Jane White – författare

Conducting your own special spiritual attunements helps you connect directly with your divine essence. It is not only simple and fun, it can be utterly life-transforming too. By following a few basic steps, you can quickly harness the power of your higher love to bring positive change and innumerable blessings into your life. Here are over twenty ceremonies for you to try out and enjoy, either with a group of friends or on your own. They have been designed to assist you in expanding your healing gifts and accelerating your personal growth, as well as to give you a deeper understanding of consciousness and the nature of your vast, multifaceted self. You will find innovative ways of using crystals and working with an ancient sacred technique for accessing energetic blockages, together with a wealth of other thought-provoking ideas, personal stories and anecdotes from which to glean inspiration.

Interviewing nearly 30 of the Aldermaston potters, many of whom have written some fascinating submissions about this incredible workshop. The book features a wonderful, previously unpublished, account from Geoffrey Eastop's memoirs, about how he came to Aldermaston and helped to establish the pottery with Alan Caiger-Smith in the mid 1950s. The book tells the story of the 51 years of the Aldermaston Pottery, through the words and experiences of as many of the potters as possible, whilst also chronicling Alan's own achievements over the decades. The images also play an important part in telling the story. The book also follows the subsequent careers of the potters, and tell how they went on to make a difference, and to sustain the maiolica tradition, all over the world. As there has never been a book published that has traced the career of this important figure or the life of the pottery, or the 60 people who worked and trained there, and there are very few photographic records of this lost way of working, this book will fill that gap in the history of 20th century studio pottery.

Todd, Randy, and Carter are teenagers, grammar school boys who come across a younger boy while roaming the countryside around their commuter town. They decide to hold him hostage in a small cave in an abandoned quarry and then consider what to do next. In Lord of the Flies, William Golding needed a plane crash and a tropical island to bring out the capacity for violence and evil in his English schoolboys. Jane White, a mother and housewife living in Godalming when she wrote Quarry , needed only a chance encounter in fields not unlike those around her own development.Quarry is among the most unsettling novels of its time. White’s teenaged kidnappers ride bikes, worry about exams, and have to get home in time for supper. Yet they also imprison and torture another boy with the cold calculating objectivity that Hannah Arendt called “the banality of evil.” Written in cool, realistic prose, Quarry creates a situation that seems fantastic and too horrifying to be true yet sustains an atmosphere of normality that only increases its power to shock. It is both a gripping and believable account of a crime and a parable filled with complex symbolism. “Nothing since A High Wind in Jamaica probes the depths of innocence with such terror and finesse as Jane White’s novel,” declared Newsday.