Janina Gosseye - Böcker

Acculturating the Shopping Centre examines whether the shopping centre should be qualified as a global architectural type that effortlessly moves across national and cultural borders in the slipstream of neo-liberal globalization, or should instead be understood as a geographically and temporally bound expression of negotiations between mall developers (representatives of a global logic of capitalist accumulation) on the one hand, and local actors (architects/governments/citizens) on the other. It explores how the shopping centre adapts to new cultural contexts, and questions whether this commercial type has the capacity to disrupt or even amend the conditions that it encounters.Including more than 50 illustrations, this book considers the evolving architecture of shopping centres. It would be beneficial to academics and students across a number of areas such as architecture, urban design, cultural geography and sociology.

Through the 1940s and 1950s, PAGON (Progressive Architects Group Oslo Norway) was an alliance of young CIAM-affiliated Norwegian architects known for their innovative joint projects. As a group, PAGON went on to become largely overlooked in the history of modern architecture, even though its individual members – which included Sverre Fehn, Jørn Utzon, Arne Korsmo, and Christian Norberg-Schulz – became defining figures in Scandinavian and international modernism.This book tells the story of PAGON for the first time, offering an impressive account of the group’s projects, buildings, and approach, and demonstrating why PAGON’s projects are ripe for reappraisal in the international history of modern architecture. It shows how PAGON’s architecture constitutes a unique continuity between the Scandinavian functionalism of the late 1930s and the modern movement in theUS, and an important transitional stage before the emergence of the better-known neo-avant-gardegroups within CIAM and Team 10.Published as part of the Bloomsbury Studies in Modern Architecture series, which brings to light the work of significant yet overlooked modernist architects, this book fills a gap in our understanding of mid-century modern architecture and highlights the internationally diverse nature of the modern movement.

Robin Boyd was Australia’s foremost architectural writer and critic from the late 1940s until his death in 1971. He was also a talented architect, designing houses, apartments, commercial and university buildings, as well as exhibits to represent Australia overseas. This book situates his architecture and writings within the context of post-WWII global architectural discourse and production. A voice from the margins, yet one intimately engaged with contemporary US and European architecture, Boyd’s geographic impartiality also drew architectures from Australia and Japan into global dialogue. He also had a local mission: to build an architecture culture and discourse for his own country. But his acuity in design criticism, widely admired at the time, has been overlooked by subsequent historiography. This book will fill that gap - placing Boyd's work and writing into an international context for the first time. The book is structured into three parts: Dwelling; Discourse and Australia. The first, Dwelling, focuses on Boyd’s development of his theoretical ideas based on the laboratory of the single-family house. The second, Discourse, outlines Boyd’s fight to find a voice for Australian architecture and create a local pedigree for modernism and finally the third, Australia, focuses on Boyd’s commitment to a broader national project and the shaping of Australian identity.

Through the work of the Italian architect, theorist and historian Paolo Portoghesi (1931-2023), this book offers a new perspective on postmodern architecture, showing the agency of other spheres of knowledge – history, politics and media – in the making of postmodern architectural discourse.It explores how Portoghesi’s personal “postmodern project” was based on the triangulation of a renewed interest in historical architectural language, unprecedented use of media and intertwined links between architecture and politics. Organized in a sequence of critical chapters supported by the analysis of Portoghesi’s most significant architectural projects – including Casa Baldi (1959), The Mosque in Rome (1975–95) and his Strada Novissima exhibition (1980) – and publications, the book unfolds around the three main themes of history, politics and media. Published as part of the Bloomsbury Studies in Modern Architecture series, which brings to light the work of significant yet overlooked modernist architects, the study features previously-unpublished archival material, interviews by the authors and articles from professional and mainstream press to present Portoghesi in his multifaceted role of mediator, politician, historian and designer.

Shopping Towns Europe is the first book to explore the introduction and dissemination of the shopping centre in Europe. European shopping centres are often assumed to be no more than carbon copies of their American precursors – however the wide-ranging case studies featured in this book reveal a very different story. Drawing connections between architectural history, political economy and commerce, together these studies tell us much about the status and role of modernist design, the history of consumption, and the rapidly-changing social, urban, and national contexts of post-war Europe. The book’s 18 chapters explore case studies spanning the continent on both sides of the Iron Curtain, from Britain and The Netherlands to Sweden and the USSR. The focus is on the three decades following the first introduction of the new typology in 1945, tracing the variety of typological manifestations that occurred in widely different contexts, from Keynesianism to communism to military dictatorship. The book also explores the role of the shopping centre in urban reconstruction, and examines how new shopping centres were designed to elicit specifically modern behaviour and introduce new conceptions of collectivity into citizens’ everyday lives.Please note that due to permissions restrictions, several images which do appear in the print edition of this book do not feature in the ebook versions.

Architect Ernesto Nathan Rogers (1909-1969) was a towering figure in 20th-century Italian architecture, with a significant impact at the international level. Through the work of his collaborative firm (Banfi Belgiojoso Peressutti Rogers, or BBPR), the editorship of publications such as Domus and Casabella, and his teaching at the Politecnico in Milan, Rogers ensured a lasting influence on the field as a practitioner, theorist and educator. However his contributions have been largely neglected by scholarship outside of Italy.Published as part of the Bloomsbury Studies in Modern Architecture series, which brings to light the work of significant yet overlooked modernist architects, this book re-assesses Ernesto Nathan Rogers' cultural legacy. It is the first comprehensive, critical work on Rogers in English, and emphasizes Rogers' vision for the role of the architect as a public intellectual, as well as his commitment to pursue a renewed path of professional and cultural research within the “Modern Project.” The book also discusses Roger's willingness to challenge academic classicized monumentality as well as modernist stereotypes, to emerge as a leader of Italian design in the aftermath of World War II; his interest in all scales of design and planning, with a cross-disciplinary mentality; tradition in modernity; and criticality as a mode of practice, to bring a detailed account of the work and thought of Ernesto Nathan Rogers to an English-speaking audience for the first time.With a foreword by Kenneth Frampton.

Kay Fisker (1893-1965) is considered one of the most influential Danish architects of the twentieth century, and yet there has existed until now no in-depth English-language study of his works and writing.Published as part of the Bloomsbury Studies in Modern Architecture series, which brings to light the work of significant yet overlooked modernist architects, this book examines Fisker’s key projects – from his early railway stations and innovative housing projects to the Danish Academy in Rome – and analyses his work as a historian and writer.Fisker’s output is closely associated with the functional tradition, a hybridization of international modernism and regional architectural typologies, and this book shows how his architectural poetics can be understood as an amalgamation of an ideal order with the contingent conditions of landscapes and urban sites. Hybridization is not only a valuable notion for understanding Fisker, the book argues, it can also be applied to an understanding of modernist architecture as a whole, with its various expressions, agendas and tensions both regionally and internationally.

Through the 1940s and 1950s, PAGON (Progressive Architects Group Oslo Norway) was an alliance of young CIAM-affiliated Norwegian architects known for their innovative joint projects. As a group, PAGON went on to become largely overlooked in the history of modern architecture, even though its individual members – which included Sverre Fehn, Jørn Utzon, Arne Korsmo, and Christian Norberg-Schulz – became defining figures in Scandinavian and international modernism.This book tells the story of PAGON for the first time, offering an impressive account of the group’s projects, buildings, and approach, and demonstrating why PAGON’s projects are ripe for reappraisal in the international history of modern architecture. It shows how PAGON’s architecture constitutes a unique continuity between the Scandinavian functionalism of the late 1930s and the modern movement in the US, and an important transitional stage before the emergence of the better-known neo-avant-garde groups within CIAM and Team 10.Published as part of the Bloomsbury Studies in Modern Architecture series, which brings to light the work of significant yet overlooked modernist architects, this book fills a gap in our understanding of mid-century modern architecture and highlights the internationally diverse nature of the modern movement.

This book brings to light the work and influence of the German-American architect, art critic, and urban planner Ludwig Hilberseimer – a central figure of the Weimar Republic avant-garde, an important Bauhaus teacher, and long-standing collaborator of leading modernist architect Ludwig Mies van der Rohe.Despite being internationally-known for his work on Lafayette Park in Detroit, Hilberseimer’s legacy as a whole has been obscured in the history of modern architecture. Whether this is due to the intense shadow cast by Mies, or by his oeuvre being split between the differing languages and contexts of interwar Germany and post-war North America, this book argues that the time is now right for a critical reassessment of Hilberseimer’s work and writings.Published as part of the Bloomsbury Studies in Modern Architecture series, which explores the work of significant yet overlooked modernist architects, this study clarifies and situates Hilberseimer’s ideas both as an architect and writer, and examines their influence on modern and contemporary architecture and urbanism. The first account of Hilberseimer in English, it provides a contextual account of Hilberseimer’s works which have until now been subject to fragmentary or highly specialized interpretations. By demonstrating the influence of Hilberseimer’s ideas on the architecture of Mies van der Rohe, the book also lends Mies’s work a newfound urban significance.

Mohsen Foroughi (1907-1983) was one of the most important and influential Iranian architects of the modern era. Standing at the intersection between modernism, tradition, and the Beaux-Arts, Foroughi’s work traces the major cultural developments of twentieth-century Iran and the Middle East – from the development of a new Iranian nationalism in the 1930s, to the emergence of a high modernist aesthetic of the mid-twentieth century, and finally to a more locally-expressive and formalist approach in the 1960s and 70s. Published as part of the Bloomsbury Studies in Modern Architecture series, which brings to light the work of significant yet overlooked modernist architects, this book reveals Foroughi’s vital roles as a designer, educator, and politician in Iran’s program of modernisation, and explores a selection of case-study buildings including Foroughi’s branches for the Iranian National Bank, the Sa’di Mausoleum, his Senate House of Iran, and the Maison de l’Iran in Paris.This is the first English-language study of the career of an Iranian modernist architect, offering new and unique insights into the expansion of twentieth-century modern architecture into non-Euro-American global contexts.

Tracing the life of architect Hans Heyerdahl Hallen (1930–2022), this book reveals the transnational influences that shaped his practice in South Africa, and the migratory circles of ideas that defined a new form of subtropical architecture.Beginning with Hallen’s Nordic and South African roots, chapters then explore his practice and studies at the London County Council and Architectural Association, where he met with contemporaries such as Jane Drew and Maxwell Fry. From here, he returned to South Africa with new ideas that challenged the teachings of early modernism, instead combining philosophies such as Norberg Schulz’s genius loci with African traditional architecture (Zulu Kraal) to create buildings unique to local communities and topographical conditions.This need to embrace vernacular forms was a response to local climate conditions and local materials, but also a desire to make cities relevant to the African context. In transmuting European teachings within colonial environments, Hallen’s practice reveals the role of the architect to reflect local communities and to build for their needs, and to create spaces for community and resistance.Published as part of the Bloomsbury Studies in Modern Architecture series, which brings to light the work of significant yet overlooked modernist architects, the study features a wealth of previously-unpublished archival material to explore the role of the architect in the colonial context.

Acculturating the Shopping Centre examines whether the shopping centre should be qualified as a global architectural type that effortlessly moves across national and cultural borders in the slipstream of neo-liberal globalization, or should instead be understood as a geographically and temporally bound expression of negotiations between mall developers (representatives of a global logic of capitalist accumulation) on the one hand, and local actors (architects/governments/citizens) on the other. It explores how the shopping centre adapts to new cultural contexts, and questions whether this commercial type has the capacity to disrupt or even amend the conditions that it encounters.Including more than 50 illustrations, this book considers the evolving architecture of shopping centres. It would be beneficial to academics and students across a number of areas such as architecture, urban design, cultural geography and sociology.

Shopping Towns Europe is the first book to explore the introduction and dissemination of the shopping centre in Europe. European shopping centres are often assumed to be no more than carbon copies of their American precursors – however the wide-ranging case studies featured in this book reveal a very different story. Drawing connections between architectural history, political economy and commerce, together these studies tell us much about the status and role of modernist design, the history of consumption, and the rapidly-changing social, urban, and national contexts of post-war Europe. The book’s eighteen chapters explore case studies spanning the continent on both sides of the Iron Curtain, from Britain and The Netherlands to Sweden and the USSR. The focus is on the three decades following the first introduction of the new typology in 1945, tracing the variety of typological manifestations that occurred in widely different contexts, from Keynesianism to communism to military dictatorship. The book also explores the role of the shopping centre in urban reconstruction, and examines how new shopping centres were designed to elicit specifically modern behaviour and introduce new conceptions of collectivity into citizens’ everyday lives.Please note that due to permissions restrictions, several images which do appear in the print edition of this book do not feature in the ebook versions.