Jason A. Whitlark – författare

This book offers a fresh reading about the purpose for which Hebrews was written. In this book Whitlark argues that Hebrews engages both the negative pressures (persecution) and positive attractions (honor/prosperity) of its audience''s Roman imperial context. Consequently, the audience of Hebrews appears to be in danger of defecting to the pagan imperial context. Due to the imperial nature of these pressures, Hebrews obliquely critiques the imperial script according to the rhetorical expectations in the first-century Mediterranean world-namely, through the use of figured speech. This critique is the primary focus of Whitlark''s project. Whitlark examines Hebrews''s figured response to the imperial hopes boasted by Rome along with Rome''s claim to eternal rule, to the power of life and death, and to be led by the true, victorious ruler. Whitlark also makes a case for discerning Hebrews''s response to the challenges of Flavian triumph. Whitlark concludes his study by suggesting that Hebrews functions much like Revelation, that is, to resist the draw of the Christians'' Roman imperial context. This is done, in part, by providing a covert opposition to Roman imperial discourse. He also offers evaluation of relapse theories for Hebrews, of Hebrews''s place among early Christian martyrdom, and of the nature of the resistance that Hebrews promotes.

This book offers a fresh reading about the purpose for which Hebrews was written. In this book Whitlark argues that Hebrews engages both the negative pressures (persecution) and positive attractions (honor/prosperity) of its audience’s Roman imperial context. Consequently, the audience of Hebrews appears to be in danger of defecting to the pagan imperial context. Due to the imperial nature of these pressures, Hebrews obliquely critiques the imperial script according to the rhetorical expectations in the first-century Mediterranean world—namely, through the use of figured speech. This critique is the primary focus of Whitlark's project. Whitlark examines Hebrews’s figured response to the imperial hopes boasted by Rome along with Rome’s claim to eternal rule, to the power of life and death, and to be led by the true, victorious ruler. Whitlark also makes a case for discerning Hebrews’s response to the challenges of Flavian triumph. Whitlark concludes his study by suggesting that Hebrews functions much like Revelation, that is, to resist the draw of the Christians' Roman imperial context. This is done, in part, by providing a covert opposition to Roman imperial discourse. He also offers evaluation of relapse theories for Hebrews, of Hebrews’s place among early Christian martyrdom, and of the nature of the resistance that Hebrews promotes.

This book offers a fresh reading about the purpose for which Hebrews was written. In this book Whitlark argues that Hebrews engages both the negative pressures (persecution) and positive attractions (honor/prosperity) of its audience’s Roman imperial context. Consequently, the audience of Hebrews appears to be in danger of defecting to the pagan imperial context. Due to the imperial nature of these pressures, Hebrews obliquely critiques the imperial script according to the rhetorical expectations in the first-century Mediterranean world—namely, through the use of figured speech. This critique is the primary focus of Whitlark's project. Whitlark examines Hebrews’s figured response to the imperial hopes boasted by Rome along with Rome’s claim to eternal rule, to the power of life and death, and to be led by the true, victorious ruler. Whitlark also makes a case for discerning Hebrews’s response to the challenges of Flavian triumph. Whitlark concludes his study by suggesting that Hebrews functions much like Revelation, that is, to resist the draw of the Christians' Roman imperial context. This is done, in part, by providing a covert opposition to Roman imperial discourse. He also offers evaluation of relapse theories for Hebrews, of Hebrews’s place among early Christian martyrdom, and of the nature of the resistance that Hebrews promotes.

Inventing Hebrews examines a perennial topic in the study of the Letter to the Hebrews, its structure and purpose. Michael Wade Martin and Jason A. Whitlark undertake at thorough synthesis of the ancient theory of invention and arrangement, providing a new account of Hebrews' design. The key to the speech's outline, the authors argue, is in its use of 'disjointed' arrangement, a template ubiquitous in antiquity but little discussed in modern biblical studies. This method of arrangement accounts for the long-observed pattern of alternating epideictic and deliberative units in Hebrews as blocks of narratio and argumentatiorespectively. Thus the 'letter' may be seen as a conventional speech arranged according to the expectations of ancient rhetoric (exordium, narratio, argumentatio, peroratio), with epideictic comparisons of old and new covenant representatives (narratio) repeatedly enlisted in amplification of what may be viewed as the central argument of the speech (argumentatio), the recurring deliberative summons for perseverance. Resolving a long-standing conundrum, this volume offers a hermeneutical tool necessary for interpreting Hebrews, as well as countless other speeches from Greco-Roman antiquity.