Philip K. Dick was one of the most incisive, subversive, and entertaining authors of the last half of the twentieth century, and the increasing levels of respect and interest that his fiction and films have generated since the 1982 release of Blade Runner have made a comprehensive assessment of these films a virtual necessity. Future Imperfect is the only work to examine the cinematic adaptations of Dick's work in their entirety. Not all cinematic adaptations of Dick's work have been equally successful, but they have all at least made a similar effort to capture his evocative, paranoid, and compassionate view of humanity's precarious place in a fallen world—a world where rapidly proliferating technology, stultifying bureaucracy, and widespread political chicanery threaten both our bodies and our minds. Author Jason Vest seeks here to answer the question of how filmmakers as diverse as Ridley Scott, Paul Verhoeven, Steven Spielberg, and Richard Linklater have each, in their turn, expanded, extrapolated, and diverged from Dick's fiction in order to translate Dick's powerful and challenging insights on to the screen in a visual and yet still literary form.Dick's is a singular voice in American literature, and Future Imperfect aims to gauge exactly how well the cinematic adaptations of Dick's work have captured his unique vision of the human future, and how deeply Dick's storytelling abilities have influenced the development of science-fiction films from Blade Runner on. Students and general readers interested in science-fiction literature and film should find this an incredibly valuable work, as should film enthusiasts concerned with the issue of adaptation itself. Author Jason Vest is an expert in both American literature and the science-fiction genre. This marks the first book-length investigation of Dick's influence on the science-fiction genre, and also includes some of the more extended criticism on several seminal science fiction films.

Philip K. Dick was one of the most incisive, subversive, and entertaining authors of the last half of the twentieth century, and the increasing levels of respect and interest that his fiction and films have generated since the 1982 release of Blade Runner have made a comprehensive assessment of these films a virtual necessity. Future Imperfect is the only work to examine the cinematic adaptations of Dick's work in their entirety. Not all cinematic adaptations of Dick's work have been equally successful, but they have all at least made a similar effort to capture his evocative, paranoid, and compassionate view of humanity's precarious place in a fallen world—a world where rapidly proliferating technology, stultifying bureaucracy, and widespread political chicanery threaten both our bodies and our minds. Author Jason Vest seeks here to answer the question of how filmmakers as diverse as Ridley Scott, Paul Verhoeven, Steven Spielberg, and Richard Linklater have each, in their turn, expanded, extrapolated, and diverged from Dick's fiction in order to translate Dick's powerful and challenging insights on to the screen in a visual and yet still literary form.Dick's is a singular voice in American literature, and Future Imperfect aims to gauge exactly how well the cinematic adaptations of Dick's work have captured his unique vision of the human future, and how deeply Dick's storytelling abilities have influenced the development of science-fiction films from Blade Runner on. Students and general readers interested in science-fiction literature and film should find this an incredibly valuable work, as should film enthusiasts concerned with the issue of adaptation itself. Author Jason Vest is an expert in both American literature and the science-fiction genre. This marks the first book-length investigation of Dick's influence on the science-fiction genre, and also includes some of the more extended criticism on several seminal science fiction films.

This book offers the only examination of the television writing of David Milch and David Simon as significant contributions to American culture, literature, and social realism.David Milch and David Simon are two of the most prolific and successful television drama writers in the last 30 years. These talented writers have combined real-world knowledge with wild imaginations and understandings of the human psyche to create riveting shows with realistic environments and storylines. Minch and Simon's writing have resulted in television series that have earned both critical acclaim and millions of viewers.The Wire, Deadwood, Homicide, and NYPD Blue: Violence is Power is the most comprehensive text yet written about Milch and Simon, and documents how television dramas of the 1980s, 1990s, and 2000s mirrored American culture with unprecedented sociological accuracy. The author explains how both individuals are not only capable dramatists, but also insightful cultural critics. This book also examines the full range of Milch's and Simon's authorial careers, including Milch's books True Blue: The Real Stories behind NYPD Blue and Deadwood: Tales of the Black Hills and Simon's Homicide: A Year on the Killing Streets and The Corner: A Year in the Life of an Inner-City Neighborhood.

This book offers the only examination of the television writing of David Milch and David Simon as significant contributions to American culture, literature, and social realism.David Milch and David Simon are two of the most prolific and successful television drama writers in the last 30 years. These talented writers have combined real-world knowledge with wild imaginations and understandings of the human psyche to create riveting shows with realistic environments and storylines. Minch and Simon's writing have resulted in television series that have earned both critical acclaim and millions of viewers.The Wire, Deadwood, Homicide, and NYPD Blue: Violence is Power is the most comprehensive text yet written about Milch and Simon, and documents how television dramas of the 1980s, 1990s, and 2000s mirrored American culture with unprecedented sociological accuracy. The author explains how both individuals are not only capable dramatists, but also insightful cultural critics. This book also examines the full range of Milch's and Simon's authorial careers, including Milch's books True Blue: The Real Stories behind NYPD Blue and Deadwood: Tales of the Black Hills and Simon's Homicide: A Year on the Killing Streets and The Corner: A Year in the Life of an Inner-City Neighborhood.

Spike Lee's journey from guerrilla filmmaker to Hollywood insider is explored in light of his personal background, the cultural influence of his films, and the extensive scholarship his movies have inspired.This insightful study probes the iconic filmmaker's career as a director and shaper of American culture. It not only sheds light on the ways in which Lee's background, influences, and outlook affect his films but also discusses how he participates in, transforms, and transcends the tradition of black American filmmaking. Each chapter offers a critical assessment of at least one, and sometimes multiple, Lee films, examining their production history; their place in Lee's filmography; and their aesthetic, cultural, and historical significance. Readers will come away from this first scholarly assessment of Lee's career and work with a better understanding of his penchant for stirring up controversy about significant social, political, and artistic issues as well as his role as an American artist who provokes his audiences as much as he pacifies them.

Spike Lee's journey from guerrilla filmmaker to Hollywood insider is explored in light of his personal background, the cultural influence of his films, and the extensive scholarship his movies have inspired.This insightful study probes the iconic filmmaker's career as a director and shaper of American culture. It not only sheds light on the ways in which Lee's background, influences, and outlook affect his films but also discusses how he participates in, transforms, and transcends the tradition of black American filmmaking. Each chapter offers a critical assessment of at least one, and sometimes multiple, Lee films, examining their production history; their place in Lee's filmography; and their aesthetic, cultural, and historical significance. Readers will come away from this first scholarly assessment of Lee's career and work with a better understanding of his penchant for stirring up controversy about significant social, political, and artistic issues as well as his role as an American artist who provokes his audiences as much as he pacifies them.

From his 1952 short story "Roog" to the novels The Divine Invasion and VALIS, few authors have had as great of an impact in the latter half of the 20th century as Philip K. Dick. In The Postmodern Humanism of Philip K. Dick, Jason Vest explores the work of this prolific, subversive, and mordantly funny science-fiction writer. He examines how Dick adapted the conventions of science fiction and postmodernism to reflect humanist concerns about the difficulties of maintaining identity, agency, and autonomy in the latter half of the 20th century. In addition to an extensive analysis of the novel Now Wait for Last Year, Vest makes intellectually provocative comparisons between Dick and the works of Franz Kafka, Jorge Luis Borges, and Italo Calvino. He offers a detailed examination of Dick's literary relationship to all three authors, illuminating similarities between Dick and Kafka that have not previously been discussed, as well as similarities between Dick and Borges that scholars frequently note but fail to explore in detail.Like Kafka, Borges, and Calvino, Dick employs fantastic, unreal, and visionary fiction to reflect the disruptions, dislocations, and depressing realities of twentieth-century life. By comparing him to these other writers, Vest demonstrates that Dick's fiction is a fascinating barometer of postmodern American life even as it participates in an international tradition of visionary literature.

From his 1952 short story "Roog" to the novels The Divine Invasion and VALIS, few authors have had as great of an impact in the latter half of the 20th century as Philip K. Dick. In The Postmodern Humanism of Philip K. Dick, Jason Vest explores the work of this prolific, subversive, and mordantly funny science-fiction writer. He examines how Dick adapted the conventions of science fiction and postmodernism to reflect humanist concerns about the difficulties of maintaining identity, agency, and autonomy in the latter half of the 20th century. In addition to an extensive analysis of the novel Now Wait for Last Year, Vest makes intellectually provocative comparisons between Dick and the works of Franz Kafka, Jorge Luis Borges, and Italo Calvino. He offers a detailed examination of Dick''s literary relationship to all three authors, illuminating similarities between Dick and Kafka that have not previously been discussed, as well as similarities between Dick and Borges that scholars frequently note but fail to explore in detail.Like Kafka, Borges, and Calvino, Dick employs fantastic, unreal, and visionary fiction to reflect the disruptions, dislocations, and depressing realities of twentieth-century life. By comparing him to these other writers, Vest demonstrates that Dick''s fiction is a fascinating barometer of postmodern American life even as it participates in an international tradition of visionary literature.

Spike Lee's journey from guerrilla filmmaker to Hollywood insider is explored in light of his personal background, the cultural influence of his films, and the extensive scholarship his movies have inspired.This insightful study probes the iconic filmmaker's career as a director and shaper of American culture. It not only sheds light on the ways in which Lee's background, influences, and outlook affect his films but also discusses how he participates in, transforms, and transcends the tradition of black American filmmaking. Each chapter offers a critical assessment of at least one, and sometimes multiple, Lee films, examining their production history; their place in Lee's filmography; and their aesthetic, cultural, and historical significance. Readers will come away from this first scholarly assessment of Lee's career and work with a better understanding of his penchant for stirring up controversy about significant social, political, and artistic issues as well as his role as an American artist who provokes his audiences as much as he pacifies them.

Philip K. Dick was one of the most incisive, subversive, and entertaining authors of the last half of the twentieth century, and the increasing levels of respect and interest that his fiction and films have generated since the 1982 release of Blade Runner have made a comprehensive assessment of these films a virtual necessity. Future Imperfect is the only work to examine the cinematic adaptations of Dick's work in their entirety. Not all cinematic adaptations of Dick's work have been equally successful, but they have all at least made a similar effort to capture his evocative, paranoid, and compassionate view of humanity's precarious place in a fallen world—a world where rapidly proliferating technology, stultifying bureaucracy, and widespread political chicanery threaten both our bodies and our minds. Author Jason Vest seeks here to answer the question of how filmmakers as diverse as Ridley Scott, Paul Verhoeven, Steven Spielberg, and Richard Linklater have each, in their turn, expanded, extrapolated, and diverged from Dick's fiction in order to translate Dick's powerful and challenging insights on to the screen in a visual and yet still literary form.Dick's is a singular voice in American literature, and Future Imperfect aims to gauge exactly how well the cinematic adaptations of Dick's work have captured his unique vision of the human future, and how deeply Dick's storytelling abilities have influenced the development of science-fiction films from Blade Runner on. Students and general readers interested in science-fiction literature and film should find this an incredibly valuable work, as should film enthusiasts concerned with the issue of adaptation itself. Author Jason Vest is an expert in both American literature and the science-fiction genre. This marks the first book-length investigation of Dick's influence on the science-fiction genre, and also includes some of the more extended criticism on several seminal science fiction films.

Philip K. Dick was one of the most incisive, subversive, and entertaining authors of the last half of the twentieth century, and the increasing levels of respect and interest that his fiction and films have generated since the 1982 release of Blade Runner have made a comprehensive assessment of these films a virtual necessity. Future Imperfect is the only work to examine the cinematic adaptations of Dick's work in their entirety. Not all cinematic adaptations of Dick's work have been equally successful, but they have all at least made a similar effort to capture his evocative, paranoid, and compassionate view of humanity's precarious place in a fallen world—a world where rapidly proliferating technology, stultifying bureaucracy, and widespread political chicanery threaten both our bodies and our minds. Author Jason Vest seeks here to answer the question of how filmmakers as diverse as Ridley Scott, Paul Verhoeven, Steven Spielberg, and Richard Linklater have each, in their turn, expanded, extrapolated, and diverged from Dick's fiction in order to translate Dick's powerful and challenging insights on to the screen in a visual and yet still literary form.Dick's is a singular voice in American literature, and Future Imperfect aims to gauge exactly how well the cinematic adaptations of Dick's work have captured his unique vision of the human future, and how deeply Dick's storytelling abilities have influenced the development of science-fiction films from Blade Runner on. Students and general readers interested in science-fiction literature and film should find this an incredibly valuable work, as should film enthusiasts concerned with the issue of adaptation itself. Author Jason Vest is an expert in both American literature and the science-fiction genre. This marks the first book-length investigation of Dick's influence on the science-fiction genre, and also includes some of the more extended criticism on several seminal science fiction films.

This book offers the only examination of the television writing of David Milch and David Simon as significant contributions to American culture, literature, and social realism.David Milch and David Simon are two of the most prolific and successful television drama writers in the last 30 years. These talented writers have combined real-world knowledge with wild imaginations and understandings of the human psyche to create riveting shows with realistic environments and storylines. Minch and Simon's writing have resulted in television series that have earned both critical acclaim and millions of viewers.The Wire, Deadwood, Homicide, and NYPD Blue: Violence is Power is the most comprehensive text yet written about Milch and Simon, and documents how television dramas of the 1980s, 1990s, and 2000s mirrored American culture with unprecedented sociological accuracy. The author explains how both individuals are not only capable dramatists, but also insightful cultural critics. This book also examines the full range of Milch's and Simon's authorial careers, including Milch's books True Blue: The Real Stories behind NYPD Blue and Deadwood: Tales of the Black Hills and Simon's Homicide: A Year on the Killing Streets and The Corner: A Year in the Life of an Inner-City Neighborhood.

This book offers the only examination of the television writing of David Milch and David Simon as significant contributions to American culture, literature, and social realism.David Milch and David Simon are two of the most prolific and successful television drama writers in the last 30 years. These talented writers have combined real-world knowledge with wild imaginations and understandings of the human psyche to create riveting shows with realistic environments and storylines. Minch and Simon's writing have resulted in television series that have earned both critical acclaim and millions of viewers.The Wire, Deadwood, Homicide, and NYPD Blue: Violence is Power is the most comprehensive text yet written about Milch and Simon, and documents how television dramas of the 1980s, 1990s, and 2000s mirrored American culture with unprecedented sociological accuracy. The author explains how both individuals are not only capable dramatists, but also insightful cultural critics. This book also examines the full range of Milch's and Simon's authorial careers, including Milch's books True Blue: The Real Stories behind NYPD Blue and Deadwood: Tales of the Black Hills and Simon's Homicide: A Year on the Killing Streets and The Corner: A Year in the Life of an Inner-City Neighborhood.

Spike Lee's journey from guerrilla filmmaker to Hollywood insider is explored in light of his personal background, the cultural influence of his films, and the extensive scholarship his movies have inspired.This insightful study probes the iconic filmmaker's career as a director and shaper of American culture. It not only sheds light on the ways in which Lee's background, influences, and outlook affect his films but also discusses how he participates in, transforms, and transcends the tradition of black American filmmaking. Each chapter offers a critical assessment of at least one, and sometimes multiple, Lee films, examining their production history; their place in Lee's filmography; and their aesthetic, cultural, and historical significance. Readers will come away from this first scholarly assessment of Lee's career and work with a better understanding of his penchant for stirring up controversy about significant social, political, and artistic issues as well as his role as an American artist who provokes his audiences as much as he pacifies them.

Spike Lee's journey from guerrilla filmmaker to Hollywood insider is explored in light of his personal background, the cultural influence of his films, and the extensive scholarship his movies have inspired.This insightful study probes the iconic filmmaker's career as a director and shaper of American culture. It not only sheds light on the ways in which Lee's background, influences, and outlook affect his films but also discusses how he participates in, transforms, and transcends the tradition of black American filmmaking. Each chapter offers a critical assessment of at least one, and sometimes multiple, Lee films, examining their production history; their place in Lee's filmography; and their aesthetic, cultural, and historical significance. Readers will come away from this first scholarly assessment of Lee's career and work with a better understanding of his penchant for stirring up controversy about significant social, political, and artistic issues as well as his role as an American artist who provokes his audiences as much as he pacifies them.

From his 1952 short story "Roog" to the novels The Divine Invasion and VALIS, few authors have had as great of an impact in the latter half of the 20th century as Philip K. Dick. In The Postmodern Humanism of Philip K. Dick, Jason Vest explores the work of this prolific, subversive, and mordantly funny science-fiction writer. He examines how Dick adapted the conventions of science fiction and postmodernism to reflect humanist concerns about the difficulties of maintaining identity, agency, and autonomy in the latter half of the 20th century. In addition to an extensive analysis of the novel Now Wait for Last Year, Vest makes intellectually provocative comparisons between Dick and the works of Franz Kafka, Jorge Luis Borges, and Italo Calvino. He offers a detailed examination of Dick's literary relationship to all three authors, illuminating similarities between Dick and Kafka that have not previously been discussed, as well as similarities between Dick and Borges that scholars frequently note but fail to explore in detail.Like Kafka, Borges, and Calvino, Dick employs fantastic, unreal, and visionary fiction to reflect the disruptions, dislocations, and depressing realities of twentieth-century life. By comparing him to these other writers, Vest demonstrates that Dick's fiction is a fascinating barometer of postmodern American life even as it participates in an international tradition of visionary literature.

From his 1952 short story "Roog" to the novels The Divine Invasion and VALIS, few authors have had as great of an impact in the latter half of the 20th century as Philip K. Dick. In The Postmodern Humanism of Philip K. Dick, Jason Vest explores the work of this prolific, subversive, and mordantly funny science-fiction writer. He examines how Dick adapted the conventions of science fiction and postmodernism to reflect humanist concerns about the difficulties of maintaining identity, agency, and autonomy in the latter half of the 20th century. In addition to an extensive analysis of the novel Now Wait for Last Year, Vest makes intellectually provocative comparisons between Dick and the works of Franz Kafka, Jorge Luis Borges, and Italo Calvino. He offers a detailed examination of Dick''s literary relationship to all three authors, illuminating similarities between Dick and Kafka that have not previously been discussed, as well as similarities between Dick and Borges that scholars frequently note but fail to explore in detail.Like Kafka, Borges, and Calvino, Dick employs fantastic, unreal, and visionary fiction to reflect the disruptions, dislocations, and depressing realities of twentieth-century life. By comparing him to these other writers, Vest demonstrates that Dick''s fiction is a fascinating barometer of postmodern American life even as it participates in an international tradition of visionary literature.

Spike Lee's journey from guerrilla filmmaker to Hollywood insider is explored in light of his personal background, the cultural influence of his films, and the extensive scholarship his movies have inspired.This insightful study probes the iconic filmmaker's career as a director and shaper of American culture. It not only sheds light on the ways in which Lee's background, influences, and outlook affect his films but also discusses how he participates in, transforms, and transcends the tradition of black American filmmaking. Each chapter offers a critical assessment of at least one, and sometimes multiple, Lee films, examining their production history; their place in Lee's filmography; and their aesthetic, cultural, and historical significance. Readers will come away from this first scholarly assessment of Lee's career and work with a better understanding of his penchant for stirring up controversy about significant social, political, and artistic issues as well as his role as an American artist who provokes his audiences as much as he pacifies them.