Janne Lahti – författare

This anthology adds to the burgeoning field of settler colonial studies by examining settler colonial narratives in the under analyzed medium of film.Cinematic Settlers discusses different cinematic genres, national traditions, and specific movies in order to expose related threads, shared circulations of knowledge, and paralleled representations. Organized into thematic groupings—conquest, settlers, natives, and space—the contributors explore the question of how film compares to written genres and other visual media in representing and effecting settler colonialism on a global scale. Striving for inclusiveness, the volume covers different eras and settler colonial situations in Australia, New Zealand, Taiwan, Hawaii, the American West, Canada, Latin America, Russia, France, Algeria, German Africa, South Africa, and even the next frontier: outer space. By showing how films offer layered, contested, and dynamic settler colonial narratives that advance and challenge settler hegemonic readings, the essays enable students to better analyze and understand the complex history of diversity and colonialism in film.This book is important reading for undergraduate classes on the history of empire, colonialism, and film.

This anthology adds to the burgeoning field of settler colonial studies by examining settler colonial narratives in the under analyzed medium of film.Cinematic Settlers discusses different cinematic genres, national traditions, and specific movies in order to expose related threads, shared circulations of knowledge, and paralleled representations. Organized into thematic groupings—conquest, settlers, natives, and space—the contributors explore the question of how film compares to written genres and other visual media in representing and effecting settler colonialism on a global scale. Striving for inclusiveness, the volume covers different eras and settler colonial situations in Australia, New Zealand, Taiwan, Hawaii, the American West, Canada, Latin America, Russia, France, Algeria, German Africa, South Africa, and even the next frontier: outer space. By showing how films offer layered, contested, and dynamic settler colonial narratives that advance and challenge settler hegemonic readings, the essays enable students to better analyze and understand the complex history of diversity and colonialism in film.This book is important reading for undergraduate classes on the history of empire, colonialism, and film.

From 1866 through 1886, the U.S. Army occupied southern Arizona and New Mexico in an attempt to claim it for settlement by Americans. Through a postcolonial lens, Janne Lahti examines the army, its officers, their wives, and the enlisted men as agents of an American empire whose mission was to serve as a group of colonizers engaged in ideological as well as military, conquest.Cultural Construction of Empire explores the cultural and social representations of Native Americans, Hispanics, and frontiersmen constructed by the officers, enlisted men, and their dependents. By differentiating themselves from these "less civilized" groups, white military settlers engaged various cultural processes and practices to accrue and exercise power over colonized peoples and places for the sake of creating a more "civilized" environment for other settlers. Considering issues of class, place, and white ethnicity, Lahti shows that the army's construction of empire took place not on the battlefield alone but also in representations of and social interactions in and among colonial places, peoples, settlements, and events, and in the domestic realm and daily life inside the army villages.

Most military biographies focus on officers, many of whom left diaries or wrote letters throughout their lives and careers. This collection offers new perspectives by focusing on the lives of enlisted soldiers from a variety of cultural and racial backgrounds. Comprised of ten biographies, Soldiers in the Southwest Borderlands showcases the scholarship of experts who have mined military records, descendants' recollections, genealogical sources, and even folklore to tell common soldiers' stories.The essays examine enlisted soldiers' cross-cultural interactions and dynamic, situational identities. They illuminate the intersections of class, culture, and race in the nineteenth-century Southwest. The men who served under U.S. or Mexican flags and on the payrolls of the federal government or as state or territorial volunteers represented most of the major ethnicities in the West - Hispanics, African Americans, Indians, American-born Anglos, and recent European immigrants - and many moved fluidly among various social and ethnic groups. For example, though usually described as an Apache scout, Mickey Free was born to Mexican parents, raised by an American stepfather, adopted by an Apache father, given an Irish name, and was ultimately categorized by federal authorities as an Irish Mexican White Mountain Apache. George Goldsby, a former slave of mixed ancestry, served as a white soldier in the Union army during the Civil War, and then served twelve years as a ""Buffalo Soldier"" in the all-black Tenth U.S. Cavalry. He also claimed some American Indian ancestry and was rumored to have crossed the Mexican border to fight alongside Pancho Villa.What motivated these soldiers? Some were patriots and adventurers. Others were destitute and had few other options. Enlisted men received little professional training, and possibilities for advancement were few. Many of these men witnessed, underwent, or inflicted extreme violence, some of it personal and much of it related to excruciating military campaigns.Spotlighting ordinary men who usually appear on the margins of history, the biographical essays collected here tell the stories of soldiers in the complex world of the Southwest after the U.S.-Mexican War.

After the end of the U.S.-Mexican War in 1848, the Southwest Borderlands remained hotly contested territory. Over following decades, the United States government exerted control in the Southwest by containing, destroying, segregating, and deporting indigenous peoples - in essence conducting an extended military campaign that culminated with the capture of Geronimo and the forced removal of the Chiricahua Apaches in 1886. In this book, Janne Lahti charts these encounters and the cultural differences that shaped them. Wars for Empire offers a new perspective on the conduct, duration, intensity, and ultimate outcome of one of America's longest wars.Centuries of conflict with Spain and Mexico had honed Apache war-making abilities and encouraged a culture based in part on warrior values, from physical prowess and specialized skills to a shared belief in individual effort. In contrast, U.S. military forces lacked sufficient training and had little public support. The splintered, protracted, and ferocious warfare exposed the limitations of the U.S. military and of federal Indian policies, challenging narratives of American supremacy in the West. Lahti maps the ways in which these weaknesses undermined the U.S. advance. He also stresses how various Apache groups reacted differently to the U.S. invasion. Ultimately, new technologies, the expansion of Euro-American settlements, and decades of war and deception ended armed Apache resistance.By comparing competing martial cultures and examining violence in the Southwest, Wars for Empire provides a new understanding of critical decades of American imperial expansion and a moment in the history of settler colonialism with worldwide significance.

This book tackles the historical relationship between colonial violence and monuments in Africa, Europe, the Indian subcontinent, North America, and Australia.In this volume, the authors ask similar questions about monuments in each location and answer them following a parallel structure that encourages comparison, highlighting common themes. The chapters track the contested histories of monuments, scrutinizing their narrative power and examining the violent events behind them. It is both about the history of monuments and the histories the monuments are meant to commemorate. It is interested in this nuanced relationship between violence, monuments, memory, and colonial legacies; the ways different facets of colonial violence—conquest, resistance, massacres, genocides, internments, and injustices—have been commemorated (or haven’t been), how they live in the present, and how pertinent they are in the present to different peoples. Legacies of colonial violence, and continued reinterpretations of the past and its meanings remain very much ongoing. They are still very much unsettled questions in large parts of the world.Colonial Violence and Monuments in Global History will be essential reading for students, scholars, and researchers of political science, history, sociology and colonial studies. The book was originally published as a special issue of the Journal of Genocide Research.

This book tackles the historical relationship between colonial violence and monuments in Africa, Europe, the Indian subcontinent, North America, and Australia.In this volume, the authors ask similar questions about monuments in each location and answer them following a parallel structure that encourages comparison, highlighting common themes. The chapters track the contested histories of monuments, scrutinizing their narrative power and examining the violent events behind them. It is both about the history of monuments and the histories the monuments are meant to commemorate. It is interested in this nuanced relationship between violence, monuments, memory, and colonial legacies; the ways different facets of colonial violence—conquest, resistance, massacres, genocides, internments, and injustices—have been commemorated (or haven’t been), how they live in the present, and how pertinent they are in the present to different peoples. Legacies of colonial violence, and continued reinterpretations of the past and its meanings remain very much ongoing. They are still very much unsettled questions in large parts of the world.Colonial Violence and Monuments in Global History will be essential reading for students, scholars, and researchers of political science, history, sociology and colonial studies. The book was originally published as a special issue of the Journal of Genocide Research.

The American West and the World provides a synthetic introduction to the transnational history of the American West. Drawing from the insights of recent scholarship, Janne Lahti recenters the history of the U.S. West in the global contexts of empires and settler colonialism, discussing exploration, expansion, migration, violence, intimacies, and ideas. Lahti examines established subfields of Western scholarship, such as borderlands studies and transnational histories of empire, as well as relatively unexplored connections between the West and geographically nonadjacent spaces. Lucid and incisive, The American West and the World firmly situates the historical West in its proper global context.

The American West and the World provides a synthetic introduction to the transnational history of the American West. Drawing from the insights of recent scholarship, Janne Lahti recenters the history of the U.S. West in the global contexts of empires and settler colonialism, discussing exploration, expansion, migration, violence, intimacies, and ideas. Lahti examines established subfields of Western scholarship, such as borderlands studies and transnational histories of empire, as well as relatively unexplored connections between the West and geographically nonadjacent spaces. Lucid and incisive, The American West and the World firmly situates the historical West in its proper global context.

This book contributes to global history by examining the connected histories of German and United States colonial empires from the early nineteenth century to the Nazi era.

This book contributes to global history by examining the connected histories of German and United States colonial empires from the early nineteenth century to the Nazi era.