Javier del Barco – författare

The application of computer technology to the edition and linguistic analysis of biblical texts has provided, in the last thirty years, advanced tools for research purposes as well as for teaching the Bible in the classroom. This discipline requires, nonetheless, a critical evaluation from a historical perspective, examining past and present achievements and failures. This collection of essays evaluates the current tools and considers what is needed to satisfy the increasing demand for software related to the biblical texts, and offers an overview of different trends in computer technology on the Bible.

The Kennicott Bible is among the most celebrated Hebrew Bibles that survive from the Middle Ages. Originating from La Coruña in northern Spain, it features lavish carpet pages, gold leaf silhouettes and abundant marginal decorations. This extraordinary manuscript is a treasure chest of history, culture, devotion, art and cross- cultural collaboration. The story of its survival is a remarkable one and its sumptuous images have delighted readers since its creation in 1476. This book features a collection of all of the decorated pages from this stunning manuscript – accompanied by four chapters authored by experts in the fields of Bible study, book history and medieval Jewish art. They discuss the main themes from several perspectives, including the Hebrew text of the Bible, the scribe who created the pages, the layout and palaeography, and the illuminator who produced the decoration and its imagery. There is also an analysis of the early medieval commentary on the Old Testament, the Masorah. Richly illustrated throughout, this beautiful book makes available the key pages from a treasure of Jewish book art together with the latest scholarship on its origins, provenance and creation.

This collection takes the Hebrew book as a focal point for exploring the production, circulation, transmission, and consumption of Hebrew texts in the cultural context of the late medieval western Mediterranean. The authors elaborate in particular on questions concerning private vs. public book production and collection; the religious and cultural components of manuscript patronage; collaboration between Christian and Jewish scribes, artists, and printers; and the impact of printing on Iberian Jewish communities. Unlike other approaches that take context into consideration merely to explain certain variations in the history of the Hebrew book from antiquity to the present, the premise of these essays is that context constitutes the basis for understanding practices and processes in late medieval Jewish book culture.