Janko Lavrin''s influential biography of Friedrich Nietzsche, originally published in 1948, analyses the bond between Nietzsche''s personal fate on the one hand and the trend of his thought on the other, set against the background of contemporary crisis typical of mankind in general.

Janko Lavrin''s influential biography of Friedrich Nietzsche, originally published in 1948, analyses the bond between Nietzsche''s personal fate on the one hand and the trend of his thought on the other, set against the background of contemporary crisis typical of mankind in general.

In this book, first published in 1943, Janko Lavrin provides an overview of the development of the Russian novel by placing the great Russian novelists – Tolstoy, Dostoevsky, Turgenev, Gorky, Gogol – in relation to their native literature and their social, political and cultural backgrounds. An Introduction to the Russian Novel will appeal particularly to students of Russian literature and culture as well as those interested in the development of the novel in general.

In this book, first published in 1943, Janko Lavrin provides an overview of the development of the Russian novel by placing the great Russian novelists – Tolstoy, Dostoevsky, Turgenev, Gorky, Gogol – in relation to their native literature and their social, political and cultural backgrounds. An Introduction to the Russian Novel will appeal particularly to students of Russian literature and culture as well as those interested in the development of the novel in general.

This book, first published in 1926, aimed to introduce to English readers to a great and complex foreign writer in as simple terms as possible. As this was the first extensive study of Gogol in English, the author chiefly considered the general characteristics of the man and his work. This book will be of interest to students of literature.

This book, first published in 1926, aimed to introduce to English readers to a great and complex foreign writer in as simple terms as possible. As this was the first extensive study of Gogol in English, the author chiefly considered the general characteristics of the man and his work. This book will be of interest to students of literature.

This book, first published in 1950, could best be described as a combination of literary, psychological and social criticism. Considerable space is allotted to the personal inner drama of Ibsen, which provides not only a clue to his art but shows how most of his themes inevitably grew out of the other. The author also explores some of those factors which make Ibsen of interest to the generation that were facing the social and spiritual havoc of the post-war period. This book will be of interest to students of literature and theatre.

This book, first published in 1950, could best be described as a combination of literary, psychological and social criticism. Considerable space is allotted to the personal inner drama of Ibsen, which provides not only a clue to his art but shows how most of his themes inevitably grew out of the other. The author also explores some of those factors which make Ibsen of interest to the generation that were facing the social and spiritual havoc of the post-war period. This book will be of interest to students of literature and theatre.

This volume contains two concise works by the innovative twentieth-century literary critic Janko Lavrin, offering accessible and thoughtful introductions to the two greatest Russian novelists. It provides a perfect point of access into the often bewildering world of Russian literature, and the troubled geniuses which created it.

Tolstoy: An Approach, first published in 1944, is an attempt to interpret Tolstoy as an artist and thinker in light of the twentieth-century experience: specifically, it seeks to discern the relationship between Tolstoy the novelist and Tolstoy the religious pseudo-prophet, thereby articulating the contours of his most essential ethical and psychological insights.

In Dostoevsky: A Study, published first in 1943, Lavrin suggests a wide range of valuable observations and intriguing possibilities, exploring the enigmatic and perennially fascinating Dostoevsky in terms of the inter-connections between his life, his thought, his relationships, his writing, and the socio-cultural circumstances in which he found himself.

This volume contains two concise works by the innovative twentieth-century literary critic Janko Lavrin, offering accessible and thoughtful introductions to the two greatest Russian novelists. It provides a perfect point of access into the often bewildering world of Russian literature, and the troubled geniuses which created it.

Tolstoy: An Approach, first published in 1944, is an attempt to interpret Tolstoy as an artist and thinker in light of the twentieth-century experience: specifically, it seeks to discern the relationship between Tolstoy the novelist and Tolstoy the religious pseudo-prophet, thereby articulating the contours of his most essential ethical and psychological insights.

In Dostoevsky: A Study, published first in 1943, Lavrin suggests a wide range of valuable observations and intriguing possibilities, exploring the enigmatic and perennially fascinating Dostoevsky in terms of the inter-connections between his life, his thought, his relationships, his writing, and the socio-cultural circumstances in which he found himself.

Janko Lavrin''s influential biography of Friedrich Nietzsche, originally published in 1948, analyses the bond between Nietzsche''s personal fate on the one hand and the trend of his thought on the other, set against the background of contemporary crisis typical of mankind in general.

Janko Lavrin''s influential biography of Friedrich Nietzsche, originally published in 1948, analyses the bond between Nietzsche''s personal fate on the one hand and the trend of his thought on the other, set against the background of contemporary crisis typical of mankind in general.

In this book, first published in 1943, Janko Lavrin provides an overview of the development of the Russian novel by placing the great Russian novelists – Tolstoy, Dostoevsky, Turgenev, Gorky, Gogol – in relation to their native literature and their social, political and cultural backgrounds. An Introduction to the Russian Novel will appeal particularly to students of Russian literature and culture as well as those interested in the development of the novel in general.

In this book, first published in 1943, Janko Lavrin provides an overview of the development of the Russian novel by placing the great Russian novelists – Tolstoy, Dostoevsky, Turgenev, Gorky, Gogol – in relation to their native literature and their social, political and cultural backgrounds. An Introduction to the Russian Novel will appeal particularly to students of Russian literature and culture as well as those interested in the development of the novel in general.

This book, first published in 1926, aimed to introduce to English readers to a great and complex foreign writer in as simple terms as possible. As this was the first extensive study of Gogol in English, the author chiefly considered the general characteristics of the man and his work. This book will be of interest to students of literature.

This book, first published in 1926, aimed to introduce to English readers to a great and complex foreign writer in as simple terms as possible. As this was the first extensive study of Gogol in English, the author chiefly considered the general characteristics of the man and his work. This book will be of interest to students of literature.

This book, first published in 1950, could best be described as a combination of literary, psychological and social criticism. Considerable space is allotted to the personal inner drama of Ibsen, which provides not only a clue to his art but shows how most of his themes inevitably grew out of the other. The author also explores some of those factors which make Ibsen of interest to the generation that were facing the social and spiritual havoc of the post-war period. This book will be of interest to students of literature and theatre.

This book, first published in 1950, could best be described as a combination of literary, psychological and social criticism. Considerable space is allotted to the personal inner drama of Ibsen, which provides not only a clue to his art but shows how most of his themes inevitably grew out of the other. The author also explores some of those factors which make Ibsen of interest to the generation that were facing the social and spiritual havoc of the post-war period. This book will be of interest to students of literature and theatre.

This volume contains two concise works by the innovative twentieth-century literary critic Janko Lavrin, offering accessible and thoughtful introductions to the two greatest Russian novelists. It provides a perfect point of access into the often bewildering world of Russian literature, and the troubled geniuses which created it.

Tolstoy: An Approach, first published in 1944, is an attempt to interpret Tolstoy as an artist and thinker in light of the twentieth-century experience: specifically, it seeks to discern the relationship between Tolstoy the novelist and Tolstoy the religious pseudo-prophet, thereby articulating the contours of his most essential ethical and psychological insights.

In Dostoevsky: A Study, published first in 1943, Lavrin suggests a wide range of valuable observations and intriguing possibilities, exploring the enigmatic and perennially fascinating Dostoevsky in terms of the inter-connections between his life, his thought, his relationships, his writing, and the socio-cultural circumstances in which he found himself.

This volume contains two concise works by the innovative twentieth-century literary critic Janko Lavrin, offering accessible and thoughtful introductions to the two greatest Russian novelists. It provides a perfect point of access into the often bewildering world of Russian literature, and the troubled geniuses which created it.

Tolstoy: An Approach, first published in 1944, is an attempt to interpret Tolstoy as an artist and thinker in light of the twentieth-century experience: specifically, it seeks to discern the relationship between Tolstoy the novelist and Tolstoy the religious pseudo-prophet, thereby articulating the contours of his most essential ethical and psychological insights.

In Dostoevsky: A Study, published first in 1943, Lavrin suggests a wide range of valuable observations and intriguing possibilities, exploring the enigmatic and perennially fascinating Dostoevsky in terms of the inter-connections between his life, his thought, his relationships, his writing, and the socio-cultural circumstances in which he found himself.