that physiological measurements cannot describe the mind and the mind cannot describe physiological processes. In order for us to have a significant knowledge of the object the author argues that we need both, and that medical specialists and health professionals (doctors, nurses, psychoanalysts, psychotherapists, psychiatrists, etc.) need to be trained to adopt a Complementary approach to patients. The complex relationship between mind and body offers vital clues to the individual's condition, and only by considering patients both physically and mentally can doctors and psychoanalysts make precise and competent judgements.