Jason Rosenfeld – författare

This book de-mystifies the technology behind video conferencing and provides single users and small enterprises with the information they need to deploy video conferencing efficiently and cost effectively.For many years, the promise of high quality, low cost video conferencing has been an attractive solution for businesses interested in cutting travel costs while maintaining the benefits of face-to-face contact. Unfortunately, most solutions never lived up to the promise, due primarily to lack of internet bandwidth and poorly developed protocols. That's no all changed. The capacity has been created, the hardware works, and businesses are more eager than ever to cut down on travel costs.* Budget conscious methods for deploying Video over IP in small to medium enterprises * Coverage of Cisco, Microsoft, Skype, AOL, Google, VidiTel and many other products* How to identify and resolve nagging quality of service issues such as transmission delays and out of synch video-to-voice feeds

The first monograph on the internationally celebrated Nigerian American painter who blends her personal history and the African diasporic identity in layered compositions“Critics have often (and rightly) marveled at the care and finesse with which Akunyili Crosby assembles vast multiplicities of time and place into singular sites of visual contestation.” —FriezeNjideka Akunyili Crosby’s work unites multiple places and temporalities, reflecting both personal and universal dimensions of contemporary life and, in particular, the intricacies of the African diasporic identity. This first monograph on Akunyili Crosby brings together nearly fifty paintings, made from 2010 to 2023, that chart her methodical practice of layering painted representations of people, locales, and aspects of her own experiences with transferred images sourced from her personal collection, Nigerian publications, and other outlets. Akunyili Crosby reveals and revisits distinct realms, from lush gardens to domestic, interior worlds related to motherhood, family, marriage, the body, and personal identity. New texts from Jareh Das, Helen Molesworth, Jason Rosenfeld, and Drew Thompson focus on a range of themes in Akunyili Crosby’s work, including her visual language and material practice, her mixing of Western and Nigerian imagery and forms, and her use of photography in portraiture and figuration.

Coinciding with Stephen Hannock's return to phosphorescent painting, this monograph demonstrates the artist's appreciation for, and willingness to move beyond, traditional landscape artists.Known for his atmospheric landscapes—flooded rivers, incendiary nocturnes, and expansive vistas—Stephen Hannock’s works demonstrate his keen appreciation for the quality of light that recalls the Hudson River School and the Luminist painters. While his subject matter is initially reminiscent of Europeans Caspar David Friedrich and JMW Turner, and Americans Thomas Cole and Frederic Edwin Church, Hannock moves beyond the influence of traditional landscape artists to create works that have been described as self-portraiture.Characterizing his work as a reinvention of familiar vistas, Hannock focuses on setting the stage for stories that he writes onto the surface of the piece. His unique process of layering paint and then polishing the surface achieves an ethereal luminosity. His remarkable murals, some dating back to the 1970s, further explore his interest in setting the stage for storytelling. This newest study, with its highest-quality reproductions, affords readers the opportunity to revisit familiar works included in Hannock's first monograph, published in 2009, as they appreciate his newest paintings that showcase his evolving techniques, expanding subject matter, and the return to his pioneering use of phosphorescent pigments illuminated under black light.

The first – and highly anticipated – monograph on one of the most influential painters of our timeCecily Brown is a British-born, New York-based artist who rose to prominence in the late 1990s. Brown established her unique voice within the art sphere by investigating the sensual qualities of oil paint and challenging the conventions of abstraction and figuration. Through a range of reference to old master paintings, Abstract Expressionism, and popular culture, Brown's symbolic language, exuberant brushwork, rich palette, intense energy, and embrace of the erotic have redefined some of painting's historical canons.

Reprinted for the first time since 1889, this is the first biography and considered appraisal of one of England's most prodigiously talented painters. Sir John Everett Millais, P. R. A. (1829-1896) was the most precociously talented artist England has ever produced. His astonishing facility gained him entry as the Royal Academy's youngest ever pupil. At just 19 he founded with six other painters the Pre-Raphaelite Brotherhood, which revolutionised the English art world with a visionary intensity of both subject matter and style. Millais was its most creative member; as Jason Rosenfeld says in the introduction to this volume, "the sheer quality and distinctness of each of Millais's paintings of the 1850s is unmatched by any Western artist of the period." Yet there is much more to Millais' career than Pre-Raphaelitism. Some of the most emotive narrative paintings of the Victorian era, its greatest portraits, and especially some of its most beautiful, if neglected, landscapes, came from his brush - as did some of its most notoriously successful paintings, like Bubbles, the "fancy picture" that was made into an advertisement for Pears' Soap. This volume includes not only Millais's only published work of art criticism, the pithy "Thoughts on Our Art of Today," but also the first extended biography and appraisal of his work by the important critic M. H. Spielmann. This hugely engaging "Sketch" gives both a warm and personal picture of the man and a level-headed evaluation of the qualities - and defects - of his work as they appeared to contemporaries. Neither essay has been in print for more than a century.

This publication covers the entirety of the multivalent art of Pakistan-born American artist Shahzia Sikander (b.1969), with a particular focus on her painting. It contextualises her art within her early education in Lahore, move to America in 1993, and then her establishment in the New York art world since 1997.Sikander's work is among the most thought-provoking and ambitious in the contemporary art world. Initially transforming the traditional form of miniature painting, she pioneered what is now recognised as the Neo-Miniature movement, and over the past 20 years has sought to diversify a predominant Eurocentricity in contemporary art. Her paintings, video animations, mosaics and sculptures interweave historical and contemporary ideas about narrative, gender, trade, empire, and diaspora while centring on women's lives. This book considers the scope of Sikander’s considerable ambition and achievement.