Jaroslav Stetkevych – författare

Now in Paperback!Muhammad and the Golden BoughReconstructing Arabic MythJaroslav StetkevychConnects pre-Islamic Arabian myth to world mythic traditions.A Choice Outstanding Academic Book"Stetkevych succeeds brilliantly in reconstructing the myth of the destruction of the Thamud, an ancient people of north Arabia. . . . This book will add a new dimension to the study of Near Eastern and Mediterranean myth and legend." —Choice"Stetkevych's critical and wide-ranging perspective reveals a wealth of insights. This book is must reading for everyone in the field of religion and one of the most important works in recent years." —Religious Studies Review"The graceful writing, interdisciplinary scope, and hermeneutical depth should make it compelling reading for those interested in the mythos of Arabia before and at the birth of Islam and in comparable myths in neighboring civilizations." —MESA Bulletin"It opens up new dimensions of how to think about, how to study, how to see interrelationships in the ancient Arabian world and their connections with the Mediterranean world in general. . . . a stunning piece of work." —Chronicle of Higher EducationThrough its development of a methodology for analyzing the mythic and folkloric traditions of pre-Islamic Arabia and the process of their incorporation into Islamic myth and Qur'anic texts, Muhammad and the Golden Bough offers compelling insights for students of Islam, comparative religion, and cultural anthropology. By linking Arabic myth with a broad range of ancient and classical texts—including Gilgamesh, Homer, and the Hebrew Bible—the book makes a provocative contribution to biblical and ancient Near Eastern studies, classics, and comparative literature.Jaroslav Stetkevych is Professor Emeritus of Arabic Literature at the University of Chicago. He is author of The Modern Arabic Literary Language: Lexical and Stylistic Developments and The Zephyrs of Najd: The Poetics of Nostalgia in the Classical Arabic Nasib. His articles on classical and modern Arabic literature have appeared in Spanish, English, Arabic, and Ukrainian.ContentsIntroduction: Reclaiming Arabian MythThe Textual PuzzleThe Thamudic Backdrop to the PuzzleThe First Answer to the Puzzle: The Raid on TabukThe Totem and the TabooPoeticizing the ThamudDemythologizing the ThamudThe ScreamThe Arabian Golden Bough and Kindred Branches: Frazer, Vergil, Homer, and GilgameshConclusion

Arabs have traditionally considered classical Arabic poetry, together with the Qur'an, as one of their supreme cultural accomplishments. Taking a comparatist approach, Jaroslav Stetkevych attempts in this book to integrate the classical Arabic lyric into an enlarged understanding of lyric poetry as a genre. Stetkevych concentrates on the "places of lost bliss" that furnish the dominant motif in the lyric-elegiac opening section (nasib) of the classical Arabic ode, or qasidah. In defining the Arabic lyrical genre, he shows how pre-Islamic lamentations over abandoned campsites evolved, in Arabo-Islamic mystical poetry, into expressions of spiritual nostalgia. Stetkevych also draws intriguing parallels between the highlands of Najd in Arabic poetry and Arcadia in the European tradition. He concludes by exploring the degree to which the pastoral-paradisiacal archetype of the nasib pervades Arabic literary perception, from the pre-Islamic ode through the "Thousand and One Nights" and later texts.

Among the world's major literary traditions, Arabic poetry is perhaps unique in that the theme of the hunt runs in a continuous, if uneven, current from the pre-Islamic, oral tradition, dating as far back as the fifth century CE, through the coming of Islam in the seventh century and the Umayyad and 'Abbasid caliphates, ultimately serving as a classical substrate for the radical Modernism of the twentieth century. This striking continuity of theme and motif of the pursuer—the hunter, companions, his steed, hounds, or falcon—and the pursued, whether the prey be oryx, onager, gazelle, hare, quail, or fox, is subject to dramatic transformations of poetic genre, structure, and sensibility throughout the arc of Arab cultural history. Through elegant translations and compelling interpretations, Jaroslav Stetkevych brings this dynamic Arabic tradition fully into the purview of contemporary cultural and humanistic studies. In the chapters of Part I of The Hunt in Arabic Poetry, Stetkevych explores the divergent themes of the heroic and the anti-heroic hunter within the grand genre of archaic Arabic odes and its transformation with the transition to Islam to a poetics of sacrifice and redemption. Part II traces the emergent aesthetics of the free-standing hunt lyric within the courtly culture of the Umayyad and 'Abbasid caliphates and the transition from description to imagism, concluding with the appearance of the long narrative hunt poem. Part III moves to the high Modernism of twentieth-century Arab free-verse poets and with it the reemergence of the classical theme of the hunt, now as a metaphor for the Modernist poet's metapoetic pursuit of the poem itself.