Jane Nicholas – författare

In 1973, a five year old girl known as Pookie was exhibited as "The Monkey Girl" at the Canadian National Exhibition. Pookie was the last of a number of children exhibited as ''freaks'' in twentieth-century Canada.

Jane Nicholas takes us on a search for answers about how and why the freak show persisted into the 1970s. In Canadian Carnival Freaks and the Extraordinary Body, 1900–1970s, Nicholas offers a sophisticated analysis of the place of the freak show in twentieth-century culture. Freak shows survived and thrived because of their flexible business model, government support, and by mobilizing cultural and medical ideas of the body and normalcy. This book is the first full length study of the freak show in Canada and is a significant contribution to our understanding of the history of Canadian popular culture, attitudes toward children, and the social construction of able-bodiness. Based on an impressive research foundation, the book will be of particular interest to anyone interested in the history of disability, the history of childhood, and the history of consumer culture.

In 1973, a five year old girl known as Pookie was exhibited as "The Monkey Girl" at the Canadian National Exhibition. Pookie was the last of a number of children exhibited as ''freaks'' in twentieth-century Canada.

Jane Nicholas takes us on a search for answers about how and why the freak show persisted into the 1970s. In Canadian Carnival Freaks and the Extraordinary Body, 1900–1970s, Nicholas offers a sophisticated analysis of the place of the freak show in twentieth-century culture. Freak shows survived and thrived because of their flexible business model, government support, and by mobilizing cultural and medical ideas of the body and normalcy. This book is the first full length study of the freak show in Canada and is a significant contribution to our understanding of the history of Canadian popular culture, attitudes toward children, and the social construction of able-bodiness. Based on an impressive research foundation, the book will be of particular interest to anyone interested in the history of disability, the history of childhood, and the history of consumer culture.

Jane Nicholas is one of the world''s leading embroiderers, specializing in stumpwork. Her exquisite embroideries in goldwork and stumpwork are inspired by Japanese family crests, a subject that has fascinated her for many years.

In this book, Jane has selected 12 designs and interpreted them in a variety of ways using combinations of goldwork, and raised and surface stitching. The projects feature a charming array of motifs including butterflies and other insects, Japanese plants and flowers. Measuring just 10cm (4in) square, each is worked on an assortment of silk Japanese kimono fabrics, and is accompanied by detailed instructions, a stitch diagram and the outline for the design.

At the start of the book there is a fascinating history of Japanese family crests, followed by a stitch directory and a techniques section covering how to prepare your background fabric, how to transfer the design and how to work with wire. Illustrated throughout with sumptuous photography and informative diagrams, this is a treasure trove of ideas and inspiration for embroiderers and lovers of Japanese culture alike.