Jardar Østbø – författare

The world has been bombarded in recent years with images of the luxurious lives and wealth of corrupt oligarchs and kleptocrats, amassed at the expense of ordinary people. Such images exploit our feelings of injustice, are taken as indicative of moral decay, and inspire a desire to purge our economies of dirty money, objects, and people. But why do anti-corruption efforts routinely fail? What kind of world are they creating? Looking at luxury art, antiquities, superyachts, and populist politics, this book explores the connection between luxury and corruption, and offers an alternative to the received wisdom of how we tackle corruption.

The world has been bombarded in recent years with images of the luxurious lives and wealth of corrupt oligarchs and kleptocrats, amassed at the expense of ordinary people. Such images exploit our feelings of injustice, are taken as indicative of moral decay, and inspire a desire to purge our economies of dirty money, objects, and people. But why do anti-corruption efforts routinely fail? What kind of world are they creating? Looking at luxury art, antiquities, superyachts, and populist politics, this book explores the connection between luxury and corruption, and offers an alternative to the received wisdom of how we tackle corruption.

This book interrogates the transnational field of (anti-)corruption and elite crime. Using the lens of luxury, art, and antiquities, the contributors reconceptualize the driving dialectics of corruption and anti-corruption. Compliance, Defiance  and 'Dirty' Luxury brings together scholars across criminology, anthropology, sociology, and the humanities to tackle these dialectics from different angles and positions, digging deeper into these corrupt zigzags of compliance and defiance. This approach reveals a self-reinforcing, accelerating, neoliberal perpetuum mobile churning out a frenzy of public-private crime-fighting initiatives that stimulate the expansion of various control and surveillance architectures which time and again fail. This volume opens new theoretical and empirical paths of investigation for criminologists and anthropologists alike. While the book speaks primarily to academic audiences and graduate students, it also appeals to a broad range of professionals.Tereza Østbø Kuldova is Research Professor and a social anthropologist based at the Work Research Institute, Oslo Metropolitan University, Norway.Jardar Østbø is Professor and Head of Programme for Russian Security and Defence Policy at the Institute for Defence Studies, Norwegian Defence University College.Cris Shore is emeritus Professor of Anthropology at Goldsmiths University of London, UK, and currently Senior Research Fellow at the Institute for Advanced Study, Central European University, Hungary.

This book interrogates the transnational field of (anti-)corruption and elite crime. Using the lens of luxury, art, and antiquities, the contributors reconceptualize the driving dialectics of corruption and anti-corruption. Compliance, Defiance  and 'Dirty' Luxury brings together scholars across criminology, anthropology, sociology, and the humanities to tackle these dialectics from different angles and positions, digging deeper into these corrupt zigzags of compliance and defiance. This approach reveals a self-reinforcing, accelerating, neoliberal perpetuum mobile churning out a frenzy of public-private crime-fighting initiatives that stimulate the expansion of various control and surveillance architectures which time and again fail. This volume opens new theoretical and empirical paths of investigation for criminologists and anthropologists alike. While the book speaks primarily to academic audiences and graduate students, it also appeals to a broad range of professionals.Tereza Østbø Kuldova is Research Professor and a social anthropologist based at the Work Research Institute, Oslo Metropolitan University, Norway.Jardar Østbø is Professor and Head of Programme for Russian Security and Defence Policy at the Institute for Defence Studies, Norwegian Defence University College.Cris Shore is emeritus Professor of Anthropology at Goldsmiths University of London, UK, and currently Senior Research Fellow at the Institute for Advanced Study, Central European University, Hungary.

This in-depth analysis discloses the sources, contents, and implications of post-Soviet Russian messianism. Since its rediscovery 150 years ago, writers ranging from Western critics of Moscow’s foreign policy to ardent Russian imperialists have used the concept of Moscow as the Third Rome as ‘evidence’ of Russia’s particularism and expansionism. But for the original author of the formula of the Third Rome, the Orthodox monk Filofei of Pskov, it was a religious concept he referred to when criticizing what he saw as the apostasy of his time. This book is the first to look beyond this dichotomy. Drawing on theories of political myth and concepts of nationalism, Østbø develops a novel analytical perspective. Rather than dismissing political uses of the religious, medieval idea as ‘wrong’, the author analyzes the modern content and ideological function of the myth of the Third Rome. Through case studies of four prominent nationalist intellectuals, Vadim Tsymburskii, Aleksandr Dugin, Nataliia Narochnitskaia and Egor Kholmogorov, the author shows how this messianic myth is used to ‘reinvent’ Russia after the collapse of the Soviet Union. These writers use their own constructed image of the Russian nation to demonstrate what Russia ‘should be’ and its allegedly rightful place in the world. Existing in radically diverging versions, the myth of the Third Rome routinely conveys rabid anti-Westernism. At ‘best’, it is employed to forge a self-image of the Russians as an essentially isolationist civilization. At worst, it is used to ‘explain’ how the Russians are divinely elected to be the rulers of a world empire.