Janelle G. Reinelt – författare
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2 produkter
2 produkter
Häftad, Engelska, 2007
509 kr
Skickas inom 5-8 vardagar
Critical Theory and Performance presents a broad range of critical and theoretical methods and applies them to contemporary and historical performance genres—from stage plays, dance-dramas, performance art, cabaret, stand-up comedy, and jazz to circus, street theater, and shamanistic ritual. As the first comprehensive introduction to critical theory’s rich and diverse contributions to the study of drama, theater, and performance, the book has been highly influential for more than a decade in providing fertile ground for academic investigations in the lively field of performance studies.This updated and expanded edition presents nineteen new essays by the field’s leading scholars and practitioners as well as new critical introductions by editors Janelle G. Reinelt and Joseph R. Roach. Reflecting recent trends in performance studies, this revised edition now includes discussions of critical race theory, postcolonial studies, gender and sexualities, and mediatized cultures. The resulting volume is a unique and indispensable tool for critics, teachers, and students that paves the way for future scholarship.Janelle G. Reinelt is Professor of Theatre and Performance at the University of Warwick. Reinelt and RoachJoseph R. Roach is Charles C. and Dorathea S. Dilley Professor of Theater and English at Yale University. “Critical Theory and Performance signals the self-empowered emergence of theatre and performance studies into the broader fray of contemporary scholarship . . . a first-of-its-kind resource which many scholars will keep close at hand and which future graduate students would do well to consider required reading for programs in theatre history, dramatic criticism, or performance studies.”—TDR
Häftad, Engelska, 1996
403 kr
Skickas inom 5-8 vardagar
After Brecht: British Epic Theater is the first book to fully explore contemporary British drama in the light of the influence of German playwright Bertolt Brecht. Focusing on the work of Howard Brenton, Edward Bond, Caryl Churchill, David Hare, Trevor Griffiths, and John McGrath, the book examines Brechtian techniques and style within the work of each playwright, while highlighting the divergent development of each.The book has been enriched by the author's in-depth conversations with the playwrights. The topics covered include contemporary politics and the theater, the National Theatre, the Royal Shakespeare Company, and such well-known fringe companies as Foco Novo, Joint Stock, Portable Theatre, and 7:84. Reinelt examines each playwright within an interpretive frame drawn from an application of Brecht's theories and practice to the historically specific situation of post-war British theater.The book will appeal to those interested in the relationship between politics and art and contemporary European theater and its antecedents. "After Brecht represents the best and most detailed engagement with the contemporary British theater scene to date." --Stanton B. Garner, Jr. "This fine study . . . confronts issues that are important to all students and practitioners of the theater. Sensitive to the uniqueness of each of the playwrights in her study, Reinelt demonstrates that Brechtian theory can be modified in many ways by those who share the belief that 'politics and aesthetics are inseparably linked.'" --ChoiceJanelle Reinelt is Chair of the Department of Dramatic Art and Dance, University of California-Davis.