Jane Jordan – författare

This five volume set deals in detail with Josephine Butler's campaign for the repeal of the Contagious Diseases Acts in Britain and the Colonies. At present, access to Butler's work is restricted as a number of relevant anthologies are out of print. The bulk of these can only be read in specialist libraries and the original copies are becoming increasingly fragile after a century of use. This edited collection makes her writing accessible once again, setting it in an appropriate historical context.In addition to Butler's own work, the thematically ordered volumes include related texts which are important for understanding her campaign. This allows the reader to position Josephine Butler in relation to her opponents and to follow the response to her activities. All the texts are complete and reproduced in facsimile - there are pamphlets, books, media responses to Butler's activities, letters to The Times, articles from The Lancet, Pall Mall Gazette, The Shield and The Dawn as well as private letters both to and from Butler. The set is introduced through a substantial essay by Jane Jordan, one of the leading international scholars on Butler's life and works, and each volume contains a short introduction by the editors which contextualises the selections.Butler writes clearly and vividly, combining impeccable logic with passionate commitment. She does not soften her message to protect the sensibilities of her audience. She is uncompromising in her analysis, determined to 'set a floodlight on your doings' as she told a stunned royal commission in 1871. Josephine Butler and the Prostitution Campaigns demonstrates the great importance of this fascinating campaigner's work.

From the Japanese tsunami and the Egyptian revolution to the Haitian earthquake and the Australian floods, social media has proven its power to unite, coalesce, support, champion, and save lives. Presenting cutting-edge media communication solutions, The Four Stages of Highly Effective Crisis Management explains how to choose the appropriate l

'Ouida,' the pseudonym of Louise Ramé (1839-1908), was one of the most productive, widely-circulated and adapted of Victorian popular novelists, with a readership that ranged from Vernon Lee, Oscar Wilde and Ruskin to the nameless newspaper readers and subscribers to lending libraries. Examining the range and variety of Ouida’s literary output, which includes journalism as well as fiction, reveals her to be both a literary seismometer, sensitive to the enormous shifts in taste and publication practices of the second half of the nineteenth century, and a fierce protector of her independent vision. This collection offers a radically new view of Ouida, helping us thereby to rethink our perceptions of popular women writers in general, theatrical adaptation of their fiction, and their engagements with imperialism, nationalism and cosmopolitanism. The volume's usefulness to scholars is enhanced by new bibliographies of Ouida's fiction and journalism as well as of British stage adaptations of her work.

''Ouida,'' the pseudonym of Louise Ramé (1839-1908), was one of the most productive, widely-circulated and adapted of Victorian popular novelists, with a readership that ranged from Vernon Lee, Oscar Wilde and Ruskin to the nameless newspaper readers and subscribers to lending libraries. Examining the range and variety of Ouida’s literary output, which includes journalism as well as fiction, reveals her to be both a literary seismometer, sensitive to the enormous shifts in taste and publication practices of the second half of the nineteenth century, and a fierce protector of her independent vision. This collection offers a radically new view of Ouida, helping us thereby to rethink our perceptions of popular women writers in general, theatrical adaptation of their fiction, and their engagements with imperialism, nationalism and cosmopolitanism. The volume''s usefulness to scholars is enhanced by new bibliographies of Ouida''s fiction and journalism as well as of British stage adaptations of her work.

''Ouida,'' the pseudonym of Louise Ramé (1839-1908), was one of the most productive, widely-circulated and adapted of Victorian popular novelists, with a readership that ranged from Vernon Lee, Oscar Wilde and Ruskin to the nameless newspaper readers and subscribers to lending libraries. Examining the range and variety of Ouida’s literary output, which includes journalism as well as fiction, reveals her to be both a literary seismometer, sensitive to the enormous shifts in taste and publication practices of the second half of the nineteenth century, and a fierce protector of her independent vision. This collection offers a radically new view of Ouida, helping us thereby to rethink our perceptions of popular women writers in general, theatrical adaptation of their fiction, and their engagements with imperialism, nationalism and cosmopolitanism. The volume''s usefulness to scholars is enhanced by new bibliographies of Ouida''s fiction and journalism as well as of British stage adaptations of her work.

'Ouida,' the pseudonym of Louise Ramé (1839-1908), was one of the most productive, widely-circulated and adapted of Victorian popular novelists, with a readership that ranged from Vernon Lee, Oscar Wilde and Ruskin to the nameless newspaper readers and subscribers to lending libraries. Examining the range and variety of Ouida’s literary output, which includes journalism as well as fiction, reveals her to be both a literary seismometer, sensitive to the enormous shifts in taste and publication practices of the second half of the nineteenth century, and a fierce protector of her independent vision. This collection offers a radically new view of Ouida, helping us thereby to rethink our perceptions of popular women writers in general, theatrical adaptation of their fiction, and their engagements with imperialism, nationalism and cosmopolitanism. The volume's usefulness to scholars is enhanced by new bibliographies of Ouida's fiction and journalism as well as of British stage adaptations of her work.

From the Japanese tsunami and the Egyptian revolution to the Haitian earthquake and the Australian floods, social media has proven its power to unite, coalesce, support, champion, and save lives. Presenting cutting-edge media communication solutions, The Four Stages of Highly Effective Crisis Management explains how to choose the appropriate language and media outlet to properly convey your message during and after a crisis.Unveiling the secrets of how to manage the media in a crisis, the book examines how rapidly evolving social media and Web 2.0 technologies have changed the crisis management landscape. It illustrates the four distinct stages of media reporting during a crisis and details the information that must be provided. The author provides readers with a wealth of helpful tips and tools—including guidelines, checklists, and case studies that illustrate best practices in crisis media management. Divided into five sections, the book: Examines how the kingdom of news has changed and considers the new hybrid model that is emerging Identifies the four distinct stages in which both old and new media report a crisis Addresses the use of spokespeople according to the four stages, as well as when to use the chief executive officer Discusses media interviews, including how to handle news conferences, bloggers, and the importance of media training Considers the communication aspects of crisis management—including how to harness the power of Facebook, Twitter, YouTube, Digg, Wikipedia, Flickr, and social media releasesThe book’s resource-rich appendices include a checklist for briefing a spokesperson, sample media release, a step-by-step flowchart for creating a crisis communication plan, and social media policy guidelines. Complete with a detailed guide on what tools to use and when to use them, this book provides the techniques and understanding required to communicate effectively and avoid any potential bad press and embarrassment that could result from information mismanagement. Jane Jordan-Meier was interviewed about leadership in a crisis and the stages of a crisis in the wake of the Murdoch phone-hacking scandal. She also discusses crisis management planning in The Sydney Morning Herald and in Daily Ovation. She was interviewed in August 2011 by Globe and Mail.Discover more about the book, including a video of the author explaining how to turn media questions into gold and visit smallbusinessadvocate.com for a series of recent interviews.Jane Jordan-Meier appeared in a video interview with Crisis Manager Melissa Agnes on July 3, 2012.

From the Japanese tsunami and the Egyptian revolution to the Haitian earthquake and the Australian floods, social media has proven its power to unite, coalesce, support, champion, and save lives. Presenting cutting-edge media communication solutions, The Four Stages of Highly Effective Crisis Management explains how to choose the appropriate l

Jane Jordan obtained her Bachelor of Arts in Education from UNC- Chapel Hill, NC in 1973. She lives presently in Charlotte, North Carolina. This book contains simplistic poems and prose to describe Jane's fiction and non fiction events in her life and her perspective on love, philosophy, and beauty. She makes comments on her family members with writings dedicated to them and to public figures such as past artist Virginia Fouche who lived in the area around Charleston, SC and Prince William and Kate Middleton from the United Kingdom. She has received the Editor's Choice Awards from the International Library of Poetry.

Jane Jordan obtained her Bachelor of Arts in Education from UNC- Chapel Hill, NC in 1973. She lives presently in Charlotte, North Carolina. This book contains simplistic poems and prose to describe Jane''s fiction and non fiction events in her life and her perspective on love, philosophy, and beauty. She makes comments on her family members with writings dedicated to them and to public figures such as past artist Virginia Fouche who lived in the area around Charleston, SC and Prince William and Kate Middleton from the United Kingdom. She has received the Editor''s Choice Awards from the International Library of Poetry.