Janet Ng – författare

Materially grounded analysis of contemporary film, literature, and music in Hong Kong that resists the superficial stereotypes of the "global city."Hong Kong is often cast in the role of the paradigmatic "global city," epitomizing postmodernism and globalization, and representing a vision of a cosmopolitan global and capitalist future. In Paradigm City, Janet Ng takes us past the obsession with 1997-the year of Hong Kong's return to China-to focus on the complex uses and meanings of urban space in Hong Kong in the period following that transfer. She demonstrates how the design and ordering of the city's space and the practices it supports inculcates a particular civic aesthetic among Hong Kong's population that corresponds to capitalist as well as nationalist ideologies. Ng's insightful connections between contemporary film, literature, music, and other media and the actual spaces of the city-such as parks, shopping malls, and domestic spaces-provide a rich and nuanced picture of Hong Kong today.

Materially grounded analysis of contemporary film, literature, and music in Hong Kong that resists the superficial stereotypes of the "global city."Hong Kong is often cast in the role of the paradigmatic "global city," epitomizing postmodernism and globalization, and representing a vision of a cosmopolitan global and capitalist future. In Paradigm City, Janet Ng takes us past the obsession with 1997-the year of Hong Kong's return to China-to focus on the complex uses and meanings of urban space in Hong Kong in the period following that transfer. She demonstrates how the design and ordering of the city's space and the practices it supports inculcates a particular civic aesthetic among Hong Kong's population that corresponds to capitalist as well as nationalist ideologies. Ng's insightful connections between contemporary film, literature, music, and other media and the actual spaces of the city-such as parks, shopping malls, and domestic spaces-provide a rich and nuanced picture of Hong Kong today.

In this study, Ng examines the aftermath of the massive protests in 2019 and the implementation of the National Security Law in Hong Kong.Despite 2 years of fluctuating COVID measures and social constraints, the city witnessed an unparalleled cultural resurgence after the enactment of the National Security Law in 2020. This book explores Hong Kong beyond the end of the Anti-Extradition Bill Movement in 2019, to examine what happened afterward, how society repaired itself, how the people of the city resumed their everyday life, and what this everyday life entails. Ng examines the social debates and conversations during these 2 years, analyzing a wide range of creative projects in the city, from television shows, popular music, and social media to literary writings. She describes the difficulties, emotional experiences, and also daily strategies to repair local life, recreate a self-identity, and reclaim the city’s narrative against the pressures from China.This book is a valuable resource for researchers, scholars, students, and general readers interested in popular culture and society, and the global uprisings of the first decades of the twenty-first century. The study, supported by detailed research, also makes this essential reading for those with a specialized interest in global studies, and China and Hong Kong studies.

In this study, Ng examines the aftermath of the massive protests in 2019 and the implementation of the National Security Law in Hong Kong.Despite 2 years of fluctuating COVID measures and social constraints, the city witnessed an unparalleled cultural resurgence after the enactment of the National Security Law in 2020. This book explores Hong Kong beyond the end of the Anti-Extradition Bill Movement in 2019, to examine what happened afterward, how society repaired itself, how the people of the city resumed their everyday life, and what this everyday life entails. Ng examines the social debates and conversations during these 2 years, analyzing a wide range of creative projects in the city, from television shows, popular music, and social media to literary writings. She describes the difficulties, emotional experiences, and also daily strategies to repair local life, recreate a self-identity, and reclaim the city’s narrative against the pressures from China.This book is a valuable resource for researchers, scholars, students, and general readers interested in popular culture and society, and the global uprisings of the first decades of the twenty-first century. The study, supported by detailed research, also makes this essential reading for those with a specialized interest in global studies, and China and Hong Kong studies.